The Stop Button Posted by on March 6, 2019

En France… whoops, sorry. In France, Hercules came out in three forty-eight pages volumes. The first came out in 2012, the second in 2013, the third in 2017. It appears each volume is going to be one of Hercules’s twelve labors. Are they called labors? I spent about fifteen minutes...   read more

The Stop Button Posted by Andrew Wickliffe on March 5, 2019

If you had told me there was a movie with John Cleese in funny fake teeth and Smash Mouth as a plot point (a positive one), I don’t know I would’ve believed it. But if there is going to be a movie with John Cleese in funny fake teeth and...   read more

The Stop Button Posted by Andrew Wickliffe on March 5, 2019

If you had told me there was a movie with John Cleese in funny fake teeth and Smash Mouth as a plot point (a positive one), I don’t know I would’ve believed it. But if there is going to be a movie with John Cleese in funny fake teeth and...   read more

The Stop Button Posted by on March 5, 2019

If you had told me there was a movie with John Cleese in funny fake teeth and Smash Mouth as a plot point (a positive one), I don’t know I would’ve believed it. But if there is going to be a movie with John Cleese in funny fake teeth and...   read more

The Stop Button Posted by on March 5, 2019

If you had told me there was a movie with John Cleese in funny fake teeth and Smash Mouth as a plot point (a positive one), I don’t know I would’ve believed it. But if there is going to be a movie with John Cleese in funny fake teeth and...   read more

The Stop Button Posted by on March 4, 2019

I’m really impressed with Johnnie Christmas’s Alien 3 from Dark Horse. No doubt they’ll lose their Fox licenses to Marvel, who should just have Disney buy Dark Horse at this point, since it would simplify reprints and give Marvel a better back catalogue. Because someday Disney and AT&T ha   read more

The Stop Button Posted by on March 3, 2019

One of the things I’m trying to figure out for Comics Fondle and Televisual Feast is if I want to just do episode-specific posts, or if I want to do an additional column. I think I’m leaning column in addition. Because I need to talk about this week’s “Orville” being...   read more

The Stop Button Posted by Andrew Wickliffe on March 2, 2019

It Happened in Hollywood is very nearly a success, which is surprising since most of the film is entirely mediocre. There’s a great lead performance from Richard Dix, as a silent movie cowboy who can’t make it in talkies (though, to be fair, the one bombed screen-test scene was more...   read more

The Stop Button Posted by Andrew Wickliffe on March 2, 2019

It Happened in Hollywood is very nearly a success, which is surprising since most of the film is entirely mediocre. There’s a great lead performance from Richard Dix, as a silent movie cowboy who can’t make it in talkies (though, to be fair, the one bombed screen-test scene was more...   read more

The Stop Button Posted by on March 2, 2019

It Happened in Hollywood is very nearly a success, which is surprising since most of the film is entirely mediocre. There’s a great lead performance from Richard Dix, as a silent movie cowboy who can’t make it in talkies (though, to be fair, the one bombed screen-test scene was more...   read more

The Stop Button Posted by on March 2, 2019

It Happened in Hollywood is very nearly a success, which is surprising since most of the film is entirely mediocre. There’s a great lead performance from Richard Dix, as a silent movie cowboy who can’t make it in talkies (though, to be fair, the one bombed screen-test scene was more...   read more

The Stop Button Posted by Andrew Wickliffe on March 1, 2019

I’m not sure how much would be different about Red Dust if the film weren’t so hideously racist, particularly when it comes to poor Willie Fung (as the houseboy), but at least it wouldn’t go out on such a nasty note. Especially since the finale, despite being contrived, at least...   read more

The Stop Button Posted by Andrew Wickliffe on March 1, 2019

I’m not sure how much would be different about Red Dust if the film weren’t so hideously racist, particularly when it comes to poor Willie Fung (as the houseboy), but at least it wouldn’t go out on such a nasty note. Especially since the finale, despite being contrived, at least...   read more

The Stop Button Posted by on March 1, 2019

I’m not sure how much would be different about Red Dust if the film weren’t so hideously racist, particularly when it comes to poor Willie Fung (as the houseboy), but at least it wouldn’t go out on such a nasty note. Especially since the finale, despite being contrived, at least...   read more

The Stop Button Posted by on March 1, 2019

I’m not sure how much would be different about Red Dust if the film weren’t so hideously racist, particularly when it comes to poor Willie Fung (as the houseboy), but at least it wouldn’t go out on such a nasty note. Especially since the finale, despite being contrived, at least...   read more

The Stop Button Posted by on March 1, 2019

We know you’ve been waiting… five months for this episode, which makes us even more embarrassed about the audio quality but the episode’s worth it. All three hours of the episode is worth it. That’s right, it’s a three hour extra-sized episode… we cover the Best   read more

The Stop Button Posted by Andrew Wickliffe on February 28, 2019

Crooklyn is a series of memories. They’re mostly the main character’s memories—and if they’re not, they’re definitely from her perception. The memories start in the spring and go through the summer. Director Lee and his cowriters—and siblings (Crooklyn is semi-autobiographical) Joie Lee and Cinqué   read more

The Stop Button Posted by Andrew Wickliffe on February 28, 2019

Crooklyn is a series of memories. They’re mostly the main character’s memories—and if they’re not, they’re definitely from her perception. The memories start in the spring and go through the summer. Director Lee and his cowriters—and siblings (Crooklyn is semi-autobiographical) Joie Lee and Cinqué   read more

The Stop Button Posted by on February 28, 2019

Crooklyn is a series of memories. They’re mostly the main character’s memories—and if they’re not, they’re definitely from her perception. The memories start in the spring and go through the summer. Director Lee and his cowriters—and siblings (Crooklyn is semi-autobiographical) Joie Lee and Cinqué   read more

The Stop Button Posted by on February 28, 2019

Crooklyn is a series of memories. They’re mostly the main character’s memories—and if they’re not, they’re definitely from her perception. The memories start in the spring and go through the summer. Director Lee and his cowriters—and siblings (Crooklyn is semi-autobiographical) Joie Lee and Cinqué   read more