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The Grapes of Wrath Overview:

The Grapes of Wrath (1940) was a Drama - Black-and-white Film directed by John Ford and produced by Darryl F. Zanuck and Nunnally Johnson.

The film was based on the novel of the same name written by John Steinbeck published in 1939.

SYNOPSIS

Ford directs what many consider to be Fonda's greatest role. Based on Steinbeck's Pulitzer Prize-winning 1939 novel, the story follows an Oklahoma family's escape from the Dustbowl to join the migration to California's fruit harvest. Fonda shines as Tom Joad, a poor farmer who refuses to be beaten down by misfortune and oppression, and Darwell is moving as the loving backbone of the Joad family. An unusually compassionate and socially conscious film, it's like a series of Dorothea Lange photos from the Depression, full of suffering and dignity.

(Source: available at Amazon AMC Classic Movie Companion).

The Grapes of Wrath was inducted into the National Film Registry in 1989.

Academy Awards 1940 --- Ceremony Number 13 (source: AMPAS)

AwardRecipientResult
Best ActorHenry FondaNominated
Best Supporting ActressJane DarwellWon
Best DirectorJohn FordWon
Best Film EditingRobert SimpsonNominated
Best Picture20th Century-FoxNominated
Best WritingNunnally JohnsonNominated

The Grapes of Wrath BlogHub Articles:

The Grapes of Wrath (1940) – Updated

The Grapes of Wrath is in special company with a number of literary adaptations where film and source material are both so highly regarded and cultural significant. A few other names spring to mind such as Gone with the Wind, A Streetcar Named Desire, and To Kill a Mockingbird. However, even more so... Read full article


Review: The Grapes of Wrath (1940)

The Grapes of Wrath is in special company with a number of literary adaptations where film and source material are both so highly regarded and cultural significant. A few other names spring to mind such as Gone with the Wind, A Streetcar Named Desire, and To Kill a Mockingbird. However, even more so... Read full article


Review: The Grapes of Wrath (1940)

The Grapes of Wrath is in special company with a number of literary adaptations where film and source material are both so highly regarded and culturally significant. A few other names spring to mind such as Gone with the Wind, A Streetcar Named Desire, and To Kill a Mockingbird. However, even more ... Read full article


The Grapes of Wrath (1940, John Ford)

The Grapes of Wrath starts in a darkened neverland. Director Ford and cinematographer Gregg Toland create a realer than real Oklahoma for protagonist Henry Fonda to journey across. The locations and sets aren’t as important as how Fonda (and the audience) experience it. It’s actually rat... Read full article


The Grapes of Wrath (1940) with Henry Fonda

Share This! “If there was a law they was workin’ with, maybe we could take it, but it ain’t the law.  They’re workin’ away our spirits, tryin’ to make us cringe and crawl, takin’ away our decency.” —— Tom Joad (Henry Fonda) A man walks along an empty Oklahoma highway.  The blac... Read full article


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The Grapes of Wrath Quotes:

Grandpa Joad: It's my dirt! Eh-heh! No good, but it's - it's mine, all mine.

Tom Joad: I been thinking about us, too, about our people living like pigs and good rich land layin' fallow. Or maybe one guy with a million acres and a hundred thousand farmers starvin'. And I been wonderin' if all our folks got together and yelled...
Ma Joad: Oh, Tommy, they'd drag you out and cut you down just like they done to Casy.
Tom Joad: They'd drag me anyways. Sooner or later they'd get me for one thing if not for another. Until then...
Ma Joad: Tommy, you're not aimin' to kill nobody.
Tom Joad: No, Ma, not that. That ain't it. It's just, well as long as I'm an outlaw anyways... maybe I can do somethin'... maybe I can just find out somethin', just scrounge around and maybe find out what it is that's wrong and see if they ain't somethin' that can be done about it. I ain't thought it out all clear, Ma. I can't. I don't know enough.
Ma Joad: How am I gonna know about ya, Tommy? Why they could kill ya and I'd never know. They could hurt ya. How am I gonna know?
Tom Joad: Well, maybe it's like Casy says. A fellow ain't got a soul of his own, just little piece of a big soul, the one big soul that belongs to everybody, then...
Ma Joad: Then what, Tom?
Tom Joad: Then it don't matter. I'll be all around in the dark - I'll be everywhere. Wherever you can look - wherever there's a fight, so hungry people can eat, I'll be there. Wherever there's a cop beatin' up a guy, I'll be there. I'll be in the way guys yell when they're mad. I'll be in the way kids laugh when they're hungry and they know supper's ready, and when the people are eatin' the stuff they raise and livin' in the houses they build - I'll be there, too.
Ma Joad: I don't understand it, Tom.
Tom Joad: Me, neither, Ma, but - just somethin' I been thinkin' about.

Casy: Tom, you gotta learn like I'm learnin'. I don't know it right yet myself. That's why I can't ever be a preacher again. Preachers gotta know. I don't know. I gotta ask.

Ma Joad: Rich fellas come up an' they die, an' their kids ain't no good an' they die out. But we keep a'comin'. We're the people that live. They can't wipe us out; they can't lick us. We'll go on forever, Pa, 'cause we're the people.

Muley Graves: There ain't nobody gonna push me of my land! My grandpa took up this land 70 years ago, my pa was born here, we were all born on it. And some of of us was killed on it! ...and some of us died on it. That's what make it our'n, bein' born on it,...and workin' on it,...and and dying' on it! And not no piece of paper with the writin' on it!
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The Grapes of Wrath Facts
Non-US audiences saw the film with a prologue which explained about the effects of the Depression and the Oklahoma Dust Bowl.

Darryl F. Zanuck paid $100,000 for the rights to John Steinbeck's novel - a staggering amount of money at the time. Steinbeck only allowed the rights to be sold under the proviso that the filmmakers should show the material due reverence and treat the project responsibly.

The film shot for seven weeks.

Banks and the large farming corporations that controlled most California farms were not keen on the original novel (it was banned in some states and in several counties in California, and the book was not carried in the municipal library of author John Steinbeck's home town of Salinas, California, until the 1990s) and were even less thrilled that a film was being made of it. The Associated Farmers of California called for a boycott of all 20th Century-Fox films, and Steinbeck himself received death threats.

When Darryl F. Zanuck suggested to John Ford that, to create an upbeat ending, he use Ma Joad's "we're the people" monologue for a closing scene, Ford told Zanuck to direct it himself - which he did.

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