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Follow the Fleet Overview:

Follow the Fleet (1936) was a Comedy - Musical Film directed by Mark Sandrich and produced by Pandro S. Berman.

The film was based on the play Shore Leave written by Hubert Osborne performed in 1922.

SYNOPSIS

When he is rejected by his lady love, a song-and-dance man enlists in the navy. The estranged couple later meet again and join forces to solve the romantic difficulties of another star-crossed pair. An Astaire-Rogers musical featuring some of Irving Berlin's best songs, including "Let's Face the Music and Dance," "Let Yourself Go," and "We Saw the Sea." Typical but delightful.

(Source: available at Amazon AMC Classic Movie Companion).

Follow the Fleet BlogHub Articles:

THE FRED ASTAIRE AND GINGER ROGERS BLOGATHON: Follow the Fleet (1936)

Crystal of In the Good Old Days of Classic Hollywood and Michaela of Love Letters to Old Hollywood are hosting The Fred Astaire and Ginger Rogers Blogathon on July 20th - 22nd. It's like a party on the internet! You can find the contributions by clicking HERE or HERE. Randolph Scott, Fred ... Read full article


THE FRED ASTAIRE AND GINGER ROGERS BLOGATHON: Follow the Fleet (1936)

Crystal of In the Good Old Days of Classic Hollywood and Michaela of Love Letters to Old Hollywood are hosting The Fred Astaire and Ginger Rogers Blogathon on July 20th - 22nd. It's like a party on the internet! You can find the contributions by clicking HERE or HERE. Randolph Scott, Fred ... Read full article


Follow the Fleet (1936)

via: http://www.tcm.com/tcmdb/title/2785/Follow-the-Fleet/#tcmarcp-172408-172407 Unless otherwise noted, all images are my own. Follow the Fleet (1936) was Ginger Rogers and Fred Astaire‘s fifth film together. By the time they made this movie, they’d appeared in Flying Down to Rio (1933... Read full article


Astaire and Rogers let themselves go in... Follow the Fleet (1936)

Yesterday, we swam around the pool with Esther Williams. Today, we match taps with Fred and Ginger. Follow the Fleet is, to me, pretty underrated. Sometimes it can feel like all you hear about is Top Hat, Swing Time, and The Gay Divorcee, which are all great films, but come on, there's more out ther... Read full article


CMBA Blogathon: The Fabulous Films of the 30s – Follow the Fleet (1936)

The Fabulous Films of the 30′s: Follow the Fleet starring Fred Astaire, Ginger Rogers and… I distinctly remember the first time I saw Follow the Fleet.  It was many years ago, during one of those ‘vacation weeks’ between Christmas and New Years. I was staying up really late, tho... Read full article


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Follow the Fleet Quotes:

Connie Martin: [singing] The moon is high, the sky is blue. And here am I, but where are you? A night like this was meant for two. And I am here, but where are you? Have you forgotten the night that we met? With so much to remember how could you forget? The dreams I dream have yet to come true. My dreams and I are here, but where are you?

Connie Martin: They're pretty aren't they? (as Blige stares at girls walking by) Oh, but I bet you're used to seeing pretty girls all over the world.
Bilge Smith: I never give them a tumble sister. Women don't interest me.

Bilge Smith: So that's why you joined the navy -- you thought a torpedo would be easier to dodge than the shotgun.

Bilge Smith: This is a lucky night for me Baby. You're just my type of girl.
Connie Martin: Oh really? I would have thought you were the kind of man who never gives girls a tumble.
Bilge Smith: Say, you've got some very funny ideas about me. Oh, I admit I've been around, but I've never met one like you, Baby.

Kitty Collins: [to sailor trying to hit on her] Tell me, little boy, did you get a whistle or baseball bat with that suit?
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Follow the Fleet Facts
The fifth (of ten) dancing partnership of Fred Astaire and Ginger Rogers.

The song 'Get Thee Behind me, Satan' was edited in prints shown in Great Britain to remove the word 'Satan' (which offended the overly prudish censorship board). The result looks and sounds as though the film is faulty and jumps several frames each time the line is sung, but the effect was deliberate and a highly unusual example of censorship, possibly the only time a popular song was edited in this way.

During the fight scene between Fred Astaire and Randolph Scott, Astaire - not skilled in movie fight scenes - accidentally bloodied Scott's nose; Astaire was mortified, but Scott remained pointedly nonchalant.

During the final dance sequence on the boat it is possible to see Fred Astaire hit in the face by Rogers' beaded sleeve. The sequence was shot again 23 times in the hope of capturing the magic of that take without the accident, but it wasn't to be, and this original take was used.

At the time of production, the Oakland Bay Bridge was still under construction, so we see a night shot of the fleet sailing out through the Oakland Bay Bridge between the towers of the bridge, but the deck isn't in place yet.

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