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The Petrified Forest Overview:

The Petrified Forest (1936) was a Crime - Drama Film directed by Archie Mayo and produced by Hal B. Wallis.

The Petrified Forest BlogHub Articles:

Silver Screen Standards: The Petrified Forest (1936)

Silver Screen Standards: The Petrified Forest (1936) The Petrified Forest (1936) Warning: This post contains spoilers about the ending of the film. If I were younger or in a more sanguine mood, I might find The Petrified Forest (1936) very romantic, but middle age and the perpetual crisis t... Read full article


A Floresta Petrificada / The Petrified Forest (1936)

A Floresta Petrificada / The Petrified Forest (1936) Quantos filmes interessantes começam em um posto de gasoline / restaurante? Vejamos: “Beija-me, Idiota” (1964) é o primeiro que me vem à mente. Também há “Fuga do Passado” (1947) e muitos outros filmes noir. Ma... Read full article


The Petrified Forest (1936)

If I dare say this film begins as a rather dull budding love story between a philosophical drifting author (Leslie Howard) and a inquisitive young server (Bette Davis) at a roadside gas station in Arizona. It looks like it’s not to be as he is intent on moving on but then comes murderer Duke M... Read full article


The Petrified Forest (1936)

If I dare say this film begins as a rather dull budding love story between a philosophical drifting author (Leslie Howard) and a inquisitive young server (Bette Davis) at a roadside gas station in Arizona. It looks like it’s not to be as he is intent on moving on but then comes murderer Duke M... Read full article


The Screen Guild Theater Presents: The Petrified Forest – 1940

My Review –Needs More Bogart– Honorary Bogie Radio Fix: The Lowdown For my full synopsis of the plot to The Petrified Forest click here. What I Thought This one was just another amazing jewel to be found as an extra on the “Humphrey Bogart: The Essential Collection” box set. While the play/... Read full article


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The Petrified Forest Quotes:

Duke Mantee: You can talk sitting down; I seen ya' doing it.

Alan Squier: Let there be killing. All this evening I've had a feeling of destiny closing in.

Alan Squier: The trouble with me, Gabrielle, is I, I belong to a vanishing race. I'm one of the intellectuals.
Gabrielle Maple: That, that means you've got brains!
Alan Squier: Hmmm. Yes. Brains without purpose. Noise without sound, shape without substance.

Duke Mantee: Maybe you're right, pal.
Alan Squier: Oh, I'm eternally right. But what good does it do me?

Alan Squier: So tell us Duke, what has your life been like?
Duke Mantee: You know the story.
Duke Mantee: Since I've been a grown up, I've spent most of my life in prison... I'll probably spend the rest of it dead.
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The Petrified Forest Facts
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on January 7, 1940 with Humphrey Bogart reprising his film role.

Mounted on the wall of the diner in which the story takes place is the headdress of a Native American medicine man, which resembles the horned head of an American buffalo. Director Archie Mayo staged many of the film's shots with the head of actor Humphrey Bogart (playing "world-famous murderer Duke Mantee") framed by the headdress mounted on the wall behind him. The composition of these shots, which appear throughout the second half of the film, result in the appearance of a demon's horns sprouting from Mantee's head.

Leslie Howard and Humphrey Bogart had played the same roles in the stage version. Warner Brothers wanted to put Howard in the film but replace Bogart with Edward G. Robinson. Howard insisted on Bogart, and Robinson was happy to step aside from yet another gangster role. Bogart would later name his second child with Lauren Bacall Leslie, in honor of Howard, the man who gave him his first big break.

Constance Bergen is in studio records/casting call lists for the role of "Doris," but she did not appear, although her character name is mentioned.

The original Broadway version also featured John Alexander and Slim Thompson, who recreate their roles in this film. The stage production opened Jan. 7, 1935 at the Broadhurst Theatre in New York and ran for 197 performances.

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