Shanghai (1935) |
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| Director(s) | James Flood |
| Producer(s) | Walter Wanger |
| Top Genres | Drama, Romance |
Featured Cast of Shanghai See More »
Shanghai
Released
1935
Loretta Young
(as Barbara Howard)
Shanghai
Released
1935
Charles Boyer
(as Dimitri Koslov)
Shanghai
Released
1935
Warner Oland
(as Ambassador Lun Sing)
Shanghai
Released
1935
Alison Skipworth
(as Aunt Jane)
Shanghai
Released
1935
Walter Kingsford
(as Hilton)
Shanghai
Released
1935
Keye Luke
(as Chinese Ambassador's S...)
Shanghai
Released
1935
Willie Fung
(as Wang)
Shanghai
Released
1935
Philip Ahn
(as Servant)
Shanghai Overview:
Shanghai (1935) was a Drama - Romance Film directed by James Flood and produced by Walter Wanger.
Shanghai BlogHub Articles:
Silver Screen Standards: The Lady from Shanghai (1947)
Silver Screen Standards: The Lady from Shanghai (1947) Despite the icy cold shade of Rita Hayworth’s hair, The Lady from Shanghai (1947) plays like a fever dream, confusing and sweat-soaked, long before it reaches its famous funhouse climax. It’s a favorite among classic noir fans even though... Read full article
Daughter of Shanghai (1937) Starring Anna May Wong and Philip Ahn
No, this isn’t an alternate universe. There really was a film from the 1930s starring both Anna May Wong and Phillip Ahn. They’re not just supporting players or bit parts to fill in a few stereotypical roles, either, but actual leads. More amazing still, they both speak English without ... Read full article
The Lady from Shanghai (1947, Orson Welles)
It’s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, ... Read full article
The Lady from Shanghai (1947, Orson Welles)
It’s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, ... Read full article
The Lady from Shanghai (1947, Orson Welles)
It’s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, ... Read full article
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