Carry On Spying (1964) |
|
| Director(s) | Gerald Thomas |
| Producer(s) | Peter Rogers |
| Top Genres | Comedy |
Featured Cast of Carry On Spying See More »
Eric Barker
(as The Chief)
Richard Wattis
(as Cobley)
Victor Maddern
(as Milchmann)
Nora Gordon
(as Elderly Woman)
Carry On Spying Overview:
Carry On Spying (1964) was a Comedy - Film directed by Gerald Thomas and produced by Peter Rogers.
Carry On Spying BlogHub Articles:
Carry On #9: Carry On Spying
I welcome you back with another review written for the Carry On blog series! This time, we’ll explore Carry On Spying (1964), which was the last film of the franchise to be shot in black and white. Furthermore, it also introduced Barbara Windsor to the series. She eventually became a Carry On ... Read full article
See More Carry On Spying Articles
Carry On Spying Quotes:
Desmond Simpkins:
Oh, Vienna! Lovely! I've always wanted to see Vienna before I die.
The Chief: With a bit of luck, you'll do both.
See More Quotes from Carry On SpyingThe Chief: With a bit of luck, you'll do both.
Carry On Spying Facts
See More Facts about Carry On Spying >>
Shares a number of story elements with the James Bond movie The Living Daylights made twenty five years later. They both have major settings in Vienna, Austria; North Africa and England. This film has a setting in Algiers, Algeria whereas The Living Daylights has a setting in Tangiers, Morocco. They both feature an enemy agent invading an English intelligence facility utilizing exploding milk bottles. They also both feature a dummy stand with a coat and hat as a camouflage trick. Further, this film utilized a restaurant table tape-recording ruse seventeen years before it was seen in the James Bond movie For Your Eyes Only.
The film was released under the title of "Agent Oooh!" in Europe.
The main poster for the movie spoofed the artwork of the movie poster for the James Bond film From Russia with Love.
To receive an 'A' (PG) certificate the BBFC required cuts to the scene between Daphne and the Fat Man where she refers to a disguised Harold as being 'very exciting to men'. Later releases of the film feature this scene intact.
This was the last film in the series to be shot in Black and White.