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The Snake Pit Overview:

The Snake Pit (1948) was a Drama - Black-and-white Film directed by Anatole Litvak and produced by Robert Bassler, Darryl F. Zanuck and Anatole Litvak.

Academy Awards 1948 --- Ceremony Number 21 (source: AMPAS)

AwardRecipientResult
Best ActressOlivia de HavillandNominated
Best DirectorAnatole LitvakNominated
Best Music - ScoringAlfred NewmanNominated
Best Picture20th Century-FoxNominated
Best WritingFrank Partos, Millen BrandNominated

The Snake Pit BlogHub Articles:

Exploring Olivia de Havilland’s Performance in ‘The Snake Pit’ (1948)

Today, the legendary Olivia de Havilland is turning 102 years old! What a victory! For a third consecutive year, Crystal from In the Good Old Days of Classic Hollywood and Laura from Phyllis Loves Classic Movies are hosting the Annual Olivia de Havilland Blogathon. I’m happy to take part in th... Read full article


Screening of “The Snake Pit” at Daystar Center September 12

Screening of “The Snake Pit” at Daystar Center September 12 “Classic Movie Man Favorites” Series: The Snake Pit (1948) Where: Daystar Center, 1550 S. State Street When: September 12, 2017 Time: 6:30 p.m. Hosted by Stephen Reginald The Snake Pit (1948) stars two-time Bes... Read full article


The Snake Pit (1948)

There is a lineage of psychological dramas most notably including the likes of Shock Corridor and One Flew Over the Cuckoos Nest. But one of their primary predecessors was The Snake Pit which is a haunting, inscrutable and thought-provoking film in its own right. But rather than trying to sum it up ... Read full article


The Snake Pit (1948)

There is a lineage of psychological dramas most notably including the likes of Shock Corridor and One Flew Over the Cuckoos Nest. But one of their primary predecessors was The Snake Pit which is a haunting, inscrutable and thought-provoking film in its own right. But rather than trying to sum it up ... Read full article


The Snake Pit (1948)

The Snake Pit Directed by Anatole Litvak Written by Frank Partos and Millen Brand from a novel by Mary Jane Ward 1948/USA Twentieth Century Fox Film Corporation Repeat viewing/Netflix rental #219 of 1001 Movies You Must See Before You Die I didn’t remember liking this very much.  Imagine m... Read full article


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The Snake Pit Quotes:

Miss Greene: You get off the rug, Virginia Cunningham! Come on! Come on! Get off of there! I've told you a dozen times we do not walk on our rug.
Virginia Stuart Cunningham: Why not?
Miss Greene: Because we don't! Understand? We're the only ward that has a rug. It's new, I mean it's clean, and we mean to keep it that way.
Virginia Stuart Cunningham: Why don't you hang it on the wall?
Miss Greene: Your wisecracks might have been appreciated in other wards, but in 12 they don't go over.
Virginia Stuart Cunningham: Is this 12?
Miss Greene: And what did you think it was? One?
Virginia Stuart Cunningham: How long have I been here?
Miss Greene: Too long.

Celia Sommerville: And we're so crowded already. I just don't know where it's all gonna end!
Virginia Stuart Cunningham: I'll tell you where it's gonna end, Miss Somerville... When there are more sick ones than well ones, the sick ones will lock the well ones up.

Mrs. Greer: Good afternoon, my dear. I don't think I've had the pleasure of seeing you here before.
Virginia Stuart Cunningham: I'm Virginia Cunningham. I came from Five.
Mrs. Greer: Nobody comes to One from Five. Even I had to spend a few days in Two before coming here. And I, my dear, have money.
Virginia Stuart Cunningham: That must be convenient.
Mrs. Greer: My husband, Mr. Greer, is very wealthy. I have more jewels than I can possibly wear. You, of course, are a charity patient?
Virginia Stuart Cunningham: Oh, no. It so happens that my husband, Mr. Cunningham, is very wealthy. My diamonds simply weigh me down.
Mrs. Greer: I have the Hope Diamond!
Virginia Stuart Cunningham: I have the Hopeless Emerald! It carries the Cunningham curse. You've probably read about it.
Mrs. Greer: Mr. Greer...
Virginia Stuart Cunningham: Your husband?
Mrs. Greer: Mr. Greer, my husband, considered buying it, but it has a flaw. You see, you can't put an imperfect stone on the most beautiful hands in the world.

Virginia Stuart Cunningham: It was strange, here I was among all those people, and at the same time I felt as if I were looking at them from some place far away, the whole place seemed to me like a deep hole and the people down in it like strange animals, like... like snakes, and I've been thrown into it... yes... as though... as though I were in a snake pit...
Doctor Mark Kik: A snake pit?
Virginia Stuart Cunningham: Later, weeks later, I understood. I remembered once reading in a book that long ago they used to put insane people into pits full of snakes. I think they figured that something which might drive a normal person insane, might shock an insane person back into sanity. Did you ever hear of that?
Doctor Mark Kik: Yes.
Virginia Stuart Cunningham: Well, it was just as though they'd thrown me into a snake pit. And I was shocked into thinking that maybe I wasn't as sick as the others... and I really might get well.

Robert Cunningham: Tell me what have you been doing all these months?
Virginia Stuart Cunningham: Working 18 hours a day and being lonely 24.
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The Snake Pit Facts
When Virginia and Robert go to the movies in their courtship days, the offscreen fanfare indicates that they are watching a 20th Century Fox film, the same studio that made "The Snake Pit".

Much of the film was shot in actual wards at Camarillo State Mental Hospital in California.

Gene Tierney was the first choice to star but dropped out due to her pregnancy.

Mary Jane Ward's book, the basis for this film, was an autobiographical account of the author's experiences in psychiatric hospitals. The book caused considerable controversy upon its publication in 1946, as it was a scathing indictment of the treatment of psychiatric patients, a subject considered taboo in the 1940s. Naturally, the book was a runaway bestseller.

Director Anatole Litvak insisted that the cast and crew spend three months visiting mental institutions and attending psychiatric lectures to prepare themselves for the film. Olivia de Havilland willingly threw herself into the research. She attended patient treatments at the institutions, and observed electric shock therapy and hydrotherapy first-hand. When permitted, she sat in on doctor-patient therapy sessions. She also attended social events for patients at the institutions. After seeing the film, a "Daily Variety" columnist questioned whether any mental institution would really allow violent inmates to dance with each other at a social event. De Havilland personally called the columnist to confirm that she had attended several such dances at institutions.

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