The Miracle Rider (1935) |
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| Director(s) | B. Reeves Eason, Armand Schaefer |
| Producer(s) | Nat Levine (uncredited), Barney A. Sarecky |
| Top Genres | Action, Adventure, Western |
Featured Cast of The Miracle Rider See More »
Tom Mix
(as Tom Morgan, Texas Rang...)
Jason Robards Sr.
(as Carlton)
Bob Kortman
(as Longboat)
Tom London
(as Henchman Sewell)
Edmund Cobb
(as Henchman Vining)
Ernie Adams
(as John Stelter [Chs. 2)
Charles King
(as Henchman Hatton)
Richard Alexander
(as Buffalo Hunter [Ch. 1])
The Miracle Rider Overview:
The Miracle Rider (1935) was a Action - Western Film directed by B. Reeves Eason and Armand Schaefer and produced by Nat Levine and Barney A. Sarecky.
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The Miracle Rider Facts
See More Facts about The Miracle Rider >>
This serial was originally intended to be titled "The Indian Ranger".
Producer Nat Levine paid Tom Mix $10,000 per week to appear in this serial. It was the highest salary Mascot ever paid an actor.
This was Tom Mix's farewell performance. After this film he retired from the screen and died in a car accident four and half years later.
Chapter Titles:
- 1. The Vanishing Indian
- 2. The Firebird Strikes
- 3. The Flying Knife
- 4. A Race With Death
- 5. Double-Barreled Doom
- 6. Thundering Hoofs
- 7. The Dragnet
- 8. Guerilla Warfare
- 9. The Silver Band
- 10.Signal Fires
- 11.A Traitor Dies
- 12.Danger Rides With Death
- 13.The Secret of X-94
- 14.Between Two Fires
- 15.Justice Rides the Range
Mascot pretty much pioneered the two-director approach to serials with this film, a system much copied by other studios (Republic, Columbia, Universal) for their own serial output. One director, an action specialist (in this case B. Reeves Eason), would shoot all the outdoor action and stunt scenes. A second director, more suited to handling dialogue scenes (in this case, Armand Schaefer), would simultaneously shoot all the interiors and dialogue scenes. In this way production time was halved, at considerable savings. Levine's main concern was keeping star Tom Mix's time spent filming to a minimum, as he was paying Mix $10,000 a week. Because of Levine's efficient production methods, he was able to keep Mix's shooting schedule down to four weeks.