Myrtle Mae Simmons: Oh, mother, people get run over by trucks every day. Why can't something like that happen to Uncle Elwood?

- Victoria Horne (as Myrtle Mae Simmons) in Harvey (1950)

Wilson: [reading from an encyclopedia] "P O O K A - Pooka - from old Celtic mythology - a fairy spirit in animal form - always very large. The pooka appears here and there - now and then - to this one and that one - a benign but mischievous creature - very fond of rumpots, crackpots, and how are you, Mr. Wilson?" "How are you, Mr. Wilson?" Who in the encyclopedia wants to know?

- Jesse White (as Wilson) in Harvey (1950)

Wilson: Hello, sweetheart. Well, well. Those for me?
Veta Louise Simmons: [Picking flowers] For you? I should say not. They're for my brother, Elwood. He's devoted to ranunculur.
Wilson: Sure. Well, wouldn't you like to come inside and pick some off the wallpaper.
Veta Louise Simmons: Well - no thank you, these will do nicely. Good day.

- Josephine Hull (as Veta Louise Simmons) in Harvey (1950)

Wilson: I'll tell you something, Myrt.
Myrtle Mae Simmons: Yeah?
Wilson: You know, you not only got a nice build, but you got something else, too.
Myrtle Mae Simmons: Really? What?
Wilson: You got the screwiest uncle that ever stuck his puss inside our nuthouse.

- Jesse White (as Wilson) in Harvey (1950)

Wilson: Is he alone?
Mr. Cracker, the Bartender: Well, there's two schools of thought, sir.

- Clem Bevans (as Mr. Herman Shimelplatzer) in Harvey (1950)

Wilson: Who's Harvey?
Miss Kelly: A white rabbit, six feet tall.
Wilson: Six feet?
Elwood P. Dowd: Six feet three and a half inches. Now let's stick to the facts.

- James Stewart (as Elwood P. Dowd) in Harvey (1950)

Veta Louise Simmons: As I was going down to the taxi cab to get Elwood's things, this awful man stepped out. He was a white slaver, I know he was. He was wearing one of those white suits, that's how they advertise.

- Josephine Hull (as Veta Louise Simmons) in Harvey (1950)

Veta Louise Simmons: I took a course in art last winter. I learnt the difference between a fine oil painting, and a mechanical thing, like a photograph. The photograph shows only the reality. The painting shows not only the reality, but the dream behind it. It's our dreams, doctor, that carry us on. They separate us from the beasts. I wouldn't want to go on living if I thought it was all just eating, and sleeping, and taking my clothes off, I mean putting them on...

- Josephine Hull (as Veta Louise Simmons) in Harvey (1950)

Veta Louise Simmons: Judge Gaffney, is that all those doctors do in places like that - think about sex?
Judge Gaffney: I don't know.
Veta Louise Simmons: Because if it is they ought to be ashamed of themselves. It's all in their heads anyway. Why don't they get out and take long walks in the fresh air?

- Josephine Hull (as Veta Louise Simmons) in Harvey (1950)

Veta Louise Simmons: Myrtle Mae, you have a lot to learn, and I hope you never learn it.

- Josephine Hull (as Veta Louise Simmons) in Harvey (1950)