Film Quotes by Paul Newman
151 quotes
Year: 1966
Director:
Jack Smight
Director:
Jack Smight
Elaine Sampson:
Drink, Mr. Harper?
Lew Harper: Not before lunchtime.
Elaine Sampson: I thought you were a detective.
Lew Harper: New type.
Lew Harper: Not before lunchtime.
Elaine Sampson: I thought you were a detective.
Lew Harper: New type.
--
Paul Newman
in
Harper
(1966)
Year: 1967
Director:
Martin Ritt
Director:
Martin Ritt
Grimes:
Mister, you've got alot of hard bark on you walkin' down here like this. Now, I owe you. You put two holes in me.
John Russell: Usually enough for most of 'em.
Grimes: Don't try it again, that Vaquero is more than a fair hand.
Grimes: You got the money?
John Russell: Guess I brought my dirty laundry down by mistake.
Grimes: Let me see it.
John Russell: Look for yourself.
Grimes: [opens bag, pulls out a handful of clothes] Well now, what'ya suppose hell's gonna look like?
John Russell: We all die, just a question of when.
John Russell: Usually enough for most of 'em.
Grimes: Don't try it again, that Vaquero is more than a fair hand.
Grimes: You got the money?
John Russell: Guess I brought my dirty laundry down by mistake.
Grimes: Let me see it.
John Russell: Look for yourself.
Grimes: [opens bag, pulls out a handful of clothes] Well now, what'ya suppose hell's gonna look like?
John Russell: We all die, just a question of when.
--
Paul Newman
in
Hombre
(1967)
Year: 1967
Director:
Martin Ritt
Director:
Martin Ritt
Lamar Dean:
[Russell has climbed to the top of the stage] What are you doin' up there?
John Russell: Gettin' my things.
Lamar Dean: You figurin' on going some place?
John Russell: Why stay here?
Lamar Dean: Just how far do you thin you're gonna get?
John Russell: That's to find out.
Lamar Dean: [takes one waterbag] Now how far did you say you were gonna get?
Henry Mendez: Leave us some water!
Lamar Dean: [shoots the remaining waterbag] Now how far?
John Russell: Oh about as far as Delgado's.
Lamar Dean: [stops, turns and looks back] What does that mean?
John Russell: Maybe if we all get thirsty we'll go to Delgado's and get some "mezcal."
John Russell: Gettin' my things.
Lamar Dean: You figurin' on going some place?
John Russell: Why stay here?
Lamar Dean: Just how far do you thin you're gonna get?
John Russell: That's to find out.
Lamar Dean: [takes one waterbag] Now how far did you say you were gonna get?
Henry Mendez: Leave us some water!
Lamar Dean: [shoots the remaining waterbag] Now how far?
John Russell: Oh about as far as Delgado's.
Lamar Dean: [stops, turns and looks back] What does that mean?
John Russell: Maybe if we all get thirsty we'll go to Delgado's and get some "mezcal."
--
Paul Newman
in
Hombre
(1967)
Year: 1966
Director:
Jack Smight
Director:
Jack Smight
Allan Taggert, Sampson's Pilot:
[Leering at Fay through the door] Well...
Lew Harper: [Dismissively] It's nothing like that. She happens to be a hard night's work
Lew Harper: [Dismissively] It's nothing like that. She happens to be a hard night's work
--
Paul Newman
in
Harper
(1966)
Year: 1963
Director:
Mark Robson
Director:
Mark Robson
--
Paul Newman
in
The Prize
(1963)
Year: 1969
Director:
James Goldstone
Director:
James Goldstone
Charley:
Hey, Frank. You know what? What about a little sugar in his gas tank? That'll fix him. I read that in a magazine about how the saboteurs work.
[laughing]
Charley: You think I'm drunk?
Frank Capua: I don't need any sugar in his gas tank 'cause I'm gonna beat that son-of-a-bitch anyway!
[laughing]
Charley: You think I'm drunk?
Frank Capua: I don't need any sugar in his gas tank 'cause I'm gonna beat that son-of-a-bitch anyway!
--
Paul Newman
in
Winning
(1969)
Year: 1967
Director:
Martin Ritt
Director:
Martin Ritt
Doris Blake:
You're just saying that so we won't go down there.
John Russell: They'll kill you both. That's why I'm saying it.
John Russell: They'll kill you both. That's why I'm saying it.
--
Paul Newman
in
Hombre
(1967)
Year: 1967
Director:
Martin Ritt
Director:
Martin Ritt
Jessie:
And we got him a marble headstone. It had his name on it, and underneath, we had them put, "In the Fullness of His Years." Is that all right with you?
John Russell: I'll settle for that. I'm not on the slab.
Jessie: Well, what do you figure yours is going to read?
John Russell: "Shot Dead," probably.
Jessie: Don't people take to you, Mr. Russell?
John Russell: It only takes one who doesn't.
John Russell: I'll settle for that. I'm not on the slab.
Jessie: Well, what do you figure yours is going to read?
John Russell: "Shot Dead," probably.
Jessie: Don't people take to you, Mr. Russell?
John Russell: It only takes one who doesn't.
--
Paul Newman
in
Hombre
(1967)
Year: 1967
Director:
Martin Ritt
Director:
Martin Ritt
Jessie:
That soldier would have helped you and you know it.
John Russell: I didn't ask for any.
Jessie: He didn't even have a gun.
John Russell: That's his business he don't wanna carry one.
Jessie: It takes a lot to light a fire under you, doesn't it.
John Russell: If it's alright with you, lady, I just didn't feel like bleeding for him. And even if it isn't alright with you.
John Russell: I didn't ask for any.
Jessie: He didn't even have a gun.
John Russell: That's his business he don't wanna carry one.
Jessie: It takes a lot to light a fire under you, doesn't it.
John Russell: If it's alright with you, lady, I just didn't feel like bleeding for him. And even if it isn't alright with you.
--
Paul Newman
in
Hombre
(1967)
Year: 1959
Director:
Vincent Sherman
Director:
Vincent Sherman
Chester A. 'Chet' Gwynn:
Did you ever see a babe with two heads?
Anthony Judson Lawrence: No. Come on, call her!
Chester A. 'Chet' Gwynn: No.
Anthony Judson Lawrence: Come on, Chet.
Chester A. 'Chet' Gwynn: Tony.
Anthony Judson Lawrence: Two heads... then we can both talk to her! And she doesn't have to bring a friend!
Anthony Judson Lawrence: No. Come on, call her!
Chester A. 'Chet' Gwynn: No.
Anthony Judson Lawrence: Come on, Chet.
Chester A. 'Chet' Gwynn: Tony.
Anthony Judson Lawrence: Two heads... then we can both talk to her! And she doesn't have to bring a friend!
--
Paul Newman
(as Anthony Judson Lawrence / Narrator)
in
The Young Philadelphians
(1959)