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The Big Sleep Overview:

The Big Sleep (1946) was a Crime - Film Noir Film directed by Howard Hawks and produced by Howard Hawks and Jack L. Warner.

The film was based on the novel of the same name written by Raymond Chandler published in 1939.

SYNOPSIS

Chandler's first novel introduced private detective Philip Marlowe, and The Big Sleep set the standard for private detective movies. Down-at-the-heels private eye Marlowe gets the assignment to clean up after the daughters of a dying millionaire, but dead people have a nasty habit of trailing in their wake. The famously tortuous storyline (Hawks supposedly asked Chandler to clarify a plot point about the murder of the family chauffeur; the novelist hadn't a clue as to who did the deed) seems beside the point when Bogart and Bacall are on-screen. The final release was recut to include more of their scenes together. A must! Remade in 1978.

(Source: available at Amazon AMC Classic Movie Companion).

The Big Sleep was inducted into the National Film Registry in 1997.

The Big Sleep BlogHub Articles:

Robert Mitchum as a Contemporary Marlowe in The Big Sleep

Robert Mitchum as Marlowe. The biggest knock against Michael Winner's 1978 adaptation of The Big Sleep was his decision to transplant the story to contemporary England. It was surely an odd choice, especially since Raymond Chandler's novels paint a rich, vibrant portrait of urban California life in... Read full article


The Big Sleep (1946, Howard Hawks)

A lot goes unspoken in The Big Sleep. It’s very much set in a wartime Los Angeles, but there’s never much said about wartime conditions or Los Angeles. When private detective Humphrey Bogart goes around the city, investigating, he’s only ever encountering women (beautiful women at that, becaus... Read full article


Thoughts on The Big Sleep (1946)

Thoughts on The Big Sleep (1946) On April 29, 2018 By CarolIn Uncategorized I like to say I have a love-hate relationship with The Big Sleep. I don’t. I love The Big Sleep. And it grows on me every time I watch it. Maybe because I understand it a little bit better ea... Read full article


The Big Sleep (1946)

By 1946 actor Humphrey Bogart fit into the role of detective Philip Marlowe so perfectly it might as well have been his favorite pair of shoes. Though this was Bogie’s own time playing the detective, The Big Sleep was simply a culmination of his past films coming together in perfect unison. He... Read full article


Day 26 of Noirvember: Don’t Snooze on The Big Sleep (1946)

Tune in to TCM on November 27th for The Big Sleep (1946), starring Humphrey Bogart and Lauren Bacall, directed by Howard Hawks, and containing what wins the prize for one of noirs most convoluted plots. Click below for one of my many favorite scenes from the film, featuring Bogart and Sonia Darrin. ... Read full article


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The Big Sleep Quotes:

Philip Marlowe: You the guy that's been tailing me?
Harry Jones: Yeah, the name's Jones. Harry Jones. I want to see you.
Philip Marlowe: Swell. Did you want to see those guys jump me?
Harry Jones: I didn't care one way or the other.
Philip Marlowe: You could've yelled for help.
Harry Jones: If a guy's playing a hand, I let him play it. I'm no kibitzer.
Philip Marlowe: You got brains

Carmen Sternwood: Is he as cute as you are?
Philip Marlowe: Nobody is.

Eddie Mars: Your story didn't sound quite right.
Philip Marlowe: Oh, that's too bad. You got a better one?
Eddie Mars: Maybe I can find one.

Philip Marlowe: Hmm.
General Sternwood: What does that mean?
Philip Marlowe: It means, hmm.

Philip Marlowe: I collect blondes and bottles too.
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The Big Sleep Facts
While working on the script, writers William Faulkner and Leigh Brackett couldn't figure out from the novel who murdered a particular character. So they phoned Raymond Chandler, who angrily told them the answer was right there in the book. They shrugged and returned to their work. Chandler soon phoned to say that he looked at the book himself and couldn't figure out who killed the character, so he left it up to them to decide. In the original cut, shown to the armed services, this question is resolved; in the film as released, it isn't.

Raymond Chandler claimed that Martha Vickers gave such an intense performance as Carmen Sternwood that she completely overshadowed Lauren Bacall, and that much of Vickers' performance ended up on the cutting room floor as a result.

William Faulkner came out to Hollywood to work on this film, but found that being around the set didn't agree with him, so he asked Howard Hawks if he could work "from home." Hawks agreed, assuming that Faulkner meant from his Hollywood apartment. Instead, Faulkner returned to his home in Oxford, Mississippi, leaving Hawks rather unhappy.

Nina Foch tested for the role of "Carmen."

The second of four films made by real life couple and later husband and wife Humphrey Bogart and Lauren Bacall. This film follows Bacall's debut in To Have and Have Not, during which their romance was first kindled on set. Following this film, the couple teamed up twice more, for Dark Passage and Key Largo.

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