|
Lisa:
I'm not much on rear window ethics.
-
Grace Kelly
(as Lisa Carol Fremont)
in
Rear Window
(1954)
|
|
|
Lisa:
Jeff, you know if someone came in here, they wouldn't believe what they'd see? You and me with long faces plunged into despair because we find out a man didn't kill his wife. We're two of the most frightening ghouls I've ever known.
-
Grace Kelly
(as Lisa Carol Fremont)
in
Rear Window
(1954)
|
|
|
Lisa:
Tell me exactly what you saw and what you think it means.
-
Grace Kelly
(as Lisa Carol Fremont)
in
Rear Window
(1954)
|
|
|
Lisa:
The last thing Mrs. Thorwald would leave behind would be her wedding ring. Stella, do you ever leave yours at home?
Stella: The only way somebody would get that would be to chop off my - finger. Let's go down to the garden and find out what's buried there. Lisa: Why not? I always wanted to meet Mrs. Thorwald.
-
Grace Kelly
(as Lisa Carol Fremont)
in
Rear Window
(1954)
|
|
|
Lisa:
Well, if there's one thing I know, it's how to wear the proper clothes.
-
Grace Kelly
(as Lisa Carol Fremont)
in
Rear Window
(1954)
|
|
|
Lisa:
Why would Thorwald want to kill a little dog? Because it knew too much?
-
Grace Kelly
(as Lisa Carol Fremont)
in
Rear Window
(1954)
|
|
-
Thelma Ritter
(as Stella)
in
Rear Window
(1954)
|
|
|
Detective:
[referring to what was buried in Thorwald's flower bed] It's over in his apartment. In a hat box. Wanna look?
Stella: Oh, no thanks - I don't want any part of her.
-
Thelma Ritter
(as Stella)
in
Rear Window
(1954)
|
|
|
Jeff:
[shivering as cold alcohol is poured on his back before a rubdown] Say, don't you ever heat that stuff up?
Stella: Aw, it gives your system something to fight against.
-
Thelma Ritter
(as Stella)
in
Rear Window
(1954)
|
|
Jeff:
I get myself half killed for you and you reward me by stealing my assignments.
L.B. Jefferies' Editor: I didn't ask you to stand in the middle of that automobile racetrack. Jeff: You asked for a, something dramatically different. You got it. L.B. Jefferies' Editor: So did you.
-
Gig Young
(as L.B. Jefferies' Editor)
in
Rear Window
(1954)
|