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How to Steal a Million Overview:

How to Steal a Million (1966) was a Comedy - Crime Film directed by William Wyler and produced by Fred Kohlmar.

SYNOPSIS

A million-dollar art museum heist is the chewy center of this chocolate truffle as the dashing O'Toole and precious Hepburn pair off in an aristocratic romantic comedy. The daughter of a Parisian art collector (Hepburn), in truth a forger, unwittingly solicits the aid of a man she believes to be a thief (O'Toole) to steal a famous "Cellini Venus" statue - sculpted by her grandfather - from a museum. But in actuality, the "thief" is a private detective specializing in exposing forgeries. The chemistry of the two leads makes this well worth the watch.

(Source: available at Amazon AMC Classic Movie Companion).

How to Steal a Million BlogHub Articles:

From the Archives: How to Steal a Million ( 1966 )

We often come across movie stills that feature scenes that were later cut from films. This particular one is from the classic caper How to Steal a Million ( 1966 ) starring Audrey Hepburn and Peter O'Toole. We believe this scene - at an office using IBM machines - may have appeared before Nicole ( H... Read full article


How to Steal a Million (1966)

How to Steal a Million Directed by William Wyler Written by Harry Kurnitz based on a story by George Bradshaw 1966/USA World Wide Productions First viewing/Amazon Instant Nicole Bonnet: Are we planning the same sort of crime? Fans of Audrey Hepburn and Peter O’Toole should be entertained by ... Read full article


How to Steal a Million ( 1966 )

Audrey Hepburn loved Paris and audiences adored seeing her in Paris on film. She portrayed a young woman who journeyed to Paris to study cooking in Sabrina ( 1954 ), a shy bookshop clerk who longs to see the city in Funny Face ( 1957 ), and the daughter of a French private detective in Love in the A... Read full article


How to Steal a Million ( 1966 )

Audrey Hepburn loved Paris and audiences adored seeing her in Paris on film. She portrayed a young woman who journeyed to Paris to study cooking in Sabrina ( 1954 ), a shy bookshop clerk who longs to see the city in Funny Face ( 1957 ), and the daughter of a French private detective in Love in the A... Read full article


How to Steal a Million ( 1966 )

Audrey Hepburn loved Paris and audiences adored seeing her in Paris on film. She portrayed a young woman who journeyed to Paris to study cooking in Sabrina ( 1954 ), a shy bookshop clerk who longs to see the city in Funny Face ( 1957 ), and the daughter of a French private detective in Love in the A... Read full article


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How to Steal a Million Quotes:

Charles Bonnet: What have I done? I've given the world a precious opportunity of studying and viewing the Cellini Venus.
Nicole Bonnet: Which is not by Cellini!
Charles Bonnet: Ahh, labels, labels. It's working with the Americans that's given you this obsession with labels and brand names. I wish you'd give up that ridiculous job.

Charles Bonnet: [describing Nicole's grandmother who posed for the Venus] Naturally that was before she started eating those enormous lunches.

Nicole Bonnet: [seeing Simon eye the Venus] You wouldn't dare!
Simon Dermott: Fear not. I'm off duty.

Nicole Bonnet: [having just driven Simon home] Now how do I get home?
Simon Dermott: You see, you never can tell when you might need a friend.

Simon Dermott: I tossed a coin on the way over. *You* lost.
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How to Steal a Million Facts
After Nicole (played by Audrey Hepburn) dresses up as a cleaning lady, Simon Dermott says "That does it. For one thing, it gives Givenchy a night off." Hubert de Givenchy was Audrey Hepburn's costume designer.

Nicole's car is a Autobianchi Bianchina Special Cabriolet (basically an upmarket Fiat 'Sport' 500). Dermott's car is an E-type Jaguar.

The police escort vehicles featured in the beginning sequence are as follows: a 1965/66 Citroen DS-21 unmarked police sedan, a 1965 Citroen Type H Police van, and a '65 Citroen H delivery van. The Citroen DS-21 sedan, designed by famed industrial designer Flaminio Bertoni, is a particularly noteworthy addition to this movie as its futuristic and aerodynamic signature concept design, along with its innovative technology - the first mass-produced car to feature front disc brakes - caused the DS to be named "the most beautiful car of all times" by Classic and Sports Car Magazine.

George C. Scott was originally cast as Leland, but was fired by William Wyler when he showed up late on his first day of work. He was replaced by Eli Wallach.

William Wyler first considered making this film as a follow up to Roman Holiday; as in that film, Gregory Peck would have played the male lead opposite Audrey Hepburn. At that time he had a darker mood in mind and approached Stanley Kubrick, who had recently made The Killing, to contribute.

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