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Targets Overview:

Targets (1968) was a Thriller/Suspense - Film directed by Peter Bogdanovich and produced by Peter Bogdanovich, Roger Corman and Daniel Selznick.

Targets BlogHub Articles:

Targets (1968): Orlok Makes You Scream

By 4 Star Film Fan on Oct 26, 2021 From 4 Star Films

The story goes Peter Bogdanovich met Roger Corman sitting in a screening of Bay of Angels (1963). What came out of that was an apprenticeship of sorts on Wild Angels (1966) in the Corman Film School where Bogdanovich did everything you could possibly imagine from script doctoring to location scoutin... Read full article

Targets (1968)

By Beatrice on Jan 20, 2020 From Flickers in Time

Targets Directed by Peter Bogdonovich Written by Peter Bogdonovich; story by Bogdonovich and Polly Platt 1968/USA IMDb link One of 1001 Movies You Must See Before You Die One of 1000 Best Horror Movies on They Shoot Zombies Don’t They? Repeat viewing/Amazon Instant Not too shabby for a feature... Read full article

Adventures of Captain Marvel (1941, John English and William Witney), Chapter 7: Human Targets

By Andrew Wickliffe on Nov 17, 2017 From The Stop Button

Starting Human Targets, I couldn’t remember what cliffhanger needed to be resolved. It’s not a good one. More of the “Tom Tyler is bad at being a superhero” same. Once it gets resolved, with William ‘Billy’ Benedict shooting the breeze with Tyler and asking zero questions about why Tyler... Read full article

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Targets Quotes:

Byron Orlok: Ladies and gentlemen, boys and girls, I'd like to leave you with a little story to think about as you drive home... through the darkness... Once upon a time, many, many years ago, a rich merchant in Baghdad sent his servant to the marketplace to buy provisions... and after a while the servant came back, white-faced and trembling, and said, 'Master, when I was in the marketplace, I was jostled by a woman in the crowd, and I turned to look, and I saw that it was Death that jostled me. And she looked at me and made a threatening gesture. Oh, master, please, lend me your horse, that I may ride away from this city and escape my fate. I will ride to Samarra and Death will not find me there.' So the merchant loaned him the horse and the servant mounted it, and dug his spurs into its flank, and as fast as the horse could gallop he rode towards Samarra. Then the merchant went to the market-place and he saw Death standing in the crowd and he said to her, 'Why did you make a threatening gesture to my servant when you saw him this morning?' And Death said, 'I made no threatening gesture - that was only a start of surprise. I was astonished to see him here in Baghdad, for I have an appointment with him tonight... in Samarra.'
Jenny: You really are in a foul mood.
Byron Orlok: Not at all. I'm just tired of your baleful looks.
[Bobby Thompson cowers before Byron Orlok]
Byron Orlok: Is *that* what I was afraid of?
Byron Orlok: Oh, Sammy, what's the use? Mr. Boogey Man, King of Blood they used to call me. Marx Brothers make you laugh, Garbo makes you weep, Orlok makes you scream.
Byron Orlok: You know what they call my films today? Camp! High camp!
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Targets Facts
In the beginning credits of the movie, it states, "Radio music supplied by Charles Greene and Brian Stone". The music that they used was "Green Rocky Road", performed by the band "The Daily Flash", which Greene and Stone managed.
Drive-in scenes were shot at the since-closed Reseda Drive-In Theatre in Reseda, CA, as clearly shown on the marquee and screen tower. Early in the movie, the Sepulveda Drive-In in Van Nuys is briefly shown in the background as Bobby drives down the highway. On the DVD commentary, Peter Bogdanovich incorrectly credits this as being the Reseda Drive-In.
Roger Corman told Peter Bogdanovich he could make any film he wanted to, with two conditions: he had to use stock footage from The Terror, and he had to hire Boris Karloff for two days (Karloff was under contract and owed Corman those two days). Karloff was so impressed with the script that he refused pay for any shooting time over his contracted two days. He worked for a total of five days on the movie.
The story Orlock tells of the servant fleeing death is W. Somerset Maugham's short story "The Appointment in Samarra."
Shot in 22 days and completed in December 1967 (copyright 1967). Due to its controversial nature, Paramount only released it after inserting a written prologue denouncing gun violence. Fortunately, Boris Karloff lived long enough to view the completed film as well as enjoy the accolades he deserved for his performance.
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