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Roxie Hart Overview:

Roxie Hart (1942) was a Comedy - Romance Film directed by William A. Wellman and produced by Nunnally Johnson.

Roxie Hart BlogHub Articles:

The William Wellman Blogathon: Roxie Hart (1942)

The William Wellman Blogathon: Roxie Hart (1942) 09 Wednesday Sep 2015 Posted by Summer Reeves in 1940s, Blogathon, Comedy, Farce, Musicals, Politics, Romance ≈ 15 Comments Tags1940s, Blogathon, Classic Cinema, Comedy, Creepy True Story, Cr... Read full article


Roxie Hart (1942) (2)

Roxie Hart (Ginger Rogers) is a charismatic girl with dreams of making it big in the entertainment industry. When her husband (George Chandler) shoots and kills a booking agent one day, she becomes convinced that she should take credit for the crime, in order to raise her profile with the public. ... Read full article


Roxie Hart (1942) (1)

The story of the “cute little jazz killer” who showed that murder and sin can easily be forgiven if you have a pretty face has been told in several stories, most memorably in the 2002 Best Picture winner, Chicago.  Roxie Hart is a less glamorous version of the same story – and it&... Read full article


Roxie Hart (William A Wellman, 1942)

This will just be a fairly quick posting, as I don’t seem to have much time at the moment, but want to keep my blog alive! One reason I have picked William A Wellman to write about so much is that I tend to find his films are enjoyable to watch time and again. This is certainly true of Roxie H... Read full article


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Roxie Hart Quotes:

Babe: Well hush my big black mouth!
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Roxie Hart Facts
The role of Roxie was intended for Alice Faye, but she fell pregnant and was unavailable.

The parts of Roxie and Velma were based on real people whose murder trials took place in 1924. Beulah Annan was the real life Roxie and Belva Gaertner was the real life Velma. Billy Flynn's real life counterpart was famed Chicago Shyster, W.W. O'Brien.

In 1963, Stanley Kubrick named this movie as one of his ten all-time favorite films.

The original play 'Chicago' opened at the Music Box Theater on December 30, 1926 was directed by George Abbot and ran for 172 performances.

The storyline had to be changed in this version in order to placate the Hays Commission code; both the silent (Chicago) and modern (Chicago) versions are more faithful to the original 1926 play.

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