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Stage Door Overview:

Stage Door (1937) was a Comedy - Drama Film directed by Gregory La Cava and produced by Pandro S. Berman.

Academy Awards 1937 --- Ceremony Number 10 (source: AMPAS)

AwardRecipientResult
Best Supporting ActressAndrea LeedsNominated
Best DirectorGregory La CavaNominated
Best PictureRKO RadioNominated
Best WritingMorris Ryskind, Anthony VeillerNominated

Stage Door BlogHub Articles:

Screening of "Stage Door" at Daystar Center August 11

Screening of "Stage Door" at Daystar Center August 11 Stage Door (1937) Where: Daystar Center, 1550 S. State Street, Room 102 When: August 11, 2018 Time: 6:45 p.m. Hosted by Stephen Reginald Stage Door (1937) is a comedy/drama about aspiring actresses trying to make it big on Broadway. Th... Read full article


DOUBLE BILL #9: Morning Glory (1933) and Stage Door (1937)

DOUBLE BILL #9: Morning Glory (1933) and Stage Door (1937) On December 10, 2017December 10, 2017 By CarolIn Uncategorized Ah, the theater. That wonderful thing out there, drenched in magic and lights, that only a handful of people will break into and conquer. It’s an... Read full article


No Teatro da Vida / Stage Door (1937)

No Teatro da Vida / Stage Door (1937) Sair de casa para ir em busca dos seus sonhos nunca é fácil. Nçao que eu já tenha feito isso – embora já tenha chegado perto – mas os filmes me fazem pensar que não é fácil. E “No Teatro da Vida”, em particular, me causou e... Read full article


Stage Door Canteen (1943)

Director Frank Borzage’s Stage Door Canteen is a gentle-handed piece of propaganda. It plays out rather like a scripted 1940s wartime reality. It’s less a film and more of a historical relic commemorating the eponymous Stage Door Canteen in New York City. Thus, any effort to give it som... Read full article


Stage Door Canteen (1943)

Director Frank Borzage’s Stage Door Canteen is a gentle-handed piece of propaganda. It plays out rather like a scripted 1940s wartime reality. It’s less a film and more of a historical relic commemorating the eponymous Stage Door Canteen in New York City. Thus, any effort to give it som... Read full article


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Stage Door Quotes:

Terry Randall: [giving her curtain speech at the end of a trimphant opening night performance of the play within the movie] The person you should be applauding died a few hours ago. I hope that wherever she is, she knows and understands and forgives.

Jean Maitland: Do you mind if I ask a personal question?
Terry Randall: Another one?
Jean Maitland: Are these trunks full of bodies?
Terry Randall: Just those, but I don't intend to unpack them.

Jean Maitland: Hey, that's a kind of good-lookin' piece of jackrabbit you got there.
Linda Shaw: Oh, it's just a little trinket my "Aunt Susan" sent over.
Jean Maitland: Say, I think it's very unselfish of those little animals to give up their lives to keep other animals warm.
Linda Shaw: You know, they're very smart little animals. They never give up their lives for the wrong people.
Jean Maitland: Well, you understand the rodent family much better than I do.

Terry Randall: [entering the boarding house after trying the wrong door] How many doors are there to this place?
Jean Maitland: Well, there's the trap door, the humidor, and the cuspidor. How many doors would you like?

Jean Maitland: We started off on the wrong foot. Let's stay that way.
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Stage Door Facts
Lucille Ball always called this movie her big break.

CORRECTION: The "Footlights Club" was based on the Rehearsal Club, not the Three Arts Club, which was not, in fact, founded by Mrs. Hammond. Three Arts was founded by Deaconess Jane H. Hall in 1903 for female students of fine arts, music and drama (not singing, dancing and acting). Mrs. Hammond was a board member, but not a founder. In 1913, Deaconess Hall co-founded the Rehearsal Club, which was a residence for professional women of the theater. Edna Ferber was very familiar with the Rehearsal Club, which by 1936 was located on West 53rd Street, and based "Stage Door" on this residence.

The famous line delivered by Katharine Hepburn ("The calla lilies are in bloom again...") is actually dialog taken from the play "The Lake", which Hepburn infamously played on Broadway (Dorothy Parker famously said that Hepburn "ran the gamut of emotions - from A to B.").

Katharine Hepburn's box office power had been declining and was given a smaller part than she was accustomed, and initially she was to receive second billing under Ginger Rogers. Hepburn protested to RKO producer Pandro S. Berman, who told Hepburn "she was lucky to have the 7th role in a star picture". Hepburn persisted and was given more scenes as filming progressed, and she and Ginger Rogers eventually shared side-by-side top billing.

Incredibly, Ann Miller was only 14 years old when she appeared in this film. She had lied about her age and procured a fake birth certificate, but the precocious Miller was so tall and beautiful at age 14 that she pulled it off. With this knowledge, today it is quite impressive to see her holding her own while dancing with Ginger Rogers, by then an international star as the dance partner of Fred Astaire,

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