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Casablanca Overview:

Casablanca (1942) was a Drama - Romance Film directed by Michael Curtiz and produced by Hal B. Wallis and Jack L. Warner.

SYNOPSIS

Perennially at the top of every all-time-greats list, and indisputably one of the landmarks of the American cinema. Bogart is an American expatriate and war profiteer in WWII Morocco, content to merely run the Cafe Americain until love (in the form of a luminous Bergman) returns to his life and inspires him to stand up for the French Resistance. An accidental Hollywood masterpiece, it just gets better as time goes by.

(Source: available at Amazon AMC Classic Movie Companion).

Casablanca was inducted into the National Film Registry in 1989.

Academy Awards 1943 --- Ceremony Number 16 (source: AMPAS)

AwardRecipientResult
Best ActorHumphrey BogartNominated
Best Supporting ActorClaude RainsNominated
Best CinematographyArthur EdesonNominated
Best DirectorMichael CurtizWon
Best Film EditingOwen MarksNominated
Best Music - ScoringMax SteinerNominated
Best PictureWarner Bros.Won
Best WritingJulius J. Epstein, Philip G. Epstein, Howard KochWon

Casablanca BlogHub Articles:

Rick's Cafe and the Moral Maze: Love, War, and Choices in “Casablanca”

Rick's Cafe and the Moral Maze: Love, War, and Choices in “Casablanca” Guest blog post written by Stephen Galen EstevanWe all know the lines, we've probably seen the tearful goodbye a hundred times, but what truly sets this 1942 classic apart? It's not just the trench coat drama or ... Read full article


Humphrey Bogart, Ingrid Bergman, and Paul Henreid have a date with fate in “Casablanca”

Humphrey Bogart, Ingrid Bergman, and Paul Henreid have a date with fate in “Casablanca” Casablanca, the 1942 classic directed by Michael Curtiz and starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid is the third film to be shown in this continuing monthly series. Winner of t... Read full article


Cinemallennials: Casablanca (1942)

Cinemallennials: Casablanca (1942) For those of you who are unfamiliar with Cinemallennials, it is a bi-weekly podcast in which I, and another millennial, watch a classic film that we’ve never seen before, and discuss its significance and relevance in today’s world. In this episode,... Read full article


Play It Again, Max: Casablanca and the Battle over “As Time Goes By”(Exclusive by Author Steven C. Smith)

Casablanca and the Battle over “As Time Goes By”(Exclusive by Author Steven C. Smith) By mid-1941, Max Steiner had already scored over thirty films at Warner Bros. since becoming that studio’s highest paid staff composer in 1937. Many of his projects had been prestigious and highly profi... Read full article


“La Marseillaise” Plays, as Rick, Ilsa and Refugees Find Their Footing in Casablanca (Guest Post)

“La Marseillaise” Even more than the famous “Here’s Looking at You” scene, the “La Marseillaise” scene in Casablanca is the one scene in the film that evokes more emotion from audiences than any other, as it propels the narration in a new direction and reveals more about the charact... Read full article


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Casablanca Quotes:

Ilsa: [in her goodbye letter] Richard, I cannot go with you or ever see you again. You must not ask why. Just believe that I love you. Go, my darling, and God bless you. Ilsa.

Ugarte: Too bad about those two German couriers, wasn't it?
Rick: They got a lucky break. Yesterday they were just two German clerks. Today they're the "Honored Dead".
Ugarte: You are a very cynical person, Rick, if you'll forgive me for saying so.
Rick: [shortly] I forgive you.

Rick: If it's December 1941 in Casablanca, what time is it in New York?
Sam: What? My watch stopped.
Rick: I'd bet they're asleep in New York. I'd bet they're asleep all over America.

Rick: I'm on their blacklist - their roll of honor!

Captain Renault: By the way, last night you evinced an interest in Señor Ugarte.
Victor Laszlo: Yes.
Captain Renault: I believe you have a message for him?
Victor Laszlo: Nothing important, but may I speak to him now?
Major Heinrich Strasser: You would find the conversation a trifle one-sided. Señor Ugarte is dead.
Ilsa: Oh.
Captain Renault: I am making out the report now. We haven't quite decided yet whether he committed suicide or died trying to escape.
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Casablanca Facts
In the famous scene where the "Marseillaise" is sung over the German song "Watch on the Rhine", many of the extras had real tears in their eyes; a large number of them were actual refugees from Nazi persecution in Germany and elsewhere in Europe and were overcome by the emotions the scene brought out.

The Allies invaded Casablanca in real life on 8 November 1942. As the film was not due for release until spring, studio executives suggested it be changed to incorporate the invasion. Warner Bros. chief Jack L. Warner objected, as he thought that an invasion was a subject worth a whole film, not just an epilogue, and that the main story of this film demanded a pre-invasion setting. Eventually he gave in, though, and producer Hal B. Wallis prepared to shoot an epilogue where Humphrey Bogart and Claude Rains hear about the invasion. However, before Rains could travel to the studio for this, David O. Selznick (whose studio owned Bergman's contract) previewed the film and urged Warner to release it unaltered and as fast as possible. Warner agreed and the premiered in New York on November 26. It did not play in Los Angeles until its general release the following January, and hence competed against 1943 films for the Oscars.

Studio publicity in 1941 claimed that Ronald Reagan and Ann Sheridan were scheduled to appear in this film, and Dennis Morgan is mentioned as the third lead. This was never the case, however, and the false story was planted, either by a studio publicist or a press agent for the three other actors, to keep their names in the press. Meanwhile George Raft was angling for the part with Jack L. Warner, but Hal B. Wallis had been assigned to search for what would be Humphrey Bogart's next starring role. He wrote to Warner that he had found the next movie for Bogart and the role was perfect for him. Nobody else was ever considered for the part.

Ingrid Bergman's contract was owned by producer David O. Selznick, and producer Hal B. Wallis sent the film's writers, Philip G. Epstein and Julius J. Epstein, to persuade Selznick to loan her to Warner Bros. for the picture. After 20 minutes of describing the plot to Selznick, Julius gave up and said, "Oh, what the hell! It's a lot of shit like Algiers!" Selznick nodded and agreed to the loan.

No one knew right up until the filming of the last scene whether Ilsa would end up with Rick or Laszlo. During the course of the picture, when Ingrid Bergman asked director Michael Curtiz with which man her character was in love, she was told to "play it in between". Since the ending was not the final scene shot, there are some scenes where she *was* aware of how everything would turn out, and these include the scene in the black market with Rick and the scene in the Blue Parrot where Ferrari offers the Laszlos one exit visa.

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