Mr. Smith Goes to Washington (1939) |
|
| Director(s) | Frank Capra |
| Producer(s) | Frank Capra (uncredited) |
| Top Genres | Drama |
| Top Topics | Integrity, Justice, Politics, Romance (Drama), Washington D.C. |
Featured Cast of Mr. Smith Goes to Washington See More »
Jean Arthur(as Clarissa Saunders)
Mr. Smith Goes to Washington
Released
1939
Mr. Smith Goes to Washington
Released
1939
Jean Arthur
(as Clarissa Saunders)
James Stewart(as Jefferson Smith)
Mr. Smith Goes to Washington
Released
1939
Mr. Smith Goes to Washington
Released
1939
James Stewart
(as Jefferson Smith)
Claude Rains(as Sen. Joseph Harrison Paine)
Mr. Smith Goes to Washington
Released
1939
Mr. Smith Goes to Washington
Released
1939
Claude Rains
(as Sen. Joseph Harrison P...)
Edward Arnold(as Jim Taylor)
Mr. Smith Goes to Washington
Released
1939
Mr. Smith Goes to Washington
Released
1939
Edward Arnold
(as Jim Taylor)
Guy Kibbee(as Gov. Hubert Hopper)
Mr. Smith Goes to Washington
Released
1939
Mr. Smith Goes to Washington
Released
1939
Guy Kibbee
(as Gov. Hubert Hopper)
Thomas Mitchell(as Diz Moore)
Mr. Smith Goes to Washington
Released
1939
Mr. Smith Goes to Washington
Released
1939
Thomas Mitchell
(as Diz Moore)
Eugene Pallette(as Chick McGann)
Mr. Smith Goes to Washington
Released
1939
Mr. Smith Goes to Washington
Released
1939
Eugene Pallette
(as Chick McGann)
Beulah Bondi(as Ma Smith)
Mr. Smith Goes to Washington
Released
1939
Mr. Smith Goes to Washington
Released
1939
Beulah Bondi
(as Ma Smith)
Mr. Smith Goes to Washington Overview:
Mr. Smith Goes to Washington (1939) was a Drama - Black-and-white Film directed by Frank Capra and produced by Frank Capra.
SYNOPSIS
Capra's enduring favorite has Stewart as the idealistic, yet naive, politician sent to Washington as junior senator who runs afoul of the political corruption in his state. Capra favorite Arthur plays his cynical secretary and Rains the powerful senior senator who expects Smith to be nothing more than a rubber stamp. As with the best of Capra's films, the sentiment and moralizing are kept in check by wonderful acting and genuine emotion. Based on Lewis R. Foster's novel The Gentleman from Montana.
(Source: available at Amazon AMC Classic Movie Companion).
Mr. Smith Goes to Washington was inducted into the National Film Registry in 1989.
Academy Awards 1939 --- Ceremony Number 12 (source: AMPAS)
| Award | Recipient | Result |
| Best Actor | James Stewart | Nominated |
| Best Supporting Actor | Harry Carey | Nominated |
| Best Supporting Actor | Claude Rains | Nominated |
| Best Art Direction | Lionel Banks | Nominated |
| Best Director | Frank Capra | Nominated |
| Best Film Editing | Gene Havlick, Al Clark | Nominated |
| Best Music - Scoring | Dimitri Tiomkin | Nominated |
| Best Picture | Columbia | Nominated |
| Best Writing | Lewis R. Foster | Won |
| Best Writing | Sidney Buchman | Nominated |
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Mr. Smith Goes to Washington Quotes:
Clarissa Saunders: You just make up your mind you're not gonna quit, and I'll tell you what. I've been thinking about it all the way back here. It's a forty foot dive into a tub of water, but I think you can do it.
Jefferson Smith:
Well, what do you expect me to do? An honorary stooge like me against the Taylors and Paines and machines and lies?
Clarissa Saunders: Your friend, Mr. Lincoln had his Taylors and Paines. So did every other man who ever tried to lift his thought up off the ground. Odds against them didn't stop those men. They were fools that way. All the good that ever came into this world came from fools with faith like that. You know that, Jeff. You can't quit now. Not you. They aren't all Taylors and Paines in Washington. That kind just throw big shadows, that's all. You didn't just have faith in Paine or any other living man. You had faith in something bigger than that. You had plain, decent, everyday, common rightness, and this country could use some of that. Yeah, so could the whole cockeyed world, a lot of it. Remember the first day you got here? Remember what you said about Mr. Lincoln? You said he was sitting up there, waiting for someone to come along. You were right. He was waiting for a man who could see his job and sail into it, that's what he was waiting for. A man who could tear into the Taylors and root them out into the open. I think he was waiting for you, Jeff. He knows you can do it, so do I.
Clarissa Saunders: Your friend, Mr. Lincoln had his Taylors and Paines. So did every other man who ever tried to lift his thought up off the ground. Odds against them didn't stop those men. They were fools that way. All the good that ever came into this world came from fools with faith like that. You know that, Jeff. You can't quit now. Not you. They aren't all Taylors and Paines in Washington. That kind just throw big shadows, that's all. You didn't just have faith in Paine or any other living man. You had faith in something bigger than that. You had plain, decent, everyday, common rightness, and this country could use some of that. Yeah, so could the whole cockeyed world, a lot of it. Remember the first day you got here? Remember what you said about Mr. Lincoln? You said he was sitting up there, waiting for someone to come along. You were right. He was waiting for a man who could see his job and sail into it, that's what he was waiting for. A man who could tear into the Taylors and root them out into the open. I think he was waiting for you, Jeff. He knows you can do it, so do I.
Jefferson Smith:
I guess this is just another lost cause, Mr. Paine. All you people don't know about lost causes. Mr. Paine does. He said once they were the only causes worth fighting for. And he fought for them once, for the only reason any man ever fights for them; because of just one plain simple rule: 'Love thy neighbor. And in this world today, full of hatred, a man who knows that one rule has a great trust. You know that rule, Mr. Paine, and I loved you for it, just as my father did. And you know that you fight for the lost causes harder than for any other. Yes, you even die for them.
Jefferson Smith:
Either I'm dead right, or I'm crazy!
Clarissa Saunders:
Yippee!
See More Quotes from Mr. Smith Goes to WashingtonMr. Smith Goes to Washington Facts
See More Facts about Mr. Smith Goes to Washington >>
Originally, the ending was much, much longer. It included scenes such as Mr. Smith going back to his home state and given a parade (with Saunders); the Taylor machine being crushed; Smith on a motorcycle and stopping to see Senator Paine; forgiving him and everyone going to see Smith's mother. It was cut after a preview audience's response. Some of the footage can be seen in the theatrical trailer.
Frank Capra and his crew went to Washington, DC, to film background material and to study the Senate chamber, which was replicated, full scale, in precise detail on the Columbia lot. James D. Preston, who was Capra's technical advisor for the Senate set and political protocol, was a former superintendent of the Senate press gallery.
The scenes where James Stewart wanders around in amazement at the Washington monuments were "stolen", since the US Parks Service had denied the studio permission to film near them.
The set for the Senate chamber was constructed on two newly built adjoining stages at Columbia, stage 8 and 9. The set was built almost to scale, and was at that time, the largest set built on a Columbia sound stage.
James Stewart knew this was the role of a lifetime, one that could place him near the top of the Hollywood heap. Jean Arthur later remembered his mood at the time: "He was so serious when he was working on that picture, he used to get up at five o'clock in the morning and drive himself to the studio. He was so terrified something was going to happen to him, he wouldn't go faster."