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Quotes about Defining Moments

35 quotes
An American in Paris
Lise Bouvier: Maybe Paris has a way of making people forget.
Jerry Mulligan: Paris? No. Not this city. It's too real and too beautiful to ever let you forget anything.
- Gene Kelly (as Jerry Mulligan) in An American in Paris (1951)

The Apartment
C.C. Baxter: [Opens his bedroom door, tosses a pair of gloves in, and is about to step out, but he has seen Fran lying on the bed] All right, Miss Kubelik, get up.
[No response from the unconscious Fran]
C.C. Baxter: It's past checking-out time. The management would greatly appreciate it if you would get the hell out of here!
[Still no response]
C.C. Baxter: I used to like you. I used to like you a lot. But it's all over between us. So beat it!
[No responss]
C.C. Baxter: Oh, you, tee, out!
[No response]
C.C. Baxter: C'mon, wake up!
[Tries to drag her out, and she falls limp. Then he catches sight of the bottle of sleeping pills]
C.C. Baxter: Oh, my God...!
- Jack Lemmon (as C.C. Baxter) in The Apartment (1960)

Ben-Hur
Judah Ben-Hur: If I cannot persuade them, that does not mean I will help you... *murder* them. Besides, you must understand this, Messala. I believe in the past of my people, *and* in their future.
Messala: Future? You are a conquered people!
Judah Ben-Hur: You may conquer the land; you may slaughter the people. But that is not the end. We will rise again.
- Charlton Heston (as Judah Ben) in Ben-Hur (1959)

Casablanca
Ilsa: Play it once, Sam. For old times' sake.
Sam: [lying] I don't know what you mean, Miss Ilsa.
Ilsa: Play it, Sam. Play "As Time Goes By."
Sam: [lying] Oh, I can't remember it, Miss Ilsa. I'm a little rusty on it.
Ilsa: I'll hum it for you. Da-dy-da-dy-da-dum, da-dy-da-dee-da-dum...
[Sam begins playing]
- Ingrid Bergman (as Ilsa Lund) in Casablanca (1942)

Marty
Marty Pilletti: Ma, sooner or later, there comes a point in a man's life when he's gotta face some facts. And one fact I gotta face is that, whatever it is that women like, I ain't got it.
- Ernest Borgnine (as Marty Piletti) in Marty (1955)

My Fair Lady
Eliza Doolittle: Come on, Dover, move yer bloomin' arse!
- Audrey Hepburn (as Eliza Doolittle) in My Fair Lady (1964)

On the Waterfront
Charlie: Look, kid, I - how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast.
Terry: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palooka-ville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money.
Charlie: Oh I had some bets down for you. You saw some money.
Terry: You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.
- Marlon Brando (as Terry Malloy) in On the Waterfront (1954)

It's a Wonderful Life
George Bailey: Just a minute... just a minute. Now, hold on, Mr. Potter. You're right when you say my father was no businessman. I know that. Why he ever started this cheap, penny-ante Building and Loan, I'll never know. But neither you nor anyone else can say anything against his character, because his whole life was... why, in the 25 years since he and his brother, Uncle Billy, started this thing, he never once thought of himself. Isn't that right, Uncle Billy? He didn't save enough money to send Harry away to college, let alone me. But he did help a few people get out of your slums, Mr. Potter, and what's wrong with that? Why... here, you're all businessmen here. Doesn't it make them better citizens? Doesn't it make them better customers? You... you said... what'd you say a minute ago? They had to wait and save their money before they even ought to think of a decent home. Wait? Wait for what? Until their children grow up and leave them? Until they're so old and broken down that they... Do you know how long it takes a working man to save $5,000? Just remember this, Mr. Potter, that this rabble you're talking about... they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live and die in a couple of decent rooms and a bath? Anyway, my father didn't think so. People were human beings to him. But to you, a warped, frustrated old man, they're cattle. Well in my book, my father died a much richer man than you'll ever be!
- James Stewart (as George Bailey) in It's a Wonderful Life (1946)

Dr. Jekyll and Mr. Hyde
Dr. Lanyon: You're a rebel, and see what it has done for you. You're in the power of this monster that you have created.
Dr. Jekyll: I'll never take that drug again!
Dr. Lanyon: Yes, but you told me you became that monster tonight not of your own accord. It will happen again.
Dr. Jekyll: It never will. I'm sure of it. I'll conquer it!
Dr. Lanyon: Too late. You cannot conquer it. It has conquered you!

It Happened One Night
Ellie Andrews: Take me with you, Peter. Take me to your island. I want to do all those things you talked about.
Peter Warne: You'd better go back to your bed.
Ellie Andrews: I love you. Nothing else matters. We can run away. Everything will take care of itself. Please, Peter, I can't let you out of my life now. I couldn't live without you.
[she cries in his arms]
Peter Warne: [firmly] You'd better go back to your bed.
Ellie Andrews: I'm sorry.
[she returns to her bed still crying]