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Rosemary's Baby Overview:

Rosemary's Baby (1968) was a Drama - Horror Film directed by Roman Polanski and produced by William Castle and Dona Holloway.

The film was based on the novel of the same name written by Ira Levin published in 1967.

SYNOPSIS

This terrifying film redefines and updates Gothic horror for the modern (and more explicit) age. Cassavetes and Farrow move into a huge, creepy - and suspiciously affordable - apartment. They're taken under the wing of elderly neighbors Blackmer and Gordon, and good things start to happen in Cassavetes's marginal acting career. When the couple decides to have a child, Gordon takes over Farrow's care, and a strange dream that Farrow has of mating with a hideous beast begins to seem possible. Farrow's suspicions are treated as paranoid delusions, until they take shape in the form of her baby, the spawn of Satan. Polanski creates a truly frightening world from Ira Levin's sensational novel in which no one is who they seem and the dreaded underworld exists side by side with everyday life.

(Source: available at Amazon AMC Classic Movie Companion).

Rosemary's Baby was inducted into the National Film Registry in 2014.

Academy Awards 1968 --- Ceremony Number 41 (source: AMPAS)

AwardRecipientResult
Best Supporting ActressRuth GordonWon
Best WritingRoman PolanskiNominated
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Rosemary's Baby BlogHub Articles:

Rosemary’s Baby (1)

By Alexander Diminiano on Nov 26, 2012 From Cinemaniac Reviews

Bottom Line: A sly surprise. Directed by: Roman Polanski Rosemary Woodhouse: Mia Farrow Guy Woodhouse: John Cassavetes Also Starring: D’Urville Martin, Elisha Cook, Emmaline Henry, Hanna Landy, Hope Summers, Philip Leeds, Ruth Gordon, Sidney Blackmer It’s true only the good die young. A ... Read full article

ROSEMARY'S BABY...Roman Polanski's Horror Classic

By The Lady Eve on Oct 28, 2010 From Lady Eve's Reel Life

A landmark film of the horror genre, Rosemary's Baby (1968) also marked Roman Polanski's directorial debut in the US. The film, a runaway hit on release, was the prototype that inspired the onslaught of big-budget "A" horror films that followed: The Exorcist, The Omen, etc. In the tradition of Hitc... Read full article

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Rosemary's Baby Quotes:

Minnie Castevet: [whispers] Easy! Easy! You've got her too high!
Minnie Castevet: He chose you, honey! From all the women in the world to be the mother of his only living son!
Rosemary Woodhouse: What's in this drink?
Minnie Castevet: Snips and snails and puppy dog's tails.
Rosemary Woodhouse: Oh? And what if we wanted a girl?
Minnie Castevet: Do you?
Rosemary Woodhouse: Well, it would be nice if the first one was a boy.
Dr. Abe Sapirstein: Fantastic! Absolutely fantastic! What did you say the name was? Machado?
Guy Woodhouse: [on Rosemary's decision to switch doctors] You know what Dr. Hill is? He's a Charlie Nobody, that's who he is!
Rosemary Woodhouse: I'm tired of hearing about how great Dr. Sapirstein is!
Guy Woodhouse: Well, I won't let you do it Ro.
Rosemary Woodhouse: Why not?
Guy Woodhouse: Well, because... because it wouldn't be fair to Sapirstein.
Rosemary Woodhouse: Not fair to Sap... - what do you mean? What about what's fair to me?
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Rosemary's Baby Facts
The book that Rosemary reads in the cab is the Book of Ceremonial Magic, by A.E. Waite, Chapter IV: The Rituals Of Black Magic: Section 4: The Grimoire of Honorius. The italic section has been entered into the natural flow of the text; the previous paragraph has been shortened to make space for it.
Mia Farrow does the vocals on the title-sequence lullaby.
Rosemary (Mia Farrow) says to Terry Gionoffrio (Angela Dorian), "I thought you were Victoria Vetri, the actress," to which Terry responds, "Everyone says that, but I don't see the resemblance." Victoria Vetri is Angela Dorian's real name.
Ira Levin felt Rosemary's Baby is "the single most faithful adaptation of a novel ever to come out of Hollywood." William Castle speculated the reasons for this were because it was the first time Roman Polanski had ever adapted another writer's work. Unaware he had the freedom to improvise on the book.
The Dakota Building on Manhattan's Upper West Side was renamed The Bramford for the film.
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