Film Quotes by Paul Douglas
16 quotes
Lt. Cmdr. Clinton 'Clint' Reed M.D.:
You know, my mother always told me if you looked deep enough in anybody... you'd always find some good, but I don't know.
Capt. Tom Warren: With apologies to your mother, that's the second mistake she made.
Capt. Tom Warren: With apologies to your mother, that's the second mistake she made.
--
Paul Douglas
(as Capt. Tom Warren)
in
Panic in the Streets
(1950)
Mae Doyle D'Amato:
Jerry! If you come any closer to me I'll smash your face in with the first thing I can lay my hands on!
Jerry D'Amato: You're no good!
Jerry D'Amato: You're no good!
--
Paul Douglas
(as Jerry D'Amato)
in
Clash by Night
(1952)
Deborah Bishop:
Have you any idea how much Lora Mae is in love with you?
Porter Hollingsway: [scornfully] No! How much?
Deborah Bishop: So much she's afraid to tell you, afraid you'd laugh at her.
Porter Hollingsway: Me laugh? She couldn't say it with a straight face. Lora Mae in love with me? It's all she can do to wait it out.
Deborah Bishop: Wait it out?
Porter Hollingsway: Yeah, like an annuity till it matures. Like a slot machine till it pays off. That's what she's waiting for. A chance to call it off, to collect. "The end of the line. Fares, please." Don't tell me about love and Lora Mae.
Porter Hollingsway: [scornfully] No! How much?
Deborah Bishop: So much she's afraid to tell you, afraid you'd laugh at her.
Porter Hollingsway: Me laugh? She couldn't say it with a straight face. Lora Mae in love with me? It's all she can do to wait it out.
Deborah Bishop: Wait it out?
Porter Hollingsway: Yeah, like an annuity till it matures. Like a slot machine till it pays off. That's what she's waiting for. A chance to call it off, to collect. "The end of the line. Fares, please." Don't tell me about love and Lora Mae.
--
Paul Douglas
(as Porter Hollingsway)
in
A Letter to Three Wives
(1949)
Lora Mae Hollingsway:
I've been a good wife. The best wife your money could buy.
Porter Hollingsway: Strictly cash and carry.
Lora Mae Hollingsway: Isn't that what you wanted? Isn't that what you told me? "Out in the open. You made a good deal, kid." Did you every stop to think, Porter, that in over 3 years there's one word we've never said to each other, even in fun?
Porter Hollingsway: To you, I'm a cash register. You can't love a cash register.
Lora Mae Hollingsway: And I'm part of your inventory. You can't love that, either.
Porter Hollingsway: I asked you to marry me because I was crazy about you.
Lora Mae Hollingsway: You didn't even ask me!
Porter Hollingsway: I've been a good husband. You got everything you want.
Lora Mae Hollingsway: If you'd only asked me, if you'd only made me feel like a woman instead of a piece of merchandise!
Porter Hollingsway: Did you give me a chance to? All you ever showed me was your price tag.
Porter Hollingsway: Strictly cash and carry.
Lora Mae Hollingsway: Isn't that what you wanted? Isn't that what you told me? "Out in the open. You made a good deal, kid." Did you every stop to think, Porter, that in over 3 years there's one word we've never said to each other, even in fun?
Porter Hollingsway: To you, I'm a cash register. You can't love a cash register.
Lora Mae Hollingsway: And I'm part of your inventory. You can't love that, either.
Porter Hollingsway: I asked you to marry me because I was crazy about you.
Lora Mae Hollingsway: You didn't even ask me!
Porter Hollingsway: I've been a good husband. You got everything you want.
Lora Mae Hollingsway: If you'd only asked me, if you'd only made me feel like a woman instead of a piece of merchandise!
Porter Hollingsway: Did you give me a chance to? All you ever showed me was your price tag.
--
Paul Douglas
(as Porter Hollingsway)
in
A Letter to Three Wives
(1949)
Manager Jimmy Dolan:
[Kelly has just walked off the field in the middle of a game and Jimmy wants to fine him] Kelly's not indispensable!
Monk Lanigan: I know, but the team can't get along without him.
Monk Lanigan: I know, but the team can't get along without him.
--
Paul Douglas
in
It Happens Every Spring
(1949)
Calvin B. Marshall, the American:
Tell me MacTaggart, are you out of your mind, or is it just you think you've driven me out of mine?
--
Paul Douglas
(as Calvin B. Marshall, the American)
in
The Maggie
(1954)
Jerry D'Amato:
Earl, he's one of the smartest men I know. He's in the movie business.
Mae Doyle D'Amato: An actor?
Jerry D'Amato: No, but I bet Earl could be if he wanted to. He works at the Bijou theatre, in the projection booth.
Mae Doyle D'Amato: That's your idea of being in the movie business?
Jerry D'Amato: Running movies, what other business would you call it?
Mae Doyle D'Amato: An actor?
Jerry D'Amato: No, but I bet Earl could be if he wanted to. He works at the Bijou theatre, in the projection booth.
Mae Doyle D'Amato: That's your idea of being in the movie business?
Jerry D'Amato: Running movies, what other business would you call it?
--
Paul Douglas
(as Jerry D'Amato)
in
Clash by Night
(1952)
Porter Hollingsway:
It's a man's world. Yeah! See something you want, go after it and get it! That's nature. It's why we're made strong and women weak. Strong conquer and provide for the weak. That's what a man's for! Teach our kids that, there'd be more men!
--
Paul Douglas
(as Porter Hollingsway)
in
A Letter to Three Wives
(1949)
Porter Hollingsway:
Like my wife. Comes from an old Spanish family named Finney.
--
Paul Douglas
(as Porter Hollingsway)
in
A Letter to Three Wives
(1949)
Rocco:
Me and heartburn are a cinch daily double.
--
Paul Douglas
in
This Could Be the Night
(1957)