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I Love Melvin (1953)

Director(s) Don Weis
Producer(s)

No producer listed for this movie

Top Genres Comedy, Musical, Romance

I Love Melvin Overview:

I Love Melvin (1953) was a Comedy - Musical Film directed by Don Weis .

I Love Melvin BlogHub Articles:

I Love Melvin (1953)

via: https://en.wikipedia.org/wiki/I_Love_Melvin Unless otherwise noted, all images are my own. I Love Melvin reunites Singin’ in the Rain stars Donald O’Connor and Debbie Reynolds; in fact, this film began shooting about a month after Singin’ in the Rain premiered in the spring of... Read full article


Musical Monday: I Love Melvin (1953)

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals. This week’s musical: “I Love Melvin” (195... Read full article


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I Love Melvin Quotes:

Mr. Schneider: [surreptitiously watching Judy in a long kiss with Melvin outside the door] What is this - a time exposure?

Mergo: It'll work! You know, I wouldn't do this for a friend of mine. He might get in trouble. With you, I don't care.

Mergo: What are you grinning about?
Melvin: Oh, nothing, just happy.
Mergo: Well, don't let me catch you being happy around me!

[Seeing Judy and Melvin kissing]
Mr. Schneider: What is it, a timed exposure?

Judy: Harry Flack is coming to dinner Monday night.
Melvin: Oh. Well, that's simple. Poison him.
Judy: He wants to talk to Pop! He's going to propose!
Melvin: Propose! To your father?
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I Love Melvin Facts
Howard Keel was to have originally been the star in Judy (Debbie Reynolds)'s dream, but Keel and his song "And There You Are" were cut after previews and replaced with a brief scene between Reynolds and 'Robert Taylor'.

The opening segment is Debbie Reynolds singing "A Lady Loves (to Love)" in a sophisticated setting. A second version in a rural setting was shot but cut from the film. It can be seen in That's Entertainment! III.

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