Phantom of the Opera (1962) |
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| Director(s) | Terence Fisher |
| Producer(s) | Anthony Hinds |
| Top Genres | Drama, Horror, Mystery, Thriller/Suspense |
Featured Cast of Phantom of the Opera See More »
Herbert Lom
(as The Phantom)
Heather Sears
(as Christine Charles)
Michael Gough
(as Lord Ambrose d'Arcy)
Harold Goodwin
(as Bill)
Miriam Karlin
(as Charwoman)
Patrick Troughton
(as The Rat Catcher)
Miles Malleson
(as 2nd Cabby)
Jane Merrow
(as Chorus Girl)
Phantom of the Opera Overview:
Phantom of the Opera (1962) was a Drama - Horror Film directed by Terence Fisher and produced by Anthony Hinds.
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Phantom of the Opera Quotes:
The Phantom:
I am going to teach you to sing, Christine. I am going to give you a new voice! A voice so wonderful that theatres all over the world will be filled with your admirers. You will be the greatest star the opera has ever known. Greater than the greatest! And when you sing, Christine, you will be singing only... for me.
See More Quotes from Phantom of the OperaPhantom of the Opera Facts
See More Facts about Phantom of the Opera >>
The film was originally written for Cary Grant, who wanted to do a horror film. The Phantom's character was rewritten as a more tragic figure, with the dwarf (played here by Ian Wilson) doing the actual violence, to suit Grant's image. Grant declined the part (possibly unhappy with the watered down character) and it went to Lom.
According to producer Anthony Hinds(in Wayne Kinsey's book "Hammer: The Bray Studio Years"), Cary Grant was originally slated not for the role of the Phantom, as is commonly assumed, but for the romantic lead, eventually played by Edward de Souza.
The film flopped on its release, and director Terence Fisher fell out of favor with Hammer Studios, for whom he was not given another film until 1964.
At one point, Christopher Lee was seriously considered for the Phantom part.
A subplot involving a pair of Scotland Yard police inspectors on the trail of the Phantom was shot especially for the American TV version (by the TV companies, not by Hammer). This was a regular occurrence in this era, most notably with Hammer's films Kiss of the Vampire and The Evil of Frankenstein.