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Mighty Joe Young Overview:

Mighty Joe Young (1949) was a Adventure - Fantasy Film directed by Ernest B. Schoedsack and produced by John Ford and Merian C. Cooper.

Mighty Joe Young BlogHub Articles:

Mighty Joe Young (1949, Ernest B. Schoedsack)

From the first scene, Mighty Joe Young is concerning. There’s a nice establishing shot of an Africa plantation, with some great matte work, then little White girl on the plantation Lora Lee Michel sees a couple African men passing with a basket. She wants what’s in the basket, so there’s a nic... Read full article


Mighty Joe Young (1949)

Mighty Joe Young Directed by Ernest B. Schoedsack Written by Ruth Rose from an original story by Merian C. Cooper 1949/USA Argosy Pictures First viewing/Netflix rental Sometimes it is good just to sit there like a little kid and marvel at some awesome special effects.  This is a particularly... Read full article


Classic Films in Focus: MIGHTY JOE YOUNG (1949)

King Kong (1933) gave rise to a whole host of subsequent gorilla movies, beginning with The Son of Kong (1933), but Mighty Joe Young (1949) merits special attention because it marks the feature film debut of one of the greatest innovators in special effects history, Ray Harryhausen, who worked on th... Read full article


Classic Films in Focus: MIGHTY JOE YOUNG (1949)

King Kong (1933) gave rise to a whole host of subsequent gorilla movies, beginning with The Son of Kong (1933), but Mighty Joe Young (1949) merits special attention because it marks the feature film debut of one of the greatest innovators in special effects history, Ray Harryhausen, who worked on th... Read full article


Classic Films in Focus: MIGHTY JOE YOUNG (1949)

King Kong (1933) gave rise to a whole host of subsequent gorilla movies, beginning with The Son of Kong (1933), but Mighty Joe Young (1949) merits special attention because it marks the feature film debut of one of the greatest innovators in special effects history, Ray Harryhausen, who worked on th... Read full article


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Mighty Joe Young Quotes:

Jill Young: [after O'Hara and Crawford have fled] Aren't you afraid of Joe?
Gregg Johnson: I sure am, but I don't want him to know it.

Max O'Hara: We're goin' to Africa- we're gonna lassoo lions.
Windy: But Maxie, you can buy all the lions you want in California!
Windy: [Dramatically] But don't you understand? I'm going to be in terrible danger - in darkest Africa!

Agent: Maxie, I can get you a great act; it can work on a raft.
Max O'Hara: What?
Agent: Monkeys!
Max O'Hara: Aw, nix, cut it out, will ya'?

Max O'Hara: Come on, Windy, I got a million things to do.
Windy: You got time for this.
[turns on movie projector. Jill and Gregg come into the scene]
Max O'Hara: Hey, it's the kids!
Windy: Crawford told me to spring it on you. He shot it when he was down there.
Max O'Hara: [calling to the screen] Hey, Jill.
Jill Young: [silently] Hello Max.
Max O'Hara: Hey, they said "Hello, Max".
Max O'Hara: [Joe walks into the scene. O'Hara steps back] *Yipe*.

Max O'Hara: Don't worry kid. There's nobody in the world gonna shoot Joe now.
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Mighty Joe Young Facts
Though Willis H. O'Brien gets top special-effects billing, Ray Harryhausen actually did 85%-90% of the stop-motion animation for this film, although the animation is based on O'Brien's designs and storyboards.

When Mighty Joe Young gets frustrated, he pounds the ground with his fist. Ray Harryhausen was inspired to do this by the scene from King Kong where Kong pushes open the gates, then forcefully brings his hand down.

In the 2011 version as seen on Turner Classic Movies, the "fire rescue" sequence, with a red background, is influenced by the 1980's "colorized" version. The "colorization" process, owned by Ted Turner and now "Time Warner", added color to previously existing all B&W films. Other "colorized" features in this genre included "King Kong", "The "Maltese Falcon" and even Shirley Temple film shorts. This trend continued through the 1990s although, as a whole, it is no longer popular with broadcasters and viewers.

When Joe smashes through the facade during the nightclub riot, the first scream you hear is that of Fay Wray, stock audio from the original King Kong, which was also produced by RKO.

The stock footage shot of New York's Times Square is actually from the mid-'20s. A marquee for Ernest B. Schoedsack's and Merian C. Cooper's "Grass, the Epic of a Lost Tribe", aka Grass: A Nation's Battle for Life can be seen in the lower right corner.

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