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Psycho Overview:

Psycho (1960) was a Horror - Mystery Film directed by Alfred Hitchcock and produced by Alfred Hitchcock.

The film was based on the novel of the same name written by Robert Bloch published in 1959.

SYNOPSIS

Hitchcock's mesmerizing thriller broke the rules of filmmaking with its cunning, psychologically-based plot, and changed the perception of Hollywood horror films forever. On a relatively small budget, Hitchcock carefully constructs a maze that leads to an inevitable, gruesome conclusion, a conclusion that the audience has seen coming and dreads. From the first shot, a magnificent crane shot whose camera perches on a hotel window from which we can observe an adulterous affair between Marion Crane (Leigh) and Gavin, the audience is complicit in the action, voyeurs who can't look away. After impulsively stealing a bundle of cash, Leigh heads for the highway. When she wearies and is advised to find a room, she turns into the Bates Motel, where she first encounters the nervously birdlike proprietor, Norman Bates (Perkins). Perkins's sly, almost charming performance as the haunted momma's boy builds a near-sympathy that is quickly erased by the famous shower scene, the most graphic depiction of a murder scene on film to that time. Through careful shooting and editing, the intensity of the act is multiplied in the minds of the audience until the last traces of blood swirl down the drain. As Crane's sister, Miles, and Detective Balsam uncover her fate, one more shock remains. A blueprint for cinema terror, which has been followed, discussed, and now remade almost shot for shot by Gus Van Sant in 1998 (he also followed Hitchcock's promotional blueprint, not allowing critics to pre-screen the film). Hitchcock had the last laugh on Paramount when they insisted that he finance much of the budget: Psycho was an international sensation that made him a wealthy man. Herrmann's chilling score, one of his finest, remains ever recognizable. Followed by three sequels and the 1998 remake. Though the film was nominated for Oscars for Best Director, Cinematography, Supporting Actress, and Art Direction, it received none, though it won a Golden Globe for Best Supporting Actress: Janet Leigh.

(Source: available at Amazon AMC Classic Movie Companion).

Psycho was inducted into the National Film Registry in 1992.

Academy Awards 1960 --- Ceremony Number 33 (source: AMPAS)

AwardRecipientResult
Best Supporting ActressJanet LeighNominated
Best Art DirectionArt Direction: Joseph Hurley, Robert Clatworthy; Set Decoration: George MiloNominated
Best CinematographyJohn L. RussellNominated
Best DirectorAlfred HitchcockNominated

Psycho BlogHub Articles:

Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh star in Alfred Hitchock’s suspense classic “Psycho”

Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh star in Alfred Hitchock’s suspense classic “Psycho” Psycho (1960) is an American suspense thriller directed by Alfred Hitchcock and starring Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh. The supporting cast i... Read full article


4K UHD Blu-ray Review: Psycho

Distributor: Universal Pictures Release Date: May 25, 2021 Region — 4K UHD: Region Free Blu-ray: Region A Length — Original Theatrical Version: 01:49:04 Censored Re-release Version: 01:48:51 Video— 4K UHD: 2160P (HEVC, H.265) Blu-ray: 1080P (MPEG-4, AVC) Main Audio — 4K UHD: English DTS X... Read full article


Blu-ray Review: Psycho – 60th Anniversary Edition

Distributor: Universal Pictures Release Date: September 08, 2020 Region: Region A Length — Psycho (Original Theatrical Version): 01:49:04 Psycho (Censored Re-release Version): 01:48:51 Video: 1080P (MPEG-4, AVC) Main Audio: English DTS X 7.1 English DTS-HD Master Audio Alternate Audio: 2.0 Mono S... Read full article


The Directors’ Chair: Psycho

The Directors’ Chair: Psycho (1960) Some directors specialize in comedy, others in suspense. Still others delve in horror, romance or westerns. There are directors known for many films and some known only for one. Directors can put their stamp all over their films, while others get the ... Read full article


So Crazy It Works – Psycho II (1983)

Okay, here’s the short version of this review: Psycho II is a much better movie than any movie calling itself Psycho II should be. Alright, let’s go a bit deeper, then. When a movie calls itself Psycho II and opens with the classic and infamous shower scene from the 1960 original, it is ... Read full article


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Psycho Quotes:

California Charlie: [Marion is imagining various conversations between the people she believes will be looking for her] Heck, Officer, that was the first time I ever saw the customer high-pressure the salesman! Somebody chasin' her?
Highway Patrol officer: I better have a look at those papers, Charlie.
California Charlie: She look like the wrong-one to you?
Highway Patrol officer: Acted like one.
California Charlie: The only funny thing, she paid me seven hundred dollars in cash.
Caroline: [Marion imagines another conversation] Yes, Mr. Lowery?
George Lowery: Caroline? Marion still isn't in?
Caroline: No, Mr. Lowery. But then, she's always a bit late on Monday mornings.
George Lowery: Buzz me the minute she comes in. Then call her sister - if no one's answering at the house.
Caroline: [Marion imagines the conversation later resuming] I called her sister, Mr. Lowery, where she works, - the Music Makers Music Store, you know, - and she doesn't know where Marion is any more than we do.
George Lowery: You'd better run out to the house. She may be, well - unable to answer the phone.
Caroline: Her sister's going to do that. She's as worried as we are.
George Lowery: [Marion imagines Lowery speaking to her sister Lila] No, I haven't the faintest idea. As I said, I last saw your sister when she left the office on Friday. She said she didn't feel well and wanted to leave early; I said she could. That was the last I saw... Now wait a minute. I did see her sometime later, driving - Ah, I think you'd better come over here to my office - quick! Caroline, get Mr. Cassidy for me!
[pause]
George Lowery: [Marion imagines another conversation] After all, Cassidy, I told you - all that cash! I'm not taking the responsibility! Oh, for heaven's sake! A girl works for you for ten years, you trust her! All right. Yes. You better come over.
Tom Cassidy: Well, I ain't about to kiss off forty thousand dollars! I'll get it back, and if any of it's missin' I'll replace it with her fine, soft flesh! I'll track her, never you doubt it!
George Lowery: Oh, hold on, Cassidy! I-I still can't believe - it must be some kind of mystery. I-I can't...
Tom Cassidy: You checked with the bank, no? They never laid eyes on her, no? You still trustin'? Hot creepers! She sat there while I dumped it out! Hardly even looked at it! Plannin'! And - even flirtin' with me!

Norma Bates: [voiceover in police custody, as Norman is thinking] It's sad, when a mother has to speak the words that condemn her own son. But I couldn't allow them to believe that I would commit murder. They'll put him away now, as I should have years ago. He was always bad, and in the end he intended to tell them I killed those girls and that man... as if I could do anything but just sit and stare, like one of his stuffed birds. They know I can't move a finger, and I won't. I'll just sit here and be quiet, just in case they do... suspect me. They're probably watching me. Well, let them. Let them see what kind of a person I am. I'm not even going to swat that fly. I hope they are watching... they'll see. They'll see and they'll know, and they'll say, "Why, she wouldn't even harm a fly..."

Norman Bates: [voice-over] Now mother, I'm going to uh, bring something up...
Norma Bates: [voice-over] Haha... I am sorry, boy, but you do manage to look ludicrous when you give me orders.
Norman Bates: [voice-over] Please, mother.
Norma Bates: [voice-over] No! I will not hide in the fruit cellar! Ha! You think I'm fruity, huh? I'm staying right here. This is my room and no one will drag me out of it, least of all my big, bold son!
Norman Bates: [voice-over] They'll come now, mother! He came after the girl, and now someone will come after him. Please mother, it's just for a few days, just for a few days so they won't find you!
Norma Bates: [voice-over] "Just for a few days"? In that dark, dank fruit cellar? No! You hid me there once, boy, and you'll not do it again, not ever again; now get out! I told you to get out, boy.
Norman Bates: [voice-over] I'll carry you, mother.
Norma Bates: [voice-over] Norman! What do you think you're doing? Don't you touch me, don't! NORMAN! Put me down, put me down, I can walk on my own...

Marion Crane: Taxidermy. That is a strange hobby to fill.
Norman Bates: A hobby should pass the time, not fill it.

Marion Crane: I'll lick the stamps.
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Psycho Facts
The movie in large part was made because Alfred Hitchcock was fed up with the big-budget, star-studded movies he had recently been making and wanted to experiment with the more efficient, sparser style of television filmmaking. Indeed, he ultimately used a crew consisting mostly of TV veterans and hired actors less well known than those he usually used.

At the end of the shower scene, the first few seconds of the camera pull-back from Janet Leigh's face is a freeze-frame. Alfred Hitchcock did this because, while viewing the rushes, his wife noticed the pulse in Leigh's neck throbbing.

The movie's line "A boy's best friend is his mother." was voted as the #56 movie quote by the American Film Institute (out of 100).

In 2006, Scottish artist Douglas Gordon created a 24-hour slow-motion version of the film titled "24-Hour Psycho" that played at the Museum of Modern Art in New York.

Stuart Whitman was Hitchcock's first choice for the role of Sam Loomis.

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