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The Quiet Man Overview:

The Quiet Man (1952) was a Comedy - Drama Film directed by John Ford and produced by John Ford and Merian C. Cooper.

The film was based on the short story of the same name written by Maurice Walsh published in Saturday Evening Post in Feb 11, 1933.

SYNOPSIS

One of Ford's greatest and most loved films is at once a rollicking, robust comedy, a passionate love story, and a misty-eyed ode to Ford's Irish homeland. Wayne, a boxer returned to his birthplace in the small village of Innisfree, stumbles on the local customs and the resentment and suspicions of the townspeople, particularly a despised bully played by McLaglen. He also loses his heart to McLaglen's beautiful sister (O'Hara, who was never lovelier). Their rivalry comes to an explosive, hilarious climax when O'Hara refuses to consider herself married until Wayne receives her dowry from MacLaglen. The secretive American finally unleashes his fists and earns his wife's love and respect. Ford's brother Francis, a silent-era actor and director, appears in a funny cameo as an old man who refuses to expire until he witnesses the battle royale. This is a rewarding look directly into Ford's heart.

(Source: available at Amazon AMC Classic Movie Companion).

The Quiet Man was inducted into the National Film Registry in 2013.

Academy Awards 1952 --- Ceremony Number 25 (source: AMPAS)

AwardRecipientResult
Best Supporting ActorVictor McLaglenNominated
Best Art DirectionArt Direction: Frank Hotaling; Set Decoration: John McCarthy, Jr., Charles ThompsonNominated
Best CinematographyWinton C. Hoch, Archie StoutWon
Best DirectorJohn FordWon
Best PictureJohn Ford and Merian C. Cooper, ProducersNominated
Best WritingFrank S. NugentNominated

The Quiet Man BlogHub Articles:

Review: The Quiet Man (1952)

When you think of the combination of John Ford and John Wayne, it’s only normal to conjure up the quintessential western pairing. It’s true there are so many films that we could pay a nod to like Stagecoach (1939), The Searchers (1956), The Man Who Shot Liberty Valance (1961), etc. Thus,... Read full article


Irish Film Studies: The Quiet Man

This semester, I’m attending a course on Irish cinema. Each week, we are expected to write a blog-like journal about the film we watched in class and/or our class discussion about the film. I’ve decided to include those entries to my blog, so it would be more agreeable to read than a Word docume... Read full article


THE QUIET MAN KISSES

A first kiss is always memorable. It always intimates something more, of a moment of passion that has yet to be realized. But there is always a hint and a spark the first moment that lovers meet. The tints and shades of the vibrant images in The Quiet Man also promise deep passion, and the ethere... Read full article


JOHN FORD: DREAMING THE QUIET MAN

A couple years ago Olive Films released a remastered version of John Ford's THE QUIET MAN on Blu-ray. Now the company has put out on home video a 92-minute documentary about that legendary film called JOHN FORD: DREAMING THE QUIET MAN. Many on the internet have wondered why Olive didn't include this... Read full article


JOHN FORD: DREAMING THE QUIET MAN

A couple years ago Olive Films released a remastered version of John Ford's THE QUIET MAN on Blu-ray. Now the company has put out on home video a 92-minute documentary about that legendary film called JOHN FORD: DREAMING THE QUIET MAN. Many on the internet have wondered why Olive didn't include this... Read full article


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The Quiet Man Quotes:

Mary Kate Danaher: Could you use a little water in your whiskey?
Michaleen Flynn: When I drink whiskey, I drink whiskey; and when I drink water, I drink water.

Michaleen Flynn: Is this a courting or a donnybrook? Have the good manners not to hit the man until he's your husband and entitled to hit you back.

Father Paul: Father! Father Lonergan!
Father Peter Lonergan, Narrator: [not wanting to disturb the fish] Ssh, ssh, ssh, ssh, ssh.
Father Paul: It's a big fight in the town!
Father Peter Lonergan, Narrator: Listen, there's a big fight in this fish right here, too.
Father Paul: I'd have put a stop to it, but seeing it's...
Father Peter Lonergan, Narrator: You do that, lad. It's your duty.
Father Paul: But seeing it was Danaher and Sean Thornton...
[Father Lonergan turns at stares at Father Paul in amazement]
Father Peter Lonergan, Narrator: WHO?
Father Paul: Danaher and Sean Thornton!
Father Peter Lonergan, Narrator: WELL WHY THE DEVIL DIDN'T YOU TELL ME? Oh, you young...
[Throws down his fishing rod and the two run back into town. They abruptly stop behind a gate]
Father Paul: Father, shouldn't we put a stop to it now?
Father Peter Lonergan, Narrator: [relishing the fight from a distance] Ah, we should, lad, yes, we should, it's our duty!

Ignatius Feeney: [seeing mob approaching] I, I think your in-laws are commin' to pay you visit, Squire darlin'.

Michaleen Flynn: Two women in the house - and one of them a redhead!
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The Quiet Man Facts
John Wayne and John Ford decided to play a trick on Maureen O'Hara during filming. They chose the sequence where Wayne drags O'Hara across the town and through the fields. Before shooting the scene, Wayne and Ford kicked all of the sheep dung they could find onto the hill where O'Hara was to be dragged, face-down, on her stomach. O'Hara saw them doing it; with the help of several friends, she kicked it off, only to have Wayne and Ford kick it back on. O'Hara and her friends kicked it off again, and Wayne and Ford kicked it back. This went on and on until right before the scene was shot, when Wayne and Ford got in the last kick. According to O'Hara, "Duke had the time of his life dragging me through it. It was bloody awful. After the scene was over, Mr. Ford had given instructions that I was not to be brought a bucket of water or a towel. He made me keep it on for the rest of the day. I was mad as hell, but I had to laugh too. Isn't showbiz glamorous?"

James O'Hara's first film.

Second of five movies that paired John Wayne and Maureen O'Hara.

When the film was first screened in Boston, Mass., Michaleen Flynn's line on seeing the broken bed, "Impetuous! Homeric!", was censored.

Green, the national color of Ireland, can be seen somewhere in every shot in this film, but not on any of the actors' costumes except for Maureen O'Hara green floral dress in the cemetery scene. .

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