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The Heiress Overview:

The Heiress (1949) was a Drama - Romance Film directed by William Wyler and produced by William Wyler, Robert Wyler and Lester Koenig.

The film was based on the novel Washington Square and also Serial, Cornhill Magazine & Harper's New Monthly Magazine; also Stage Play "The Heiress" written by Henry James published in 1880 (novel); 1880 (magazines); Sep 29, 1947 - Sep 18, 1948 (performed at Biltmore Theatre, NY).

SYNOPSIS

A superb cinematic version of Henry James's novel Washington Square. After discovering that his bride-to-be (de Havilland) is going to be disinherited by her brutally overbearing father (Richardson), a handsome young fortune hunter (Clift) jilts her on the night of their elopement. Years later, when the woman's fortune is secured, the man returns and asks for her hand, but his erstwhile sweetheart exacts her revenge. Copland's score is magnificent.

(Source: available at Amazon AMC Classic Movie Companion).

The Heiress was inducted into the National Film Registry in 1996.

Academy Awards 1949 --- Ceremony Number 22 (source: AMPAS)

AwardRecipientResult
Best Supporting ActorRalph RichardsonNominated
Best ActressOlivia de HavillandWon
Best Art DirectionArt Direction: Harry Horner, John Meehan; Set Decoration: Emile KuriWon
Best CinematographyLeo ToverNominated
Best Costume DesignEdith Head, Gile SteeleWon
Best DirectorWilliam WylerNominated
Best Music - ScoringAaron CoplandWon
Best PictureParamountNominated

The Heiress BlogHub Articles:

The Heiress (1949, William Wyler)

My favorite moment in The Heiress is when Olivia de Havilland has a slight tremor, watching someone walk away after she’s just told them off. It’s this fantastic glimpse into her character. The film has something of a double twist ending, so it’s going to be hard to talk around various spoiler... Read full article


The Heiress (1949, William Wyler)

My favorite moment in The Heiress is when Olivia de Havilland has a slight tremor, watching someone walk away after she’s just told them off. It’s this fantastic glimpse into her character. The film has something of a double twist ending, so it’s going to be hard to talk around various spoiler... Read full article


The Heiress (1949, William Wyler)

My favorite moment in The Heiress is when Olivia de Havilland has a slight tremor, watching someone walk away after she’s just told them off. It’s this fantastic glimpse into her character. The film has something of a double twist ending, so it’s going to be hard to talk around various spoiler... Read full article


The Heiress (1949, William Wyler)

My favorite moment in The Heiress is when Olivia de Havilland has a slight tremor, watching someone walk away after she’s just told them off. It’s this fantastic glimpse into her character. The film has something of a double twist ending, so it’s going to be hard to talk around various spoiler... Read full article


The Heiress (1949)

The Heiress Directed by William Wyler Written by Ruth and Augustus Goetz from their play and suggested by the novel Washington Square by Henry James 1949/USA Paramount Pictures First viewing/Netflix rental #229 of 1001 Movies You Must See Before You Die For some reason I waited until now before s... Read full article


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The Heiress Quotes:

Austin Sloper: You have found a tongue at last, Catherine. 'Tis only to say such terrible things to me.
Catherine Sloper: Yes. This is a field where you will not compare me to my mother.

Catherine Sloper: Bolt the door, Maria!

Catherine Sloper: He's grown greedier over the years. Before he only wanted my money; now he wants my love as well. Well, he came to the wrong house - and he came twice. I shall see that he does not come a third time.

Catherine Sloper: Don't be kind to me, father. It doesn't become you.

Catherine Sloper: He must come, he must take me away, he must love me, he must. Morris will love me - for all those who didn't.
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The Heiress Facts
In a letter to the New York Times, Aaron Copland denied having composed the music used for the opening credits. His composition for the credits was deemed too challenging for audiences and was replaced at the request of the producer.

Ginger Rogers was first offered the leading role but turned it down.

The original idea was to reteam Olivia de Havilland with her frequent co-star Errol Flynn, but this was dropped in favor of the more subtle acting that Montgomery Clift could bring to the role.

Ralph Richardson reprised the role of Dr. Sloper from the stage version, having played it in London's West End opposite Peggy Ashcroft.

This film was selected to the National Film Registry, Library of Congress, in 1996.

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