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Dial M for Murder Overview:

Dial M for Murder (1954) was a Crime - Mystery Film directed by Alfred Hitchcock and produced by Alfred Hitchcock.

SYNOPSIS

Hitchcock's intriguing cinematic adaptation of Frederick Knott's play about a woman who slowly comes to realize that her husband is trying to murder her for her money. She foils an intruder with a sharp pair of scissors in a scene even more electrifying in the original 3-D.

(Source: available at Amazon AMC Classic Movie Companion).

Dial M for Murder BlogHub Articles:

Review: Dial M for Murder (1954)

Dial M for Murder is talky and more dialogue-driven than a great many Hitchcock films but that’s partly because the environment is more conducive to that kind of storytelling as much as the fact that this murder story is adapted from a popular British stage production. Like Rope (1948) or eve... Read full article


THE FAVORITE FILM AND TV HOMES BLOGATHON: Dial M for Murder (1954)

Phyllis Loves Classic Movies and Love Letters to Old Hollywood are hosting The Favorite Film and TV Homes Blogathon running from May 5th to 7th. This is going to be fun. Day 1 Day 2 Day 3 I am one who ascribes to the thoughts of the private consulting detective Sherlock Holmes when he remar... Read full article


THE FAVORITE FILM AND TV HOMES BLOGATHON: Dial M for Murder (1954)

Phyllis Loves Classic Movies and Love Letters to Old Hollywood are hosting The Favorite Film and TV Homes Blogathon running from May 5th to 7th. This is going to be fun. Day 1 I am one who ascribes to the thoughts of the private consulting detective Sherlock Holmes when he remarked to his f... Read full article


Ticklish Business – Dial M for Murder (1954)

Peter of the Podstalgic podcast joins me to talk about Grace Kelly’s career and her performance in the 1954 Alfred Hitchcock drama, Dial M for Murder. NEXT TIME: Special guest Danita Steinberg and I talk about 1962’s Whatever Happened to Baby Jane. Listening via iTunes? Please consider l... Read full article


"My Letter, Her Stocking, and No Key": Dial M for Murder (1954)

Poster art is fascinating to look at. With just a few images and a few words, it has to tell you what a film is all about. Sometimes it can be disastrous or laughable, thanks to an awful portrayal of what an actor looks like or a cheesy tagline (my favorite: "Baby-faced savage in a jungle of intrigu... Read full article


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Dial M for Murder Quotes:

Chief Insp. Hubbard: There is evidence however that he was blackmailing you.
Tony Wendice: Blackmail?
Mark Halliday: Yes, I'm afraid it's true, Tony.
Chief Insp. Hubbard: And you suggest that he came in by the window. And we know that he came in by that door.
Margot Mary Wendice: But he can't have come in that way. That door was locked. And there are only two keys. My husband had his with him, and mine was in my handbag. Here.
Chief Insp. Hubbard: You could have let him in.

[first lines]
Margot Mary Wendice: let me get you another drink. Mark, before Tony comes I ought to explain something.
Mark Halliday: Yes, I've been waiting for that.
Margot Mary Wendice: I haven't told him anything about us.

Mark Halliday: [to Margot] Darling, I understand now, but that doesn't stop me from loving you.

Margot Mary Wendice: How long have you known this?
Chief Insp. Hubbard: Did you suspect it yourself?
Margot Mary Wendice: No, never. And yet... What's the matter with me, Mark? I don't seem able to feel anything.

Mark Halliday: What is all this?
Chief Insp. Hubbard: They talk about flat-footed policemen. May the saints protect us from the gifted amateur.
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Dial M for Murder Facts
Alfred Hitchcock: about 13 minutes into the film, on the left side of the reunion photograph.

Adapted from a Broadway play that opened at the Plymouth Theater in New York on October 29, 1952 and ran for 552 performances. In the original production, Maurice Evans played Tony Wendice. In this film, John Williams and Anthony Dawson recreate their stage roles of Chief Inspector Hubbard and Captain Lesgate. J. Pat O'Malley later replaced Williams as Hubbard.

In a television interview Ray Milland said that he had fluffed his lines in a particular scene in the movie and ruefully apologized to the director. Alfred Hitchcock, he said, stared at him stonily for few seconds and then said: "I wound it up, put it on the floor, and it wouldn't go."

Filmed in 3D, which explains the prevalence of low-angle shots with lamps and other objects between us and the cast members. There was only a brief original release in 3D, followed by a conventional, "flat" release; The New York Times review mentioned it opened with the "flat" release at the Paramount in New York. The 3D version was reissued in 1980.

Visa d'exploitation en France #15714.

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