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Stalag 17 Overview:

Stalag 17 (1953) was a Comedy - Drama Film directed by Billy Wilder and produced by Billy Wilder and William Schorr.

The film was based on the play of the same name written by Donald Bevan and Edmund Trzcinski performed at the 48th Street Theatre, NY from May 8, 1951 - Jun 21, 1952.

SYNOPSIS

One of the greatest of the postwar WWII movies isn't a flag-waving storm-the-beaches epic or a homefront melodrama, but this POW-camp adventure with a black-comic edge. Wilder's biting, cynical dialogue looks presciently forward to the antihero war movies that would follow in the late '60s and the '70s. In a camp run with an iron fist by sadistic commandant Preminger, G.I.s keep themselves sane by planning escapes and pulling pranks on the guards. Keeping his mates at arm's length, Holden rejects the patriotic motivations of his comrades and engages in black-market trade with his captors and the women's compound. When a spy infiltrates the ranks, Holden's the obvious suspect. But after a beating, Holden uncovers the culprit and volunteers - for his own commercial reasons - for a heroic assignment. One of Wilder's greatest scripts (and he shot it nearly word-for-word), given a terrific reading from Holden and a deep cast of supporting actors.

(Source: available at Amazon AMC Classic Movie Companion).

Academy Awards 1953 --- Ceremony Number 26 (source: AMPAS)

AwardRecipientResult
Best ActorWilliam HoldenWon
Best Supporting ActorRobert StraussNominated
Best DirectorBilly WilderNominated

Stalag 17 BlogHub Articles:

William Holden is a prisoner in “Stalag 17”

William Holden is a prisoner in “Stalag 17” Stalag 17 (1953) is an American comedy-drama directed by Billy Wilder set in a German prisoner of war camp during World War II. The film is based on the Broadway play of the same name written by Donald Bevan and Edmund Trzcinski. Bevan and... Read full article


There's a Spy in Stalag 17

William Holden as Sefton. Considering it was made by one of Hollywood's most versatile directors, it's no surprise that Billy Wilder's Stalag 17 flows back and forth effortlessly between drama and comedy. Set in a German prisoner of war camp during World War II, the dramatic storyline focuses on a ... Read full article


COMEDY GOLD #16: Animal and Shapiro from Stalag 17 (1953)

COMEDY GOLD #16: Animal and Shapiro from Stalag 17 (1953) On June 22, 2019June 22, 2019 By CarolIn Uncategorized Birthday boy Billy Wilder’s flair for balacing comedy and drama in the same movie is legendary and revered. And, barring The Apartment (1960), one cou... Read full article


Review: Stalag 17 (1953)

I grew up with Hogan’s Heroes reruns on our Magnavox analog television. In fact, at one point it was my favorite show because it had such a colorful cast, it was perennially entertaining and utterly goofy to the extreme. But others have understandably decried the show because they see it find... Read full article


Stalag 17 (1953, Billy Wilder)

Stalag 17 opens with narration explaining the film isn’t going to be like those other WWII pictures, where the soldiers are superhuman and the film bleeds patriotism. No, Stalag 17 is going to be something different—first off, it takes place not on the battlefield, but a German prison camp. Thro... Read full article


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Stalag 17 Quotes:

Sgt. Schulz: [amused] You Americans are so *crazy*! That's why I like you!

Oberst Von Scherbach: Nobody has ever escaped from Stalag 17. Not alive, anyway.

Sgt. Schulz: How do you expect to win the war with an army of clowns?
Lt. James Skylar Dunbar: We sort of hope you'd laugh yourselves to death.

Sgt. Schulz: [preparing POWs for an important inspection] The barracks should be schpic, and also schpan!

Sgt. Schulz: [on seeing the men wearing Hitler moustaches] Bah! One Fuhrer is enough!
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Stalag 17 Facts
Kirk Douglas claimed he was offered the William Holden role, but turned it down because he had not been impressed by the stage play on which the film was based.

William Holden did not like the part of Sefton at all as written in the script, thinking him too selfish. He kept asking Billy Wilder to make Sefton nicer and Wilder refused. Holden actually refused the role but was forced to do it by the studio.

Edmund Trzcinski: the P.O.W. who receives what is obviously (to everyone but him) a "Dear John" letter.

Stanislas Kasava supposedly has been a POW for some time, yet when he looks through the telescope to see Sefton at the Russian compound, it's clear that he took off his wedding band for the movie because you can see the tan line on his ring finger.

The role of Sefton was originally written for Charlton Heston. But as the role evolved and became more cynical, William Holden emerged as the director's choice. Holden was asked to see the play on which the movie was based. He walked out at the end of the first act. He was later convinced to at least read the screenplay.

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