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Midnight Overview:

Midnight (1939) was a Comedy - Romance Film directed by Mitchell Leisen and produced by William LeBaron and Arthur Hornblow Jr..

Midnight was inducted into the National Film Registry in 2013.

Midnight BlogHub Articles:

Silents Are Golden: A Closer Look At “London After Midnight” (1927)

A Closer Look At “London After Midnight” (1927) It’s probably the most famous, most sought-after lost silent film of all time: London After Midnight (1927), starring the screen legend Lon Chaney and directed by the macabre-minded Tod Browning. Despite constant attempts to track it d... Read full article


Watching 1939: Midnight (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, tha... Read full article


Midnight Special (2016): A Story of Parenthood

“These are words of the Lord…or the federal government.” Derek Webb has a song called “Spirit.” For anyone with a religious upbringing, it might conjure up the “Holy Ghost” — the Helper meant to fill up Christian faithful as they worship God in their s... Read full article


Watching 1939: Midnight Shadow (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, th... Read full article


Chimes at Midnight (1965, Orson Welles)

Chimes at Midnight opens with Orson Welles and Alan Webb, both aged men in the Medieval Ages, bumbling (probably at least somewhat drunkenly) in for the night; they sit at a fire and gently reminisce about their youth. The scene gives a first look at screenwriter, director, star Welles in all his gi... Read full article


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Midnight Quotes:

Eve Peabody: Listen. Back in New York, whenever I managed to crash a party full of luscious big-hearted millionaires, there was always sure to be some snub-faced kid in the orchestra playing traps. And so at four in the morning, when the wise girls were skipping off to Connecticut to marry those millionaires, I'd be with him in some nightspot learning tricks on the kettledrum. And he always had a nose like yours.

Eve Peabody: When I married, I didn't realize that in the Czerny family there was a streak of... shall we say, eccentricity? And yet, I had warning. Why else should his grandfather have sent me, as an engagement present, one roller skate - covered with Thousand Island dressing?
Jacques Picot: [Shocked] What?
Georges Flammarion: Of course, of course I'd forgotten! The Czerny's are all like that. You know, I met an old aunt - the Countess Antonia. I thought she was an Indian. It turned out, that she used paprika instead of face powder.

Helene Flammarion: Poor Jacques! Oh, my soul, this is heaven. Baroness Czerny indeed! Of all the impudence. The consummate impudence! We'll take this with us.
Marcel: Now, Helene, don't let's hush this up and don't let's wait until tomorrow. Go on, let's have a lovely scandal!

Jacques Picot: You're wonderful.
Eve Peabody: You're magnificent.
Helene Flammarion: You're talking across the board.

Eve Peabody: Oh, I think it's a dream on you. You know, it... it does something for your face: it gives you a chin.
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Midnight Facts
Barbara Stanwyck was originally slated for the role of Eve Peabody, but was replaced by Claudette Colbert because of scheduling problems.

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie onMay 20, 1940 with Claudette Colbert and Don Ameche reprising their film roles.

On Thursday, September 28, 1939, Robert L. Buckner filed a plagiarism suit demanding an injunction against exhibition of the film, "Midnight," and an accounting and damages, in the U.S. Federal Court, against Paramount Pictures, Inc. and Charles Beahan. Plaintiff (Buckner)claims that in 1933 he and Beahan wrote a play entitled, "Dearly Beloved," and delivered a manuscript to Paramount. The complaint charges Paramount with infringing the play in the picture, "Midnight," and states that Beahan is named a defendant because he refuses to join the suit as a plaintiff.

Mary Astor's pregnancy caused some filming problems.

After Wilder and Brackett fought with director Mitchell Leisen to make sure as much of their work made on the screen as possible, Wilder was convinced he had to direct the scripts they wrote and Brackett was convinced he had to produce.

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