The Player (1992) |
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| Director(s) | Robert Altman |
| Producer(s) | David Levy, David Brown, William S. Gilmore, Cary Brokaw, Scott Bushnell |
Featured Cast of The Player See More »
Dean Stockwell
(as Andy Civella)
Sydney Pollack
(as Dick Mellon)
Dina Merrill
(as Celia)
Steve Allen
(as Himself)
Richard Anderson
(as Himself)
Harry Belafonte
(as Himself)
James Coburn
(as Himself)
Peter Falk
(as Himself)
The Player Overview:
The Player (1992) was a - Film directed by Robert Altman and produced by David Levy, David Brown, William S. Gilmore, Cary Brokaw and Scott Bushnell.
Academy Awards 1992 --- Ceremony Number 66 (source: AMPAS)
| Award | Recipient | Result |
| Best Director | Robert Altman | Nominated |
| Best Film Editing | Geraldine Peroni | Nominated |
| Best Writing | Michael Tolkin | Nominated |
The Player BlogHub Articles:
The CMBA “Hollywood on Hollywood” Blogathon: The Player (1992)
The Player (1992) is described by some as a satirical comedy, by others as a mystery/crime film. To me, it’s a first-rate neo-noir that will leave you breathless. But it doesn’t start out that way. This Robert Altman-directed film begins innocuously, with a seamless, eight-minute unedited sequen... Read full article
The Player (1992, Robert Altman)
Whatever his faults (and faulty films), Robert Altman never bought into what anyone said about him–not his critics, not his audience. The Player is an overtly hostile outing. Altman never had much nice to say about the film, as I recall, but he doesn’t try to say nice things with the fil... Read full article
CCU43 – The Player
Jul 6 Posted by aaronwest Mark and Aaron welcome old friend, Doug McCambridge to talk about Robert Altman’s “Don’t call it a” comeback. We touch on the opening tracking shot, what Altman is saying about Hollywood, and yes, we even go into the ending — or both of them. ... Read full article
CCU43 – The Player
Jul 6 Posted by aaronwest Mark and Aaron welcome old friend, Doug McCambridge to talk about Robert Altman’s “Don’t call it a” comeback film. We touch on the opening tracking shot, what Altman is saying about Hollywood, and yes, we even go into the ending — or both of t... Read full article
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