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One-Eyed Jacks Overview:

One-Eyed Jacks (1961) was a Western - Drama Film directed by Marlon Brando and produced by George Glass, Walter Seltzer and Frank P. Rosenberg.

Academy Awards 1961 --- Ceremony Number 34 (source: AMPAS)

AwardRecipientResult
Best CinematographyCharles Lang, Jr.Nominated
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One-Eyed Jacks BlogHub Articles:

One-Eyed Jacks (1961): Good and Evil is in the Cards

By 4 Star Film Fan on Sep 18, 2021 From 4 Star Films

One-Eyed Jacks acts as a bit of an anomaly. It was originally meant to be helmed by Stanley Kubrick. Instead, Marlon Brando himself oversaw direction — his one and only time in the director’s chair. The results are as vibrant and totally Brando as they are messy, devolving into something... Read full article

One-Eyed Jacks (1961)

By Beatrice on Jun 10, 2017 From Flickers in Time

One-Eyed Jacks Directed by Marlon Brando Written by Guy Trosper and Calder Willingham from a novel by Charles Neider 1961/USA Pennebaker Productions First viewing/Netflix rental One of 1001 Movies You Must See Before You Die This is an OK Western but I think I could have died without seeing it. As t... Read full article

Video of the Week: “One-Eyed Jacks”

By Marisa on Dec 2, 2015 From The Timothy Carey Experience

Our video for “Timothy In Color Week” is the full-length feature film directed by (his only effort) and starring Marlon Brando, One-Eyed Jacks (1961). Tim absconds with his scenes as Howard Tetley, town drunk, bully and lech. Several of Tim’s scenes, such as the one where he fight... Read full article

Pic of the Day: “One-Eyed Jacks” revisited

By Marisa on Jul 17, 2015 From The Timothy Carey Experience

On the heels of recent news that a restoration of One-Eyed Jacks (1961) is finally taking place, today’s pic revisits Marlon Brando‘s sole directorial effort. Howard Tetley, town drunk and boorish lout, gets lost in the craziness during fiesta time in Monterey. The discussion on the res... Read full article

Video of the Week: “One-Eyed Jacks” trailer

By Marisa on Jun 24, 2015 From The Timothy Carey Experience

This week’s video offering is another one from the archives. It’s a rather unusual trailer for Marlon Brando‘s sole directorial effort, One-Eyed Jacks (1961). It differs from most trailers in that it mixes stills with film footage, and in its length (almost 5 minutes). Naturally, ... Read full article

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One-Eyed Jacks Quotes:

Rio: Get up! Get up, you scum suckin' pig!
Bob: [referring to Rio's busted gun hand] It's been six weeks. That hand ain't gettin' no better. I say we lay for Longworth with shotguns and then go rob that bank.
Rio: Ambushin' folks ain't exactly my style, Bob.
Bob: I'd say your style's gettin' a bit slow. We brought you along because you're supposed to be the big man with the iron; but now, I think I could even out pull you.
Rio: [Putting his hand on his gun butt] You're probably right, Bob. You probably could get six into me by the time I get that one into you.
Bob: Harvey Johnson's gonna be a famous name in these parts.
Harvey Johnson: How's that?
Bob: He's about to get hisself killed by a fella named Rio.
Harvey Johnson: That ain't him.
Bob: I wouldn't want to lose me a handful of brains trying to find out.
Deputy Lon Dedrick: You ain't gettin' no older than tomorrow.
Bob: This is part that's goin' to tickle you; the sheriff in that town is named Dad Longworth.
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One-Eyed Jacks Facts
Paramount's last release in VistaVision.
Stanley Kubrick, who originally was slated to direct the film, wanted Spencer Tracy to play Sheriff Dad Longworth. Marlon Brando, whose production company already had Karl Malden on salary, refused to replace him with Tracy.
Marlon Brando's original cut of the movie was over five hours long.
The character of Louisa, played by Pina Pellicer, was shot in the back and killed by a stray bullet fired at Rio by the dying Sheriff Dad Longworth in Marlon Brando's original cut of the film. Paramount substituted a different, upbeat ending that appears in the film.
After buying the rights to the novel, producer Frank P. Rosenberg worked on the first draft of the script together with Rod Serling. Sam Peckinpah was then hired to rewrite it. A complex deal was then made where money earlier spent attempting to develop Louis L'Amour's novel "To Tame a Land" into a film was allocated for accounting purposes to this film, and Stanley Kubrick was hired as director. Kubrick fired Peckinpah and brought in Calder Willingham for more rewriting, but later Rosenberg fired him and hired Guy Trosper instead.
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