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Butch Cassidy and the Sundance Kid Overview:

Butch Cassidy and the Sundance Kid (1969) was a Adventure - Western Film directed by George Roy Hill and produced by John Foreman, Paul Newman and Paul Monash.

SYNOPSIS

A kinder, gentler take on the outlaw myth. Based loosely on real-life Western outlaws Robert Leroy Parker and Harry Longbaugh, better known as Butch Cassidy and the Sundance Kid. Following a string of bank and train robberies in the early 1900s, the pair find themselves hotly pursued by the authorities. They escape to Bolivia with The Kid's lover, schoolteacher Etta Place, in the hopes of turning their luck around. Wistful and charming. Includes the hit "Raindrops Keep Fallin' On My Head" by Burt Bacharach and Hal David.

(Source: available at Amazon AMC Classic Movie Companion).

Butch Cassidy and the Sundance Kid was inducted into the National Film Registry in 2003.

Academy Awards 1969 --- Ceremony Number 42 (source: AMPAS)

AwardRecipientResult
Best CinematographyConrad HallWon
Best DirectorGeorge Roy HillNominated
Best Music - ScoringBurt BacharachWon
Best PictureJohn Foreman, ProducerNominated
Best WritingWilliam GoldmanWon

Butch Cassidy and the Sundance Kid BlogHub Articles:

Butch Cassidy and the Sundance Kid (1969)

Butch Cassidy and the Sundance Kid (1969) Directed by George Roy Hill Written by William Goldman 1969/US IMDb link Repeat viewing/Amazon Instant One of 1001 Movies You Must See Before You Die Launching “Flickers in Time: The Lockdown Edition” with this beloved classic.  It’s a ble... Read full article


Bridging Old Hollywood and New: Butch Cassidy and the Sundance Kid (1969)

This post is my entry for the Classic Movie Blog Association's Fall 2019 Blogathon. This year we're honoring the CMBA's 10th anniversary with "The Anniversary Blogathon" and participating member bloggers are celebrating all manner of classic film and classic film-related anniversaries. Click here fo... Read full article


Review: Butch Cassidy and The Sundance Kid (1969)

Despite my general reluctance to say that the Western in its classical form was on the way out, it’s hard not to make such an assertion looking at the landscape of the late 1960s. The Wild Bunch is a common marker of the seismic shift leading to the complete obliteration of the classic western... Read full article


Review: Butch Cassidy and The Sundance Kid (1969)

Despite my general reluctance to say that the Western in its classical form was on the way out, it’s hard not to make such an assertion looking at the landscape of the late 1960s. The Wild Bunch is a common marker of the seismic shift leading to the complete obliteration of the classic western... Read full article


Butch Cassidy and the Sundance Kid (1969, George Roy Hill)

Butch Cassidy and the Sundance Kid opens with a sepia-toned silent film newsreel. It’s exposition, but also contrast. The silent images of a daring train robbery distract from reading the film’s accompanying opening titles. When the film itself starts, it’s just as sepia-toned. Onl... Read full article


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Butch Cassidy and the Sundance Kid Quotes:

Butch Cassidy: [to Sundance] Boy, I got vision, and the rest of the world wears bifocals.

Bike Salesman: [wheeling bicycle onto stage] Ladies and gentlemen, boys and girls... meet... the future!

Butch Cassidy: Well we're back in business boys and girls, just like the old days.

Percy Garris: That's what happens when you live 10 years alone in Bolivia: you get colorful...
[is shot]

Butch Cassidy: I swear, if Sweetface told me that I rode out of town ten minutes ago, I'd believe him.
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Butch Cassidy and the Sundance Kid Facts
According to screenwriter William Goldman, his screenplay originally was entitled "The Sundance Kid and Butch Cassidy." Both Steve McQueen and Paul Newman read the script at approximately the same time, and agreed to do it, with McQueen playing the Sundance Kid. When McQueen dropped out, the names reversed in the title, as Newman was a superstar.

The sister of the real Butch Cassidy often visited the set, and her presence was welcome to the cast and crew. During lulls in shooting she would tell stories about her famous brother's escapades, and was amazed at how accurately the script and Paul Newman portrayed him. Before the film was released, the studio found out about her visits and tried to convince her to endorse the movie in a series of ads to be shown in theatres across the country. She said that she would, but only if she saw the film first and truly stood behind it. The studio refused, saying that allowing her to see the film before its release could harm its reputation. Finally, at Robert Redford's suggestion, she agreed to do the endorsements - for a small "fee."

Jack Lemmon turned down the role of Sundance because of a scheduling conflict with The Odd Couple.

Body count: 30

In 2007, the American Film Institute ranked this as the #73 Greatest Movie of All Time.

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