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The Barretts of Wimpole Street Overview:

The Barretts of Wimpole Street (1934) was a Biographical - Drama Film directed by Sidney Franklin and produced by Irving Thalberg.

SYNOPSIS

A somber drama about the relationship between the poets Elizabeth Barrett and Robert Browning. The Barrett family lives in a beautiful house on Wimpole Street. But beyond the facade of their lovely home lies a tyrannical patriarch who stifles his daughter Elizabeth. The poor girl is a bedridden invalid who lives in solitude with her poetry and her little dog. But when she meets Browning, a handsome suitor and fellow poet, she finds the strength to make a miraculous recovery.

(Source: available at Amazon AMC Classic Movie Companion).

Academy Awards 1934 --- Ceremony Number 7 (source: AMPAS)

AwardRecipientResult
Best ActressNorma ShearerNominated
Best PictureMetro-Goldwyn-MayerNominated

The Barretts of Wimpole Street BlogHub Articles:

The Barretts of Wimpole Street (1934)

The Barretts of Wimpole Street Directed by Sidney Franklin Written by Ernest Vajda, Colleen West, and Donald Ogden Stewart from a play by Rudolph Besler 1934/USA Metro-Goldwyn-Mayer First viewing/FilmStruck This rather pedestrian story of the romance between two  poets is enlivened by the perform... Read full article


Classic Films in Focus: THE BARRETTS OF WIMPOLE STREET (1934)

Once upon a time, the romance of Victorian poets Elizabeth Barrett and Robert Browning was one of the world’s most celebrated love stories, although today it’s a tale that only English majors with a particular interest in the 19th century are likely to know well. The Barretts of Wimpole ... Read full article


Classic Films in Focus: THE BARRETTS OF WIMPOLE STREET (1934)

Once upon a time, the romance of Victorian poets Elizabeth Barrett and Robert Browning was one of the world’s most celebrated love stories, although today it’s a tale that only English majors with a particular interest in the 19th century are likely to know well. The Barretts of Wimpole ... Read full article


Classic Films in Focus: THE BARRETTS OF WIMPOLE STREET (1934)

Once upon a time, the romance of Victorian poets Elizabeth Barrett and Robert Browning was one of the world’s most celebrated love stories, although today it’s a tale that only English majors with a particular interest in the 19th century are likely to know well. The Barretts of Wimpole ... Read full article


DVD Review: The Barretts of Wimpole Street (1934)

Well, this was not what I expected. The Barretts of Wimpole Street (1934) is the film adaptation of the Broadway hit production by the same name, and should not be confused with the 1957 version, which was word-for-word, scene for scene, the exact same film with a different cast. This film is a rath... Read full article


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The Barretts of Wimpole Street Quotes:

Edward Moulton-Barrett: Elizabeth, give me your Bible.
Elizabeth Barrett: My Bible belonged to Mama. I can't have it used for such a purpose.
Edward Moulton-Barrett: Give me your Bible.
Elizabeth Barrett: No.
Edward Moulton-Barrett: You refuse?
Elizabeth Barrett: Yes.

Elizabeth Barrett: Is that Mr. Browning over there?
Wilson: I shouldn't be at ALL surprised, Miss.

Edward Moulton-Barrett: I shall never in any way reproach you. You shall never know by deed or word or hint of mine how much you have grieved and wounded your father by refusing to do the little thing he asked.

[repeated line]
Harry Bevan: Oh, come come, my pet!

Elizabeth Barrett: What's another disaster to one who has known little but disaster all her life? But you're a fighter. You were born for victory and triumph. Oh, and if disaster ever came to you through me...
Robert Browning: Yes, a fighter. But I'm sick of fighting alone. I need a comrade in arms to fight beside me.
Elizabeth Barrett: But not one already wounded in battle.
Robert Browning: Wounded but undaunted, unbeaten, unbroken. What finer comrade could a man ask for?
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The Barretts of Wimpole Street Facts
When producer Irving Thalberg cast his wife, Norma Shearer, in the role of Elizabeth Barrett, William Randolph Hearst was enraged that his protégé, Marion Davies, was not given the role. So Hearst pulled Davies out of MGM and placed her with Warner Brothers for the remainder of her career, and for over a year the name "Norma Shearer" did not appear in any Hearst newspapers.

The first performance of the play was at the Malvern Festival in England on 20 August 1930. It then opened in London, England on 23 September 1930.

Remade literally word-for-word and scene-for-scene by the very same director, Sidney Franklin, and by the same studio, MGM, in 1957.

A modern source lists Robert Bolder in the role of "Old Man" and Margaret Seddon as cast members, but they were not seen in the movie.

Concerned about the public's reaction, the disturbing subplot about Father Barrett's incestuous designs on his daughter was toned down by the studio. However, Charles Laughton famously remarked that they couldn't censor the "gleam" in his eye.

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