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Freaks Overview:

Freaks (1932) was a Horror - Black-and-white Film directed by Tod Browning and produced by Irving Thalberg, Tod Browning, Dwain Esper, Harry Rapf and Hildegarde Stadie.

Freaks was inducted into the National Film Registry in 1994.

Freaks BlogHub Articles:

Freaks (1932): We’re All Sideshow Attractions

One of the personal details of Tod Browning’s life was his adolescence spent working in the circus. This gives him an accessibility to the material that some other less-attuned director might have lacked. And yet there’s little denying Freaks is a genuine showpiece when it comes to turni... Read full article


Legends of Tomorrow (2016) s05e12 – Freaks and Greeks

And, now, in the “they all can’t be winners” category, we have Freaks and Greeks, which sends the Legends to Hudson University to steal a chalice from a frat. It’s not a frat in 1979. It’s a frat in 2020, run by special guest star Drew Ray Tanner; he’s Greek party god Dionysus, who’s ... Read full article


Freaks (1932): Horror?

Freaks (1932): Horror? On October 30, 2018October 30, 2018 By CarolIn Uncategorized I mean, sure, the final moments are some of the scariest and most macabre in film history, but Freaks (1932) far transcends the horror genre. In fact, it has been widely described as a ... Read full article


Monstros / Freaks (1932)

Monstros / Freaks (1932) O ano era 2009, e eu era uma recém-chegada no mundo do cinema. Tinha 16 anos e era fácil de impressionar. Não sei por que abri uma lista com o título “os 10 filmes mais impressionantes da história”. Lá, na 10ª posição, uma imagem já me assustou: ... Read full article


Classic Films in Focus: FREAKS (1932)

Tod Browning made a lasting mark on the horror genre with Dracula (1931), but Freaks (1932) is by far the stranger and more inventive of the two films. The director had explored the circus before with Lon Chaney silents like The Unholy Three (1925) and The Unknown (1927), as well The Show (1927) wit... Read full article


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Freaks Quotes:

Roscoe: I'm not going to have my wife laying in bed half the day with one of your hangovers.

[referring to a "half-man/half-woman" who has given Hercules an alluring look]
Roscoe: I think she likes you - but he don't.

Roscoe: [whenever he asks only one of the two Siamese twins to stay, and the twins have to leave together] You always use that as a excu-excuse, an alib-b-b-bi.

Phroso: Schlitze your a real man,s woman.
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Freaks Facts
The tune that 'Angeleno' plays on his flute during the final confrontation between Cleopatra and the bedridden Hans is the "Mournful Tune" from Richard Wagner's opera "Tristan and Isolde", played in the opera while the dying Tristan waits for Isolde's ship to appear on the horizon.

According to one source, director Tod Browning was introduced to the story by Cedric Gibbons, longtime head of MGM's Art Department. He was supposedly boyhood friends with author Clarence Aaron 'Tod' Robbins and convinced the studio to purchase film rights for the sum of $8,000. Another source claims that the diminutive actor Harry Earles gave Browning a copy of the story during the production of The Unholy Three in hopes that he could star in the adaptation.

F. Scott Fitzgerald was a member of the MGM writing department at the time the movie was in production. He never felt quite at home with all the movie stars and powerful moguls, and so he often dined in the commissary at the table of the sideshow attractions (freaks) during his lunch hour.

The film was rejected for UK cinema showing in 1932 and again in 1952. It was finally passed for cinema with an uncut X rating in May 1963, making it one of the longest bans in UK film history.

Tod Browning's only onscreen credit is on the title page: "Tod Browning's Freaks," which is interpreted as the director credit. He is not in studio records as a producer.

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