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The Mummy's Hand Overview:

The Mummy's Hand (1940) was a Adventure - Comedy Film directed by Christy Cabanne and produced by Ben Pivar.

The Mummy's Hand BlogHub Articles:

Classic Films in Focus: THE MUMMY'S HAND (1940)

By Jennifer Garlen on Oct 16, 2012 From Virtual Virago

Universal produced a steady stream of horror movies during the 1930s and 40s, and not all of them reached the artistic heights of Dracula (1931) and Frankenstein (1931). Among the lesser pictures of the era we have entries like The Mummy’s Hand (1940), director Christy Cabanne’s contrib... Read full article

Classic Films in Focus: THE MUMMY'S HAND (1940)

By Jennifer Garlen on Oct 16, 2012 From Virtual Virago

Universal produced a steady stream of horror movies during the 1930s and 40s, and not all of them reached the artistic heights of Dracula (1931) and Frankenstein (1931). Among the lesser pictures of the era we have entries like The Mummy’s Hand (1940), director Christy Cabanne’s contrib... Read full article

Classic Films in Focus: THE MUMMY'S HAND (1940)

By Jennifer Garlen on Oct 16, 2012 From Virtual Virago

Universal produced a steady stream of horror movies during the 1930s and 40s, and not all of them reached the artistic heights of Dracula (1931) and Frankenstein (1931). Among the lesser pictures of the era we have entries like The Mummy’s Hand (1940), director Christy Cabanne’s contrib... Read full article

The Mummy’s Hand (1940, Christy Cabanne)

on Jun 7, 2009 From The Stop Button

It’s been a long time since I’ve seen this film. There’s no discernible reason for it to be called The Mummy’s Hand. I can only guess it has to do with the way they cut the trailer, maybe having the hand come out as a shocker. It’s not a traditional Universal horror fil... Read full article

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The Mummy's Hand Quotes:

Babe Jenson: Hey Steve, can a dame go crazy from being sawed in half too many times?
Andoheb: Tana leaves!
The High Priest: Bring three of them. Three of the leaves will make enough fluid to keep Kharis's heart beating. Once each night, during the cycle of the full moon, you will dissolve three tana leaves and give the fluid to Kharis.
[a jackal howls]
The High Priest: Children of the night, they howl about the Hill of the Seven Jackals when Kharis must be fed. Should unbelievers seek to desecrate the tomb of Ananka, you will use nine leaves each night to give life and movement to Kharis. Thus you will enable him to bring vengeance on the heads of those who try to enter.
Andoheb: Yes, master.
The High Priest: But never, for any reason, must you brew more than *nine* leaves at one time. Should Kharis obtain a large amount of the fluid, he would become an uncontrollable *monster*, a soulless demon with the desire to kill and kill.
Steve Banning: What happened, Babe?
Babe Jenson: I was practicing my rock trick.
Steve Banning: Maybe next time you should practice on a pebble.
The High Priest: For who shall defile the temples of the ancient gods, a cruel and violent death shall be his fate, and never shall his soul find rest unto eternity. Such is the curse of Amon-Ra, king of all the gods.
Steve Banning: Those jackals are giving me goose pimples.
Babe Jenson: Aw they're giving me goose pimples on top of my goose pimples.
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The Mummy's Hand Facts
For the scenes in which the Mummy was seen in closeup or medium shots, Jack P. Pierce's painstaking makeup technique of gluing strips of cotton on Tom Tyler's face, to create deep wrinkles, was employed. But in long shots, Tyler wears a time-saving (and much more comfortable) rubber mask.
Shooting began late May-June, 1940, released September 20.
Part of the original SHOCK THEATER package of 52 Universal titles released to television in 1957, followed a year later with SON OF SHOCK, which added 21 more features.
The excavation scenes were shot on the Universal back-lot in a rocky and desert-like section of the natural hills known as "Gausman's Gulch," named after Russell A. Gausman, set decorator on this film, and many other of Universal's horror films. To give the gulch a more canyon-like and wild appearance, it was augmented with artificial rock-faces and boulders.
To make the mummy appear more frightening, Tom Tyler's eyes (and the inside of his mouth) were blacked out frame-by-frame in almost all close-ups.
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