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Psycho Overview:

Psycho (1960) was a Horror - Mystery Film directed by Alfred Hitchcock and produced by Alfred Hitchcock.

The film was based on the novel of the same name written by Robert Bloch published in 1959.

SYNOPSIS

Hitchcock's mesmerizing thriller broke the rules of filmmaking with its cunning, psychologically-based plot, and changed the perception of Hollywood horror films forever. On a relatively small budget, Hitchcock carefully constructs a maze that leads to an inevitable, gruesome conclusion, a conclusion that the audience has seen coming and dreads. From the first shot, a magnificent crane shot whose camera perches on a hotel window from which we can observe an adulterous affair between Marion Crane (Leigh) and Gavin, the audience is complicit in the action, voyeurs who can't look away. After impulsively stealing a bundle of cash, Leigh heads for the highway. When she wearies and is advised to find a room, she turns into the Bates Motel, where she first encounters the nervously birdlike proprietor, Norman Bates (Perkins). Perkins's sly, almost charming performance as the haunted momma's boy builds a near-sympathy that is quickly erased by the famous shower scene, the most graphic depiction of a murder scene on film to that time. Through careful shooting and editing, the intensity of the act is multiplied in the minds of the audience until the last traces of blood swirl down the drain. As Crane's sister, Miles, and Detective Balsam uncover her fate, one more shock remains. A blueprint for cinema terror, which has been followed, discussed, and now remade almost shot for shot by Gus Van Sant in 1998 (he also followed Hitchcock's promotional blueprint, not allowing critics to pre-screen the film). Hitchcock had the last laugh on Paramount when they insisted that he finance much of the budget: Psycho was an international sensation that made him a wealthy man. Herrmann's chilling score, one of his finest, remains ever recognizable. Followed by three sequels and the 1998 remake. Though the film was nominated for Oscars for Best Director, Cinematography, Supporting Actress, and Art Direction, it received none, though it won a Golden Globe for Best Supporting Actress: Janet Leigh.

(Source: available at Amazon AMC Classic Movie Companion).

Psycho was inducted into the National Film Registry in 1992.

Academy Awards 1960 --- Ceremony Number 33 (source: AMPAS)

AwardRecipientResult
Best Supporting ActressJanet LeighNominated
Best Art DirectionArt Direction: Joseph Hurley, Robert Clatworthy; Set Decoration: George MiloNominated
Best CinematographyJohn L. RussellNominated
Best DirectorAlfred HitchcockNominated

Psycho BlogHub Articles:

Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh star in Alfred Hitchock’s suspense classic “Psycho”

Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh star in Alfred Hitchock’s suspense classic “Psycho” Psycho (1960) is an American suspense thriller directed by Alfred Hitchcock and starring Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh. The supporting cast i... Read full article


4K UHD Blu-ray Review: Psycho

Distributor: Universal Pictures Release Date: May 25, 2021 Region — 4K UHD: Region Free Blu-ray: Region A Length — Original Theatrical Version: 01:49:04 Censored Re-release Version: 01:48:51 Video— 4K UHD: 2160P (HEVC, H.265) Blu-ray: 1080P (MPEG-4, AVC) Main Audio — 4K UHD: English DTS X... Read full article


Blu-ray Review: Psycho – 60th Anniversary Edition

Distributor: Universal Pictures Release Date: September 08, 2020 Region: Region A Length — Psycho (Original Theatrical Version): 01:49:04 Psycho (Censored Re-release Version): 01:48:51 Video: 1080P (MPEG-4, AVC) Main Audio: English DTS X 7.1 English DTS-HD Master Audio Alternate Audio: 2.0 Mono S... Read full article


The Directors’ Chair: Psycho

The Directors’ Chair: Psycho (1960) Some directors specialize in comedy, others in suspense. Still others delve in horror, romance or westerns. There are directors known for many films and some known only for one. Directors can put their stamp all over their films, while others get the ... Read full article


So Crazy It Works – Psycho II (1983)

Okay, here’s the short version of this review: Psycho II is a much better movie than any movie calling itself Psycho II should be. Alright, let’s go a bit deeper, then. When a movie calls itself Psycho II and opens with the classic and infamous shower scene from the 1960 original, it is ... Read full article


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Psycho Quotes:

Marion Crane: Taxidermy. That is a strange hobby to fill.
Norman Bates: A hobby should pass the time, not fill it.

Norman Bates: It's not like my mother is a maniac or a raving thing. She just goes a little mad sometimes. We all go a little mad sometimes. Haven't you?
Marion Crane: Yes. Sometimes just one time can be enough.

Norman Bates: Uh-uh, Mother-m-mother, uh, what is the phrase? She isn't quite herself today.

Norman Bates: [voice-over] Now mother, I'm going to uh, bring something up...
Norma Bates: [voice-over] Haha... I am sorry, boy, but you do manage to look ludicrous when you give me orders.
Norman Bates: [voice-over] Please, mother.
Norma Bates: [voice-over] No! I will not hide in the fruit cellar! Ha! You think I'm fruity, huh? I'm staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!
Norman Bates: [voice-over] They'll come now, mother! He came after the girl, and now someone will come after him. Please mother, it's just for a few days, just for a few days so they won't find you!
Norma Bates: [voice-over] "Just for a few days"? In that dark, dank fruit cellar? No! You hid me there once, boy, and you'll not do it again, not ever again; now get out! I told you to get out, boy.
Norman Bates: [voice-over] I'll carry you, mother.
Norma Bates: [voice-over] Norman! What do you think you're doing? Don't you touch me, don't! NORMAN! Put me down, put me down, I can walk on my own...

Dr. Fred Richmond: Like I said... the mother... Now to understand it the way I understood it, hearing it from the mother... that is, from the mother half of Norman's mind... you have to go back ten years, to the time when Norman murdered his mother and her lover. Now he was already dangerously disturbed, had been ever since his father died. His mother was a clinging, demanding woman, and for years the two of them lived as if there was no one else in the world. Then she met a man... and it seemed to Norman that she 'threw him over' for this man. Now that pushed him over the line and he killed 'em both. Matricide is probably the most unbearable crime of all... most unbearable to the son who commits it. So he had to erase the crime, at least in his own mind. He stole her corpse. A weighted coffin was buried. He hid the body in the fruit cellar. Even treated it to keep it as well as it would keep. And that still wasn't enough. She was there! But she was a corpse. So he began to think and speak for her, give her half his time, so to speak. At times he could be both personalities, carry on conversations. At other times, the mother half took over completely. Now he was never all Norman, but he was often only mother. And because he was so pathologically jealous of her, he assumed that she was jealous of him. Therefore, if he felt a strong attraction to any other woman, the mother side of him would go wild.
[Points finger at Lila Crane]
Dr. Fred Richmond: When he met your sister, he was touched by her... aroused by her. He wanted her. That set off the 'jealous mother' and 'mother killed the girl'! Now after the murder, Norman returned as if from a deep sleep. And like a dutiful son, covered up all traces of the crime he was convinced his mother had committed!
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Psycho Facts
During preproduction, Alfred Hitchcock said to the press that he was considering Helen Hayes for the part of Mother. This was obviously a ruse, but several actresses wrote to Hitchcock requesting auditions.

The Bates house was largely modeled on an oil painting at the Museum of Modern Art in New York City. The canvas is called "House by the Railroad" and was painted in 1925 by American iconic artist Edward Hopper. The architectural details, viewpoint and austere sky is almost identical as seen in the film.

Marion's white 1957 Ford sedan is the same car (owned by Universal) that the Cleaver family drove on Leave It to Beaver.

In Robert Bloch's novel, Norman Bates is short, fat, older, and very dislikable. It was Alfred Hitchcock who decided to have him be young, handsome, and sympathetic. Norman is also more of a main character in the novel. The story opens with him and Mother fighting rather than following Marion from the start.

The trailer was shot after completing the movie, and because Janet Leigh wasn't available anymore, Alfred Hitchcock used Vera Miles in the shower sequence in the trailer.

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