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Spellbound Overview:

Spellbound (1945) was a Film Noir - Mystery Film directed by Alfred Hitchcock and produced by David O. Selznick.

The film was based on the novel The House of Dr. Edwardes written by Hilary St. George Sanders and John Palmer published in 1927.

SYNOPSIS

Hitchcock's psychological mystery makes engrossing use of the contemporary fascination with Freudian analysis. It stars Bergman as a coolly intellectual analyst who grows to suspect that the new director of the institute (Peck) is not who he claims to be. As a bond of love grows between the two, Bergman is torn between her rational fear that Peck may be the murderer of the director they were expecting, and her heart telling her that he's an innocent man suffering an emotional trauma. As her love opens mental doors for Peck, the experience brings warmth to Bergman's character. The typical mystery-story chase sequence is here a search for clues in Peck's psyche. The production began with producer Selznick's interest in analysis. It features famous set pieces depicting Peck's mental state, including a dream sequence designed by surrealist artist Salvador Dali. The sequence (Dali created material for 22 minutes, nearly all of it cut) was directed by an uncredited William Cameron Menzies.

(Source: available at Amazon AMC Classic Movie Companion).

Academy Awards 1945 --- Ceremony Number 18 (source: AMPAS)

AwardRecipientResult
Best Supporting ActorMichael ChekhovNominated
Best CinematographyGeorge BarnesNominated
Best DirectorAlfred HitchcockNominated
Best PictureSelznick International PicturesNominated

Spellbound BlogHub Articles:

Ingrid Bergman and Gregory Peck are “Spellbound” by Alfred Hitchcock

Ingrid Bergman and Gregory Peck are “Spellbound” by Alfred Hitchcock Spellbound (1945) is a film noir with a psychological twist directed by Alfred Hitchcock. It stars Ingrid Bergman and Gregory Peck with a screenplay by Ben Hecht, based on the novel The House of Dr. Edwardes (1927)... Read full article


Mirage (1965): Gregory Peck 20 Years After Spellbound

“Most people will do in the dark what they never would think of doing in the light.” Mirage takes full advantage of one of those grab-you-right-away openings. The scene commences in the dark, there’s a power outage, candles are flickering, and voices call out up and down the corrid... Read full article


Spellbound

(1945) Directed by Alfred Hitchcock; Written by Ben Hecht; Based on the novel The House of Dr. Edwardes by Hilary Saint George Saunders and John Palmer; Starring: Ingrid Bergman, Gregory Peck, Michael Chekhov, Leo G. Carroll and Rhonda Fleming; Available on Blu-ray and DVD Rating: **** ... Read full article


Narrative and Visual Connections in Hitchcock’s ‘Spellbound’

    Friday, I cam back from a one-month trip to England (where I even got the chance to meet the amazing Carol from The Old Hollywood Garden!). While I loved it very much, I must admit I did miss blogging a little. But I’m back! I had a nice surprise as I arrived home: my essay on Spellbou... Read full article


Review: Spellbound (1945)

The Fault… is Not in Our Stars, But in Ourselves… — William Shakespeare It’s so easy to adore Ingrid Bergman and it’s no different in Spellbound. Yes, she starts off as an austere psychiatrist purely interested and invested in scientific thought and practices in psychoanal... Read full article


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Spellbound Quotes:

John Ballantine: That Freud stuff's a bunch of hooey.
Dr. Alex Brulov: Oh, you are a fine one to talk! You have a guilt complex and amnesia and you don't know if you are coming or going from somewhere, but Freud is hooey! *This* you know! Hmph! Wiseguy.

Dr. Alex Brulov: Good night and sweet dreams... which we'll analyze at breakfast.

Dr. Alex Brulov: Women make the best psychoanalysts until they fall in love. After that they make the best patients.

Dr. Murchison: [with his revolver pointed at Constance] You're an excellent analyst, Dr. Peterson, but a rather stupid woman.

John Ballantine: For what it's worth, I can't remember ever having kissed another woman before.
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Spellbound Facts
Writer Ben Hecht consulted many of the leading psychoanalysts of the day when he was penning the screenplay.

The gun blast in the end is hand painted. Alfred Hitchcock used a form of hand-coloring for the orange-red gun-blast at the audience.

The dream sequence was designed by Salvador Dalí, and was originally supposed to run slightly longer. It included a scene in a ballroom with hanging pianos and still figures pretending to dance, folled with J.B. dancing with Dr. Peterson who turns into a statue. It was cut from the final film due to lack of time to appropriately build the set to scale (little people were used in the background to give the illusion of perception, which did not satisfy Alfred Hitchcock or Dali). Only part of it was filmed, and even less of it ended up in the release version.

Although the film is in black and white, two frames where the gun shot goes off while pointed at the camera are tinted red.

'Miklós Rózsa (I)''s score in this film inspired the career of film composer Jerry Goldsmith.

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