Film Quotes by Carole Lombard
55 quotes
Year: 1942
Director:
Ernst Lubitsch
Director:
Ernst Lubitsch
Professor Alexander Siletsky:
Shall we drink to a blitzkrieg?
Maria Tura: I prefer a slow encirclement.
Maria Tura: I prefer a slow encirclement.
--
Carole Lombard
(as Maria Tura)
in
To Be or Not to Be
(1942)
Year: 1935
Director:
Mitchell Leisen
Director:
Mitchell Leisen
Laura:
Yeah, and maybe here's that ten million dollars you've been dreaming about.
Regi: The way I feel today, I'd settle for a million.
Regi: The way I feel today, I'd settle for a million.
--
Carole Lombard
(as Regi Allen)
in
Hands Across the Table
(1935)
Year: 1934
Director:
Jack Conway
Director:
Jack Conway
Daniel J. Dingle:
Mary, how about a little kiss?
Mary Magiz: Mr. Dingle, you forget I'm in mourning!
Daniel J. Dingle: What's that got to do with it?
Mary Magiz: Well how would you feel if you were dead, and I kissed somebody else?
Mary Magiz: Mr. Dingle, you forget I'm in mourning!
Daniel J. Dingle: What's that got to do with it?
Mary Magiz: Well how would you feel if you were dead, and I kissed somebody else?
--
Carole Lombard
(as Mary Magiz)
in
The Gay Bride
(1934)
Year: 1934
Director:
Wesley Ruggles*Mitchell Leisen
Director:
Wesley Ruggles*Mitchell Leisen
Raoul De Baere:
When you come to your senses I'll talk to you.
Helen Hathaway: I've come to my senses; that's why I'm leaving.
Helen Hathaway: I've come to my senses; that's why I'm leaving.
--
Carole Lombard
(as Helen Hathaway)
in
Bolero
(1934)
Year: 1934
Director:
Wesley Ruggles*Mitchell Leisen
Director:
Wesley Ruggles*Mitchell Leisen
Raoul De Baere:
You wouldn't get rich on what I'd pay you.
Helen Hathaway: There are other ways to get rich.
Helen Hathaway: There are other ways to get rich.
--
Carole Lombard
(as Helen Hathaway)
in
Bolero
(1934)
Year: 1932
Director:
Wesley Ruggles
Director:
Wesley Ruggles
Connie:
[to Babe about the lake party] It's too lonesome, no subway, no elevator... None of the rushing noise of the city.
[Dreamily]
Connie: Just pale moon, quiet lake, soft breeze, hardly rustling the pine leaves...
[Snaps back to reality and looks at Babe]
Connie: You'd be bored to death
[Dreamily]
Connie: Just pale moon, quiet lake, soft breeze, hardly rustling the pine leaves...
[Snaps back to reality and looks at Babe]
Connie: You'd be bored to death
--
Carole Lombard
(as Connie Randall)
in
No Man of Her Own
(1932)
Year: 1932
Director:
Wesley Ruggles
Director:
Wesley Ruggles
Connie:
Just a New York cowboy aren't you? Passing through and giving a little small town girl her big moment.
--
Carole Lombard
(as Connie Randall)
in
No Man of Her Own
(1932)
Year: 1932
Director:
Wesley Ruggles
Director:
Wesley Ruggles
Connie:
The girl who lands him will say no and put an anchor on it... But isn't it tough when all you can think of is yes?
--
Carole Lombard
(as Connie Randall)
in
No Man of Her Own
(1932)
Year: 1932
Director:
Wesley Ruggles
Director:
Wesley Ruggles
Connie:
You'd be lovely to have around, just to sprinkle the flowers with your personality.
--
Carole Lombard
(as Connie Randall)
in
No Man of Her Own
(1932)
Year: 1935
Director:
Marion Gering
Director:
Marion Gering
Diana Harrison:
I want to make loud, rude noises. I want to spill things and push chairs over. After all, I'm a human being and I like to act like one occasionally.
--
Carole Lombard
(as Diana Harrison)
in
Rumba
(1935)