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Son of Frankenstein Overview:

Son of Frankenstein (1939) was a Science Fiction - Horror Film directed by Rowland V. Lee and produced by Rowland V. Lee.

Son of Frankenstein BlogHub Articles:

Watching 1939: The Son of Frankenstein (1939)

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, th... Read full article


Son of Frankenstein (1939) (1)

Son of Frankenstein Directed by Rowland V. Lee Written by Wyllis Cooper 1939/USA Universal Pictures First viewing; Netflix rental This does not measure up to the greatness of the first two Universal Frankenstein films but is entertaining and features what may be Bela Lugosi’s very best perfo... Read full article


Son of Frankenstein (1939) (2)

The creatures of the night claimed the New Beverly for their own yesterday, as monster fans packed the house for two Frankenstein films, and a chance to see Karloff and Lugosi in person. It wasn’t the famous actors themselves who were appearing, of course, but rather, their offspring–Sa... Read full article


Son of Frankenstein and Tower of London

I thought I’d talk briefly about two movies – SON OF FRANKENSTEIN and TOWER OF LONDON – the Baz made for Universal between November 1938 and October 1939. The quotations are courtesy of Cinegeek. </p> “In the scene where Bela slowly tells Basil “He does things for me” and t... Read full article


Classic Films in Focus: SON OF FRANKENSTEIN (1939)

After the success of Frankenstein (1931) and The Bride of Frankenstein (1935), it’s not really a surprise that Universal would continue the series with a third film, although Son of Frankenstein (1939) takes us forward in time to the next generation of the famously doomed family. Boris Karloff... Read full article


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Son of Frankenstein Quotes:

Elsa von Frankenstein: What a dreadful storm and awful lightening.
Baron Wolf von Frankenstein: It's magnificent. Nothing in nature is terrifying when one understands it. Darling, my father drew that very lightening from heaven and forced it for his own will to bring life to a being he created with his own hands. Why should we fear anything?

Baron Wolf von Frankenstein: I should turn you over to Inspector Krogh!
Ygor: No! Krogh no want dead man, Ygor is dead!
Baron Wolf von Frankenstein: What are you talking about?
Ygor: They hanged me once, Frankenstein... they broke my neck.
Baron Wolf von Frankenstein: Hanged you... well, why did they hang you?
Ygor: Because I stole bodies... they said...

Baron Wolf von Frankenstein: It appears that my father thought that he could extract from lightning some super-violet ray of life-giving properties.

Ygor: After faking a coughing fit and pointing to his broken neck: "I'm sorry. I cough. You see, bone get stuck in throat!"

Baron Wolf von Frankenstein: My son, herein lies my faiths, my beliefs and my unfoldments. A complete diary of my experiments, charts and secret formulas. In short, the sum total of my knowledge, such as it is. Perhaps you will regard my work with ridicule or even with a distaste. If so, destroy these records. But if you like me burn with the irresistable desire to penetrate the unknown, carry on. The path is cruel and torturous, carry on. I put secret after truth, you will be hated, blasphemed and condemned. You have inherited the fortune of the Frankensteins, I trust you will not inherit their fate.
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Son of Frankenstein Facts
At 99 minutes this was the longest English-language film in the classic Universal horror series (the Spanish version of Dracula Drácula was about five minutes longer). Most of the films had running times of less than 80 minutes, which served to increase the number of showings possible in theaters.

As part of an article about this movie in a 1967 issue of his magazine "Famous Monsters of Filmland," Forrest J Ackerman published two stills of Boris Karloff as the Monster and Edgar Norton as Benson the butler. In the first, the Monster is standing just behind the other, who is holding a tray bearing a plate of chicken. In the other, the Monster is eating a chicken leg while Benson lies in a heap before him. As no such sequence appears in the movie, from these Ackerman postulated that a scene of the Monster killing the butler had been filmed but left on the proverbial cutting room floor.

This film marks the final time Boris Karloff would play the "Monster" - at least in a feature film. In August of 1940 he appeared as the Monster in a celebrity baseball game, with Jack P. Pierce in attendance (Pierce was a coach for an amateur baseball team, and played semi-pro when he was younger). In the next Frankenstein film in which Karloff appeared, House of Frankenstein, he played Dr. Gustav Niemann. Originally the Samuel Goldwyn film The Secret Life of Walter Mitty was to have had a fantasy sequence in which Mitty (Danny Kaye) confronted the Monster, played again by Karloff (who played the villain in "Mitty.") Goldwyn sought and received authorization from Universal to use the image of the Monster, and Pierce re-created the make-up. Stills exist of the film's director, Karloff, Pierce, and Evelyn Karloff, but it has not been verified that scenes were actually filmed. In the Allied Artists film Frankenstein - 1970 Boris was an elderly Baron Frankenstein - but the twist ending was the revelation that the Baron had recreated the Monster's face

Boris Karloff became a father for the first time while filming this movie.

Plans were discussed to shoot the film in Technicolor, but the decision was made to revert to black and white; both director Lee and co-star Josephine Hutchinson verified in later years that the film was designed for, and shot in monochrome. Urban myth has it that Karloff's make-up photographed bright green and was a primary reason for shooting in black and white. An urban myth has it that Dwight Frye was in the Technicolor test reel and was subsequently dropped from the cast. In the late 1980s a reel of Technicolor test footage was discovered in Universal's vaults, but was either stolen from the desk of the executive who was in possession of it (according to one story) or simply boxed back up by bureaucrats and shipped to a New Jersey film vault (according the film archivist who actually found the reel.)Karloff family home movies shot on the set of the film reveal the Monster's coloration to be grayish with subtle highlights and shadows of blue-green and brick red. The brief clips show Karloff in Monster make-up sticking his tongue out at the camera and pretending to strangle make-up artist Jack P. Pierce can be seen on the CD-ROM The Interactive History of Frankenstein and <a href="search.php?q=100+Years+of+Ho

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