The Bullfighters (1945) |
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| Director(s) | Malcolm St. Clair, Stan Laurel (uncredited) |
| Producer(s) | Bryan Foy (uncredited) |
| Top Genres | Comedy, Musical |
Featured Cast of The Bullfighters See More »
Stan Laurel(as Stan / Don Sebastian)
The Bullfighters
Released
1945
The Bullfighters
Released
1945
Stan Laurel
(as Stan / Don Sebastian)
Oliver Hardy(as Ollie)
The Bullfighters
Released
1945
The Bullfighters
Released
1945
Oliver Hardy
(as Ollie)
Richard Lane(as 'Hot Shot' Coleman)
The Bullfighters
Released
1945
The Bullfighters
Released
1945
Richard Lane
(as 'Hot Shot' Coleman)
Rory Calhoun(as El Brillante)
The Bullfighters
Released
1945
The Bullfighters
Released
1945
Rory Calhoun
(as El Brillante)
Jay Novello(as Luis)
The Bullfighters
Released
1945
The Bullfighters
Released
1945
Jay Novello
(as Luis)
Hank Worden(as Mr. McCoy)
The Bullfighters
Released
1945
The Bullfighters
Released
1945
Hank Worden
(as Mr. McCoy)
The Bullfighters Overview:
The Bullfighters (1945) was a Comedy - Musical Film directed by Malcolm St. Clair and Stan Laurel (uncredited) and produced by Bryan Foy.
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The Bullfighters Quotes:
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The Bullfighters Facts
See More Facts about The Bullfighters >>
Laurel & Hardy's tit-for-tat egg routine with 'Carol Andrews' is a direct lift from their similar routine with Lupe Velez in Hollywood Party.
Laurel & Hardy's final Hollywood movie. According to L&H biographer Scott MacGillivray, Twentieth Century-Fox offered to keep their "B"-movie department open for L&H, but they declined to do any more movies for Fox.
After Laurel and Hardy won the Rodriguez Good Neighbor Scroll, a popularity award in Mexico, Fox wanted to put their comedy team in a story set South of the Border.
Mexican actress Diosa Costello was fortuitously visiting someone at Fox studios when she was spotted and cast in "The Bullfighters" as an afterthought. Even though she already had a strong Mexican accent, she was asked to exaggerate it in her dialogue delivery.
Because the "B" Unit at Fox was closing down, Laurel and Hardy had less studio supervision and consequently more artistic freedom than their previous five Fox efforts.