Film Quotes by Richard Burton
111 quotes
Year: 1959
Director:
Tony Richardson
Director:
Tony Richardson
Helena Charles:
Sorry he's gone.
Jimmy Porter: So am I. He's sloppy and irritating but he's got a good heart, you can forgive someone almost anything for that.
Helena Charles: I love you.
Jimmy Porter: Perhaps you do, perhaps it means something to have your General lie back in your arms though he's heartily sick of the whole campaign. Tired, hungry and dry.
Jimmy Porter: So am I. He's sloppy and irritating but he's got a good heart, you can forgive someone almost anything for that.
Helena Charles: I love you.
Jimmy Porter: Perhaps you do, perhaps it means something to have your General lie back in your arms though he's heartily sick of the whole campaign. Tired, hungry and dry.
--
Richard Burton
(as Jimmy Porter)
in
Look Back in Anger
(1959)
Year: 1959
Director:
Tony Richardson
Director:
Tony Richardson
Helena Charles:
You know what Alison once said, you were born out of your time. I think I know what she means - sometimes I think you feel you're still in the middle of the French Revolution. Oh Jimmy, can't you give up that sweet shop and do something else?
Jimmy Porter: Such as?
Helena Charles: I don't know, there are so many things that you could do.
Jimmy Porter: Such as being a literary gent - Porter the lion of the pen club, laughing Porter the tv panelist, Lord Porter leaving no.10. The personality of Porter - lets examine it, that glittering meteoric cause. While the rest of the world is being blown to bits around us what matters - me, me me.
Jimmy Porter: Such as?
Helena Charles: I don't know, there are so many things that you could do.
Jimmy Porter: Such as being a literary gent - Porter the lion of the pen club, laughing Porter the tv panelist, Lord Porter leaving no.10. The personality of Porter - lets examine it, that glittering meteoric cause. While the rest of the world is being blown to bits around us what matters - me, me me.
--
Richard Burton
(as Jimmy Porter)
in
Look Back in Anger
(1959)
Year: 1965
Director:
Martin Ritt
Director:
Martin Ritt
Nan Perry:
Well, they returned you to me. I'm so grateful. So grateful! I cut tonight's party meeting.
Alec Leamas: Oh, well, well! Thank you for putting me above history.
Alec Leamas: Oh, well, well! Thank you for putting me above history.
--
Richard Burton
(as Alec Leamas)
in
The Spy Who Came in from the Cold
(1965)
Year: 1969
Director:
Charles Jarrott
Director:
Charles Jarrott
Queen Katherine of Aragon:
She's new...
King Henry VIII: The Boleyn's youngest daughter, newly returned from the French court. Do you like her, Kate? Shall I keep her here at court to cheer you?
Queen Katherine of Aragon: Whatever you command, my lord.
King Henry VIII: Suppose I command you to give me a son?
Queen Katherine of Aragon: Were it to God I could, Henry.
King Henry VIII: Amen, but you cannot - because our marriage is a curse in heaven and hell, madam!
King Henry VIII: The Boleyn's youngest daughter, newly returned from the French court. Do you like her, Kate? Shall I keep her here at court to cheer you?
Queen Katherine of Aragon: Whatever you command, my lord.
King Henry VIII: Suppose I command you to give me a son?
Queen Katherine of Aragon: Were it to God I could, Henry.
King Henry VIII: Amen, but you cannot - because our marriage is a curse in heaven and hell, madam!
--
Richard Burton
(as King Henry VIII)
in
Anne of the Thousand Days
(1969)
Year: 1966
Director:
Mike Nichols
Director:
Mike Nichols
Honey:
I'm gonna be sick.
George: Ah yeah that's nice.
Honey: I'm gonna die.
George: Good, good. Go right ahead.
George: Ah yeah that's nice.
Honey: I'm gonna die.
George: Good, good. Go right ahead.
--
Richard Burton
(as George)
in
Who's Afraid of Virginia Woolf?
(1966)
Year: 1966
Director:
Mike Nichols
Director:
Mike Nichols
Honey:
They dance like they've danced before.
George: It's a familiar dance, monkey nipples, they both know it.
George: It's a familiar dance, monkey nipples, they both know it.
--
Richard Burton
(as George)
in
Who's Afraid of Virginia Woolf?
(1966)
Year: 1966
Director:
Mike Nichols
Director:
Mike Nichols
Nick:
[to Honey] We'll go in a little while.
George: Oh no. No, you mustn't. Martha is changing, and Martha is not changing for me, Martha hasn't changed for me in years. If Martha is changing, that means we're going to be here for days. You're being accorded an honor, and you mustn't forget that Martha is the daughter of our beloved boss. She is his right... arm. I was going to use another word, but we'll leave that sort of talk to Martha.
George: Oh no. No, you mustn't. Martha is changing, and Martha is not changing for me, Martha hasn't changed for me in years. If Martha is changing, that means we're going to be here for days. You're being accorded an honor, and you mustn't forget that Martha is the daughter of our beloved boss. She is his right... arm. I was going to use another word, but we'll leave that sort of talk to Martha.
--
Richard Burton
(as George)
in
Who's Afraid of Virginia Woolf?
(1966)
Year: 1966
Director:
Mike Nichols
Director:
Mike Nichols
--
Richard Burton
(as George)
in
Who's Afraid of Virginia Woolf?
(1966)
Year: 1966
Director:
Mike Nichols
Director:
Mike Nichols
Nick:
Who did the painting?
George: Some Greek with a mustache Martha attacked one night.
Nick: It's got a...
George: Quiet intensity?
Nick: Well, no, a...
George: Well then, a certain noisy relaxed quality maybe?
Nick: No, what I meant was...
George: How about a quietly noisy relaxed intensity?
George: Some Greek with a mustache Martha attacked one night.
Nick: It's got a...
George: Quiet intensity?
Nick: Well, no, a...
George: Well then, a certain noisy relaxed quality maybe?
Nick: No, what I meant was...
George: How about a quietly noisy relaxed intensity?
--
Richard Burton
(as George)
in
Who's Afraid of Virginia Woolf?
(1966)
Year: 1966
Director:
Mike Nichols
Director:
Mike Nichols
[Martha has changed into an embarrassingly tight and revealing outfit]
George: Why Martha! Your Sunday chapel dress!
George: Why Martha! Your Sunday chapel dress!
--
Richard Burton
(as George)
in
Who's Afraid of Virginia Woolf?
(1966)