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Red-Headed Woman Overview:

Red-Headed Woman (1932) was a Comedy - Romance Film directed by Jack Conway and produced by Irving Thalberg and Albert Lewin.

Red-Headed Woman BlogHub Articles:

Red-Headed Woman (1932)

Ironically Harlow as a Red-Head feels more representative of her projected image than Harlow as a Platinum Blonde (1931). Lil is a malevolent seductress. A homewrecker. The queen of meretricious relations. Simultaneously frisky and fun. But she’s got one specific man (Chester Morris) on her ra... Read full article


Red-Headed Woman (1932)

Red-Headed Woman Directed by Jack Conway Written by Anita Loos from the novel by Katherine Bush 1932/USA Metro-Goldwyn-Mayer First viewing/FilmStruck Jean Harlow has sex appeal to spare. But her character is pretty unappealing in this one. Lil Andrews (Harlow) has a great body to go with her brigh... Read full article


DOUBLE BILL #10: Red-Headed Woman (1932) and Baby Face (1933)

DOUBLE BILL #10: Red-Headed Woman (1932) and Baby Face (1933) On January 9, 2018 By CarolIn Uncategorized Pre-Code. The forbidden era where anything goes. Wonderfully risqué, daring and freeing, Pre-Code is a goldmine of genres, thoughts and attitudes, all rushing to ... Read full article


Classic Films in Focus: RED-HEADED WOMAN (1932)

Red-Headed Woman (1932) mixes drama and comedy in its story of a relentless gold digger who sleeps her way up the social ladder, with Jean Harlow starring as the title character. Despite her reputation as a platinum blonde, Harlow goes red to play the sexpot siren in this Pre-Code picture directed b... Read full article


Classic Films in Focus: RED-HEADED WOMAN (1932)

Red-Headed Woman (1932) mixes drama and comedy in its story of a relentless gold digger who sleeps her way up the social ladder, with Jean Harlow starring as the title character. Despite her reputation as a platinum blonde, Harlow goes red to play the sexpot siren in this Pre-Code picture directed b... Read full article


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Red-Headed Woman Quotes:

Lillian 'Lil': Listen, I'm on my way up to the boss' house with his mail.
Sally: Why didn't his secretary do it?
Lillian 'Lil': Because I swiped it off her desk. These are important and they've gotta be answered right away. Maybe I'll get a chance to stay and take dictation.

Lillian 'Lil': [trying on a dress in a store, Lil positions herself in front of a sunny window] Can you see through this?
Off-camera store clerk: I'm afraid you can, Miss.
Lillian 'Lil': I'll wear it.
Off-camera store clerk: Oh!

Lillian 'Lil': Sally, I'm the happiest girl in the world. I'm in love and I'm gonna be married.
Sally: You're gonna marry Albert?
Lillian 'Lil': No, Gaerste.
Sally: In love with Gaerste?
Lillian 'Lil': No, Albert. Besides, I always did wanna learn french.
Sally: Oh, why don't you get yourself a laundryman and learn chinese?

Sally: You dropped your fur.
Lillian 'Lil': Oh, it's only a silver fox.
Sally: Couldn't you get a gold one?
Lillian 'Lil': Yeah, well, I might have this one plated!

Sally: Hello, Lil. What have you been doing? A little racketeering?
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Red-Headed Woman Facts
Jean Harlow wore a wig for this film. Because this film was filmed in black and white, to make up for the subtle change in hair color by the wig, her makeup was made more dramatic, to highlight the nature of her character.

Joan Crawford and Clara Bow were the most prominent actresses considered for the title role before the younger, less experienced Harlow was cast. There had, in fact, been so many candidates for the role that MGM's Marie Dressler donned a red wig and posed for some gag publicity stills.

The screenplay submitted by F. Scott Fitzgerald was rejected by producer Irving Thalberg, who thought it took the story too seriously, so he brought in Anita Loos to do a complete rewrite with a lighter, more comical tone.

Jean Harlow's first line is "So gentlemen prefer blondes, do they?" which was written by Anita Loos for the movie. Loos' most famous work was the 1925 novel "Gentlemen Prefer Blondes".

Although the film was actually banned from public showings in Great Britain when it was originally released, King George V had a personal copy. It was finally passed uncut with an 'A' certificate in 1965.

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