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Mr. Deeds Goes to Town Overview:

Mr. Deeds Goes to Town (1936) was a Comedy - Romance Film directed by Frank Capra and produced by Frank Capra.

The film was based on the serial story Opera Hat written by Clarence Budington Kelland published in American Magazine from April-Sept 1935.

SYNOPSIS

Capra's populist favorite is about a Vermont hayseed (Cooper) who inherits a fortune and his encounters with the cynical, heartless metropolis. Small-town "pixilated" poet and guileless good guy Longfellow Deeds inherits $20 million, and, when he wants to use it to help the needy, various unsavory types try to get him declared insane. As might be expected, Cooper embodies the simple virtues and wins over hardened newspaper reporter Arthur. Capra favorite Riskin wrote the screenplay and Capra won his second Oscar for the direction. Both leads worked for Capra again in Meet John Doe (Cooper) and Mr. Smith Goes to Washington (Arthur). Based on "Opera Hat," a Saturday Evening Post story by Clarence Budington Kelland.

(Source: available at Amazon AMC Classic Movie Companion).

Academy Awards 1936 --- Ceremony Number 9 (source: AMPAS)

AwardRecipientResult
Best ActorGary CooperNominated
Best DirectorFrank CapraWon
Best PictureColumbiaNominated
Best WritingRobert RiskinNominated
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Mr. Deeds Goes to Town Quotes:

Longfellow Deeds: I've tramped the earth with hopeless beat, Searching in vain for a glimpse of you. Then heaven thrust you at my very feet, A lovely angel, too lovely to woo. My dream has been answered, but my life’s just as bleak. I'm handcuffed and speechless, in your presence divine. For my heart longs to cry out, if it only could speak. I love you, my angel, be mine, be mine.
Longfellow Deeds: He talks about women as if they were cattle.
Walter: Every man to his taste, sir.
Babe Bennett: I know why he won't defend himself! That has a bearing on the case, hasn't it? He's been hurt, he's been hurt by everybody he met since he came here, principally by me. He's been the victim of every conniving crook in town. The newspapers pounced on him, made him a target for their feeble humor. I was smarter than the rest of them: I got closer to him, so I could laugh louder. Why shouldn't he keep quiet - every time he said anything it was twisted around to sound imbecilic! He can thank me for it. I handed the gang a grand laugh. It's a fitting climax to my sense of humor.
Longfellow Deeds: [to the Court] It's like I'm out in a big boat, and I see one fellow in a rowboat who's tired of rowing and wants a free ride, and another fellow who's drowning. Who would you expect me to rescue? Mr. Cedar - who's just tired of rowing and wants a free ride? Or those men out there who are drowning? Any ten year old child will give you the answer to that.
Longfellow Deeds: When the servant comes in, Mr. Hallor, I'm going to ask him to show you to the door. Many people don't know where it is.
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Mr. Deeds Goes to Town Facts
Harry Cohn had a dictum in that he would only allow his directors to print any one of their takes, thereby saving the studio a great deal of money. Frank Capra found a loophole in getting round this. At the end of each take, instead of shouting "Cut" he would shout "Do it again", and the actors would launch immediately into an unbroken repetition of the scene.
The scene in which Deeds meets several famous writers and columnists at a New York restaurant, and finds them to be witty but also sarcastic and rude, is a reference to the Algonquin Round Table, with the character Bill Morrow being loosely based on Alexander Woollcott.
From the start, Frank Capra was convinced that Gary Cooper would be perfect for the part of Longfellow Deeds. Production had to wait six months for Cooper to become available, incurring costs of $100,000 for the delay in filming.
The film cost over $800,000 which was a very high figure for 1936.
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on February 1, 1937 with Gary Cooper, Jean Arthur and Lionel Stander reprising their film roles.
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