How Sweet It Is! (1968) |
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| Director(s) | Jerry Paris |
| Producer(s) | Garry Marshall, Jerry Belson |
| Top Genres | Comedy |
| Top Topics | Paris |
Featured Cast of How Sweet It Is! See More »
How Sweet It Is!
Released
1968
James Garner
(as Grif Henderson)
How Sweet It Is!
Released
1968
Debbie Reynolds
(as Jenny Henderson)
How Sweet It Is!
Released
1968
Maurice Ronet
(as Phillipe)
How Sweet It Is!
Released
1968
Terry Thomas
(as Gilbert Tilly)
How Sweet It Is!
Released
1968
Paul Lynde
(as The Purser)
How Sweet It Is!
Released
1968
Marcel Dalio
(as Louis)
How Sweet It Is!
Released
1968
Walter Brooke
(as Haskell Wax)
How Sweet It Is!
Released
1968
Elena Verdugo
(as Vera Wax)
How Sweet It Is! Overview:
How Sweet It Is! (1968) was a Comedy - Film directed by Jerry Paris and produced by Garry Marshall and Jerry Belson.
How Sweet It Is! BlogHub Articles:
The Funny Papers: Summer Drive-In Double Feature – Bachelor Flat (1962) and How Sweet It Is! (1968)
The Funny Papers: Summer Drive-In Double Feature – Bachelor Flat (1962) & How Sweet It Is! (1968) Summertime brings back nostalgic reflections for all of us. Depending upon your generation, background, and interests, your particular memories will bring you back differently. For us cinephile... Read full article
Summer Reading Challenge: How Sweet It Is!
You know the anticipation a six-year feels while she waits for Christmas? Well, that’s how I feel waiting every year for the announcement by Raquel over at Out of the Past about her annual Summer Reading Classic Film Book Challenge. That’s the one where you commit to reading six classic film-rel... Read full article
How Sweet It Is! (1968)
I’ve reviewed a few films detailing the growing generation gap between adults and youths spanning the 1960s and ’70s. Films like Superdad are wholly adrift, wallowing in tired eye-rolling regarding stoned adolescents and the straight-laced squares raising them. These movies point out the... Read full article
How Sweet It Is! (1968)
I’ve reviewed a few films detailing the growing generation gap between adults and youths spanning the 1960s and ’70s. Films like Superdad are wholly adrift, wallowing in tired eye-rolling regarding stoned adolescents and the straight-laced squares raising them. These movies point out the... Read full article
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