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Freaks Overview:

Freaks (1932) was a Horror - Black-and-white Film directed by Tod Browning and produced by Irving Thalberg, Tod Browning, Dwain Esper, Harry Rapf and Hildegarde Stadie.

Freaks was inducted into the National Film Registry in 1994.

Freaks BlogHub Articles:

Freaks (1932): We’re All Sideshow Attractions

By 4 Star Film Fan on Jun 8, 2023 From 4 Star Films

One of the personal details of Tod Browning’s life was his adolescence spent working in the circus. This gives him an accessibility to the material that some other less-attuned director might have lacked. And yet there’s little denying Freaks is a genuine showpiece when it comes to turni... Read full article

Legends of Tomorrow (2016) s05e12 – Freaks and Greeks

on May 13, 2020 From The Stop Button

And, now, in the “they all can’t be winners” category, we have Freaks and Greeks, which sends the Legends to Hudson University to steal a chalice from a frat. It’s not a frat in 1979. It’s a frat in 2020, run by special guest star Drew Ray Tanner; he’s Greek party god Dionysus, who’s ... Read full article

Freaks (1932): Horror?

By Carol Martinheira on Oct 30, 2018 From The Old Hollywood Garden

Freaks (1932): Horror? On October 30, 2018October 30, 2018 By CarolIn Uncategorized I mean, sure, the final moments are some of the scariest and most macabre in film history, but Freaks (1932) far transcends the horror genre. In fact, it has been widely described as a ... Read full article

Monstros / Freaks (1932)

By Lê on Jul 9, 2016 From Critica Retro

Monstros / Freaks (1932) O ano era 2009, e eu era uma recém-chegada no mundo do cinema. Tinha 16 anos e era fácil de impressionar. Não sei por que abri uma lista com o título “os 10 filmes mais impressionantes da história”. Lá, na 10ª posição, uma imagem já me assustou: ... Read full article

Classic Films in Focus: FREAKS (1932)

By Jennifer Garlen on Oct 31, 2014 From Virtual Virago

Tod Browning made a lasting mark on the horror genre with Dracula (1931), but Freaks (1932) is by far the stranger and more inventive of the two films. The director had explored the circus before with Lon Chaney silents like The Unholy Three (1925) and The Unknown (1927), as well The Show (1927) wit... Read full article

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Freaks Quotes:

Roscoe: I'm not going to have my wife laying in bed half the day with one of your hangovers.
[referring to a "half-man/half-woman" who has given Hercules an alluring look]
Roscoe: I think she likes you - but he don't.
Roscoe: [whenever he asks only one of the two Siamese twins to stay, and the twins have to leave together] You always use that as a excu-excuse, an alib-b-b-bi.
Phroso: Schlitze your a real man,s woman.
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Freaks Facts
During filming, director Tod Browning was plagued with dreams in which Johnny Eck and a pinhead would keep bringing a cow in backward through a doorway in the middle of shoots.
Samuel Marx, head of MGM's Story Department, recalled with peculiar pride, "And so, Harry Rapf, who was a great moral figure, got a bunch of us together and we went in and complained to Irving Irving Thalberg about 'Freaks'. And he laughed at that. He said, 'You know, we're making all kinds of movies. Forget it. I'm going to make the picture. Tod Browning's a fine director. He knows what he's doing.' And the picture was made." But the lunchroom protests didn't end. As a result, a makeshift table was constructed and the cast of "Freaks" (with the exception of Harry Earles and Daisy Earles, Violet Hilton and Daisy Hilton, and the more "normal" cast-members) were forced to eat their meals outdoors.
After the film had been withdrawn and shelved by MGM, the distribution rights were acquired by notorious exploitation roadshow specialist Dwain Esper. Esper traveled the country showing the film under such lurid titles as "Forbidden Love" and "Nature's Mistakes".
Johnny Eck, the half-boy, remembered his screen test was taken by MGM's scouting unit while he was on tour in Canada, and he shared the screen with the world's largest rat. He recalled being treated well by the crew, "The technicians, the sound men, the electricians, and the prop department, and everybody... was my friend... We got along beautifully."
A woman who attended a 1932 test screening for the film claimed later that she suffered a miscarriage resulting from the film's shocking nature, and threatened to sue MGM.
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