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Anchors Aweigh Overview:

Anchors Aweigh (1945) was a Musical - Comedy Film directed by George Sidney and produced by Joe Pasternak.

SYNOPSIS

Gangway for Sinatra and Kelly as song and dance lead the list of activities when sailors on shore leave fall in with a fatherless boy and his beautiful aunt. Includes the irresistible dance sequence with Kelly and Jerry, the cartoon mouse.

(Source: available at Amazon AMC Classic Movie Companion).

Academy Awards 1945 --- Ceremony Number 18 (source: AMPAS)

AwardRecipientResult
Best ActorGene KellyNominated
Best CinematographyRobert Planck, Charles BoyleNominated
Best Music - ScoringGeorgie StollWon
Best PictureMetro-Goldwyn-MayerNominated

Anchors Aweigh BlogHub Articles:

Musical Monday: Anchors Aweigh (1945)

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Anchors Aweigh (1945)

We conclude Gene Kelly week a bit disappointed. On the Town was a charming musical taking three separate stories, separated and combined them, presenting a solid, albeit thin tale in a well paced ninety minutes. Now imagine reducing that story to two sailors and one girl, adding in a love triangle, ... Read full article


Anchors Aweigh (1945)

Anchors Aweigh Directed by George Sidney Written by Isobel Lennart suggested by a story by Natalie Marchin 1945/USA Metro-Goldwyn-Mayer First viewing/Netflix rental Take out Gene Kelly’s dancing, and there’s not a whole lot left.  But what dancing! Joe (Gene Kelly) and Clarence (Fran... Read full article


Adrienne Fazan and ANCHORS AWEIGH (1945)

This post is my submission to a different kind of collaborative blogging endeavor. Hosted by the Classic Movie and TV Cafe, this is the Built Your Own Blogathon (BYOB) in which 20 bloggers chose 20 films to be published on 20 consecutive days with each film connected to the previous entry in some wa... Read full article


Anchors Aweigh (George Sidney, 1945)

It’s over-sweet and over-long – but should not be overlooked. Anchors Aweigh tends to be regarded as something of a dry run for another film featuring Frank Sinatra and Gene Kelly as sailors on shore leave, On the Town. When the earlier movie does get a mention, usually it’s just t... Read full article


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Anchors Aweigh Quotes:

Clarence Doolittle, Joseph Brady: [sings] What a dish, what a dream, what a dame! And she lives alone.

Clarence Doolittle: She begged me, true?
Joseph Brady: True, true!
Clarence Doolittle: She pleaded.
Joseph Brady: Got down on her bended knees.

[last lines]
Chorus: [singing] Anchors Aweigh, my boys, Anchors Aweigh.
Chorus, Donald Martin: [singing] Farewell to college joys, we sail at break of day.
Chorus: [singing] Through our last night on shore, drink to the foam. / Until we meet once more, here's wishing you a happy voyage home. / Anchors Aweigh.

Clarence Doolittle: You saved my life, so you owe me something.
Joseph Brady: Oh, it was I who saved your life, so now I owe *you* something! Hey look, have you gone crazy?
Clarence Doolittle: Look, I didn't ask you to save my life, but you did. So now I feel you are responsible for me.
Joseph Brady: Well I don't!
Clarence Doolittle: Well, what's the good of having a life saved when you can't have any fun with it?

Clarence Doolittle: [singing] And so comparing you with all of these things is all that I can do / Because they add up to the charm of you.
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Anchors Aweigh Facts
The first pairing of three movies of musical stars Gene Kelly and Frank Sinatra.

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie onDecember 29, 1947 with Frank Sinatra, Gene Kelly and Kathryn Grayson reprising their film roles.

For the most famous sequence in the film, Mickey Mouse was originally meant to be the dance partner of Gene Kelly. However, when Walt Disney refused to have his most famous character appear in an MGM film. Kelly turned to MGM's own animation studio and used Jerry Mouse of Tom and Jerry fame. William Hanna and Joseph Barbera, the writer/directors of MGM's "Tom and Jerry" cartoons, supervised the animation for the sequence.

When the dance sequence with Gene Kelly and Jerry the Mouse was screened for MGM executives, someone noticed that although Kelly's reflection shone on the floor during his dancing, Jerry's did not. This required Hanna, Barbera, and their team to go back in and draw Jerry's reflection on the floor as he was dancing.

This was the first film project for Pamela Britton.

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