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The Greatest Show on Earth Overview:

The Greatest Show on Earth (1952) was a Drama - Family Film directed by Cecil B. DeMille and produced by Cecil B. DeMille and Henry Wilcoxon.

SYNOPSIS

A dazzling, only-by-DeMille spectacle focusing on life with a traveling three-ring circus. Stewart appears in an unfamiliar guise as a clown hiding from his past (as a doctor!), and there is romance and adventure under this big top, too. Look for many guest appearances. DeMille went all out recreating the color and pageantry of the circus, even traveling with Barnum and Bailey to learn the rhythms of big-top life.

(Source: available at Amazon AMC Classic Movie Companion).

Academy Awards 1952 --- Ceremony Number 25 (source: AMPAS)

AwardRecipientResult
Best Costume DesignEdith Head, Dorothy Jeakins, Miles WhiteNominated
Best DirectorCecil B. DeMilleNominated
Best Film EditingAnne BauchensNominated
Best PictureCecil B. DeMille, ProducerWon
Best WritingFredric M. Frank, Theodore St. John, Frank CavettWon

The Greatest Show on Earth BlogHub Articles:

The Greatest Show on Earth ( 1952 )

For Cecil B. DeMille there was no such thing as a regular feature film...it always had to be a spectacle. Circus films were a dime a dozen in the 1930s, but none of them really captured that thrill of seeing a circus in person. A circus was meant to be a spectacle, and the circus itself had to tak... Read full article


The Greatest Show on Earth (1952)

The Greatest Show on Earth Directed by Cecil B. De Mille Written by Written by Fredric M. Frank, Barré Lyndon, and Theodore St. John; story by Frank, St. John, and Frank Cavett 1952/USA Paramount Pictures First viewing/Netflix rental I will cut this movie some slack for the circus acts and Jimmy... Read full article


Classic Films in Focus: THE GREATEST SHOW ON EARTH (1952)

Critics often deride The Greatest Show on Earth (1952) as one of the worst Best Picture winners in Oscar history, but Cecil B. DeMille’s elaborate circus spectacle deserves a better reputation among classic movie fans. Yes, High Noon is the better film, but the blame for choosing the safer pic... Read full article


Classic Films in Focus: THE GREATEST SHOW ON EARTH (1952)

Critics often deride The Greatest Show on Earth (1952) as one of the worst Best Picture winners in Oscar history, but Cecil B. DeMille’s elaborate circus spectacle deserves a better reputation among classic movie fans. Yes, High Noon is the better film, but the blame for choosing the safer pic... Read full article


Classic Films in Focus: THE GREATEST SHOW ON EARTH (1952)

Critics often deride The Greatest Show on Earth (1952) as one of the worst Best Picture winners in Oscar history, but Cecil B. DeMille’s elaborate circus spectacle deserves a better reputation among classic movie fans. Yes, High Noon is the better film, but the blame for choosing the safer pic... Read full article


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The Greatest Show on Earth Quotes:

Klaus: You always have a smile for that high-flying peacock.
Angel: Well, what do you want me to do, cry over him?

Angel: Listen, sugar, the only way that you can keep me warm is to wrap me up in a marriage license.

Klaus: Your legs are too thin, your hair is too red, you have lips like a cat. You're no good. You give me too much trouble.
Angel: Flattery rolls right off me.

Angel: Did he say you were like cognac? All fire in zee glass?
Holly: No, he said I was like champagne. I made his head spin.
Angel: Yeah, only you'll be the one who winds up with a hangover.

[while Sebastian was speaking, romantically to Holly, Ruth, an elephant, was directed by Angel to pick up and take Holly away, from Sebastian, to Brad]
Sebastian: [Sebastian, speaking French] Qu'est-ce qu'al y a?
Holly: Let me go. Sebastian.
Angel: Never try to take anything from an elephant.
Holly: Sebastian, do something!
Sebastian: A lion I fight for you, a tiger! But the red-headed wildcat with an elephant, no.
[then he chuckled, with a big grin]
Holly: You make this two-tailed jackass put me down.
[Ruth let go of Holly, in front of Brad]
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The Greatest Show on Earth Facts
Mona Freeman: Circus spectator

During the film's spectacular set piece sequence of the train wreck, the Paramount sound Stage 16 was filled with animals running around loose. The greatest problem occurred when the large cage of monkeys was opened. The simians were so frightened of the lions and tigers that they panicked and fled the building, ending up in the adjoining Hollywood Cemetary. According to Cecil B. DeMille biographer Charles Higham, it proved almost impossible to retrieve them.

This film is listed among The 100 Most Amusingly Bad Moves Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE.

Merrill Reese: Circus spectator (Best known as the radio broadcaster for the Philadelphia Eagles from 1977-present, Reese was an unknown nine year old who happened to be at one of the filmed performances.)

After the train wreck, Emmett Kelly is briefly seen without his "Weary Willie" makeup, which is surprising since he was a very private individual and rarely allowed himself to be photographed out of character.

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