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Invaders from Mars Overview:

Invaders from Mars (1953) was a Horror - Science Fiction Film directed by William Cameron Menzies and produced by Edward L. Alperson.

Invaders from Mars BlogHub Articles:

INVADERS FROM MARS On Blu-ray From Ignite Films

Ignite Films' Blu-ray of 1953's INVADERS FROM MARS has finally arrived (at least mine did). There was a lot of anticipation over this release throughout 2022. First of all I have to say that the restoration of the film (backed by Ignite Films itself) is stunning. Due to the processes used during the... Read full article


Double Take: Invaders from Mars

Invaders from Mars (1953) Directed by: William Cameron Menzies; Written by Richard Blake; Starring: Helena Carter, Arthur Franz, Jimmy Hunt, Leif Erickson and Hillary Brooke Available on DVD Rating: **** Invaders from Mars (1986) Directed by: Tobe Hooper; Written by Dan O&#... Read full article


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Invaders from Mars Quotes:

No Quote for this film.
Invaders from Mars Facts
This was actually one of the first science fiction scripts written in the 1950s. The revised version of the script was completed in September 1950. The film wasn't produced until 1952 and released in early 1953.

Controversy and dispute surrounds the history of the movie. According to recent interviews, John F. Seitz, the cinematographer, confirmed that the film was planned in great detail to be filmed in 3D but that the last minute it was discovered that no camera was available. Nonetheless, it is claimed that all of the sets were constructed at Republic Studios to be shot in 3D and that the artificial separation of set elements is confirmation of this design intention. Meanwhile, the only documentary evidence for a 3D production is a claimed newspaper advertisement placed by the producers (not the studio) while the film was in pre-production, and no official records are known to exist to throw further light onto the matter.

This film was shot on the new single-strip EastmanColor negative. Cinecolor Labs then produced the trailers and release prints in the three-color Cinecolor process. When the Cinecolor Labs went bankrupt, the original elements and printing matrices were seized and sold for salvage.

The special effects department used condoms to create the "bubbles" on the walls of the underground tunnels.

The sandpit opening and closing was done by cutting a long slit in a piece of heavy canvas and inserting a large funnel. A hose from a powerful vacuum was attached to the funnel and the whole thing was then covered with sand. The vacuum was activated and the sand was sucked down for the shots of the sandpit opening. Moreover, the film was simply reversed for shots of the sandpit closing.

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