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Portrait of Jennie Overview:

Portrait of Jennie (1948) was a Fantasy - Romance Film directed by William Dieterle and produced by David O. Selznick, David Hempstead and Cecil Barker.

Academy Awards 1948 --- Ceremony Number 21 (source: AMPAS)

AwardRecipientResult
Best CinematographyJoseph AugustNominated

Portrait of Jennie BlogHub Articles:

Portrait of Jennie (1948)

The strands of our lives are woven together and neither time nor the world can break them. From the outset, you get a sense from the grand philosophical dialogue and imagery that we are being treated to a classical Hollywood precursor to Terence Malick’s Tree of Life. Quotes from Euripides an... Read full article


Portrait of Jennie (1948)

The strands of our lives are woven together and neither time nor the world can break them. From the outset, you get a sense from the grand philosophical dialogue and imagery that we are being treated to a classical Hollywood precursor to Terence Malick’s Tree of Life. Quotes from Euripides an... Read full article


Portrait of Jennie, a Production Journal, of a Timeless Christmas Gift

Glimpses of the Portrait of Jennie in 1948: Portrait of Jennie had its general public premier on Christmas Day, 1948, at the Carthay Circle Theater, located at 6316 San Vicente Boulevard, Los Angeles, California; a more than fifteen-hundred seat theater, with nearly one-thousand on the main floor. T... Read full article


Portrait of Jennie, a Production Journal, of a Timeless Christmas Gift

Glimpses of the Portrait of Jennie in 1948: Portrait of Jennie had its general public premier on Christmas Day, 1948, at the Carthay Circle Theater, located at 6316 San Vicente Boulevard, Los Angeles, California; a more than fifteen-hundred seat theater, with nearly one-thousand on the main floor. T... Read full article


Portrait of Jennie and the Wisdom of Ethel Barrymore

The Barrymore. Ah, that legendary family of actors! Ethel, John and Lionel, the three siblings were children of Maurice Barrymore and Georgiana Emma Drew, themselves actors. Acting in the family kept going on as the years passed. John and his third wife, Dolores Costello, also an actress, had a so... Read full article


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Portrait of Jennie Quotes:

Jennie Appleton: How beautiful the world is Eben! The sun goes down in in the same lovely sky. Just as it did yesterday, and will tomorrow.
Eben Adams: When is tomorrow, Jenny?
Jennie Appleton: Does it matter? It's always. This was tomorrow once.

Jennie Appleton: Eben... I want always just to sit and watch you paint.
Eben Adams: Now that I've found the perfect model, I'll paint her again and again.
Jennie Appleton: No, I-I didn't mean that... I mean I want you to paint all the beautiful things in the world.
Eben Adams: [smiles, holds her tight] You're the most beautiful thing in the world.

Mrs. Jekes: I just can't understand a man fiddling away his time just painting things. Of course he did shovel some snow to pay part of last month's rent.
Mrs. Bunce: Painting things? Women? Women in the...
Mrs. Jekes: Mrs. Bunce, we agreed that he was a gentleman and gentleman just don't paint "women in the... "
Mrs. Bunce: [flustered] No, of course not.

Jennie Appleton: [singing] Where I come from nobody knows and where I am going everything goes. The wind blows, the sea flows, nobody knows. And where I am going, nobody knows.

Jennie Appleton: I know we were meant to be together. The strands of our lives are woven together and neither the world nor time can tear them apart.
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Portrait of Jennie Facts
Special effects: Although almost the entire film is in black and white, the tidal wave sequence towards the end is shown in green tint, and the final shot of the completed portrait of Jennie is in full Technicolor. The original theatrical releases in Los Angeles (Carthay Circle Theatre), New York (Rivoli Theatre) and Boston (Esquire & Mayflower Theatres) presented the tidal wave sequence in Magnascope on the Cycloramic screen with Multi-Sound. The Cycloramic screen was claimed to be more reflective than regular screens with no distortion visible from any seat in the theatre, Multi-Sound was an early version of a Surround Sound-type speaker installation. Bosley Crowther, film critic for the New York Times, described it as "a howling hurricane that will blast you out of your seat."

The portrait of Jennie supposedly painted by Joseph Cotten's character, Eben Adams, was in reality created by artist Robert Brackman. Jennifer Jones came in for more than a dozen sittings in Brackman's Connecticut studio.

"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on March 10, 1950 with Joseph Cotten reprising his film role.

This was cinematographer Joseph H. August's last film. He died in late 1947 before the long and tumultuous production was completed, and was posthumously nominated for an Academy Award for Best Black & White Cinematography in 1949. Lee Garmes finished shooting the film, uncredited.

Feature film debut of David Wayne, Nancy Davis (future First Lady) and Nancy Olsen.

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