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Cinderella
Le Mot du Cinephiliaque
Posted by Michael on October 24, 2012
Cinderella (Clyde Geronimi, Wilfred Jackson & Hamilton Luske, 1950) When Cinderella's cruel stepmother prevents her from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq, and from her Fairy Godmother. When the Disney Studios re-release one of their
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"Platinum Blonde" and the Birth of "Cinderella Man"
The Man on the Flying Trapeze
Posted by David on June 28, 2012
Give Frank Capra credit -- once the guy found a formula, he stuck with it. Specifically -- an honorable man, pure at heart, up against powerful and/or wealthy forces out to destroy or at least ostracize him. You can apply it to almost any Capra film, from "Mr. Smith Goes...
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"Platinum Blonde" and the Birth of "Cinderella Man"
The Man on the Flying Trapeze
Posted by David on June 28, 2012
Give Frank Capra credit -- once the guy found a formula, he stuck with it. Specifically -- an honorable man, pure at heart, up against powerful and/or wealthy forces out to destroy or at least ostracize him. You can apply it to almost any Capra film, from "Mr. Smith Goes...
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Cinderella (1914)
Journeys in Classic Film
Posted by Kristen on June 1, 2012
**This is part of the Classic Movies – Mary Pickford Blogathon. Check out Classic Movies for more Mary Pickford goodness! I know a fair bit about Mary Pickford. My first semester of college I took a film class and Eileen Whitfield‘s book Pickford: The Woman Who Made Hollywood was requi
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Lotte Reiniger’s Cinderella (1)
Pretty Clever Films
Posted by Pretty Clever Film Gal on March 29, 2012
If you’re a lucky gal like me, in mere hours you’ll be in Innis Town Hall in Toronto, enjoying the launch of the Toronto Silent Film Festival. If you’re not that lucky, I have a lone tear rolling down my cheek for you. As excited as I am about dancing...
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Lotte Reiniger’s Cinderella (2)
Pretty Clever Films
Posted by Pretty Clever Film Gal on March 29, 2012
If you’re a lucky gal like me, in mere hours you’ll be in Innis Town Hall in Toronto, enjoying the launch of the Toronto Silent Film Festival. If you’re not that lucky, I have a lone tear rolling down my cheek for you. As excited as I am about dancing...
read more
March Melies Madness! – Cinderella [Cendrillon] (1899)
The Giddy Blog
Posted by chrisgiddens on March 21, 2012
This oldest known film adaptation of Charles Perrault’s 1697 fairy tale, Cendrillon, is also the first movie to utilize a dissolve transition between scenes. Méliès accomplished this by closing the lens aperture, rewinding the film, and then re-opening the aperture. Music performed by Billy Du
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CMBA Guilty Pleasures Blogathon: Cinderella Jones
True Classics
Posted by Brandie on September 18, 2011
This post is our contribution to the final CMBA blogathon of the year, a veritable feast of guilty pleasures ranging from pre-Code flicks through the fabulous excesses of the 1980s. To see the wonderful contributions from other CMBA members, check out the list on their site! The celebration starts t
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Every Cinderella has Her "Midnight"
Classic Movie Man
Posted by Stephen Reginald on October 24, 2009
Every Cinderella has Her "Midnight" Midnight, directed by Mitchell Leisen, with a script by Billy Wilder and Charles Brackett, and released by Paramount Pictures, is one of the great movies of 1939. It stars Claudette Colbert as a down-on-her-luck American showgirl in Paris and Don Ameche as a
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Every Cinderella has Her "Midnight"
Classic Movie Man
Posted by Stephen Reginald on October 24, 2009
Every Cinderella has Her "Midnight" Midnight, directed by Mitchell Leisen, with a script by Billy Wilder and Charles Brackett, and released by Paramount Pictures, is one of the great movies of 1939. It stars Claudette Colbert as a down-on-her-luck American showgirl in Paris and Don Ameche as a
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Cinderella
Café Muscato
Posted by Muscato on October 20, 2008
Egyptians are mad about movies, and the big stars of the Egyptian cinema are revered by the general public in the way that more rarefied circles in the West feel about Garbo, Davis, Gable, and Bogart.They love the triumphs, and almost as much they revel masochistically in the tragedies. Just...
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